Imogen Reed (
greenevoices) wrote in
undergrounds2017-09-15 03:23 pm
Entry tags:
Dream a Little Dream of Me - Locked to Cesare (Late September)
Imogen's been offered a job, and she thinks she'll take it. Not that she particularly wants to spend her days teaching magical teenagers how to sightread--as someone who's only barely in her twenties herself, she thinks that's far below her--but because the pay is decent and, combined with her weekly performances at the Angelo, it means she might even be able to move out of her aunt and uncle's house. Or at least start paying rent.
Two days after her meeting with Sylvia Redbright, Imogen is back under the spotlight at the Angelo. She's "gifted," whatever that means. Something about her voice is magical. It should be earth-shattering news, but somehow it makes sense as much as anything in a world that is suddenly peopled by witches and vampires in addition to regular humans makes sense. It seems right.
Halfway through her set, another person walks into the lounge. Imogen is too much of a professional to register her surprise, but it's actually the first time that Cesare Borgia, her mysterious employer and benefactor, has come to see her sing. She smiles to herself. Gifted, huh?
Between songs, she whispers something in the ear of the pianist, and he signals to the rest of the band. They're going to change things up a bit.
Two days after her meeting with Sylvia Redbright, Imogen is back under the spotlight at the Angelo. She's "gifted," whatever that means. Something about her voice is magical. It should be earth-shattering news, but somehow it makes sense as much as anything in a world that is suddenly peopled by witches and vampires in addition to regular humans makes sense. It seems right.
Halfway through her set, another person walks into the lounge. Imogen is too much of a professional to register her surprise, but it's actually the first time that Cesare Borgia, her mysterious employer and benefactor, has come to see her sing. She smiles to herself. Gifted, huh?
Between songs, she whispers something in the ear of the pianist, and he signals to the rest of the band. They're going to change things up a bit.

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“‘Well then,’ what?” She asks over the rim of her glass. “What’s that supposed to mean?”
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"It means maybe you can only find information on one man because there is only one man."
He opens his mouth for the briefest of seconds and his tongue instinctively moves over his right fang.
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Then she catches a glimpse of fang in Cesare’s mouth and it all makes sense.
“...the fuck?”
Him? He’s a vampire?
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"How much do you know already?" He would rather not bore her with retelling of the same information. Being told the same thing over and over has a habit of losing its lustre and Cesare does love to make an impact when he can.
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“So...when you found me the other night, you knew what had happened to me. You weren’t just being nice.”
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He looks at her with a bit of a sad smile.
"I wanted to help you."
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But she has a secret too. “I’ve been offered a job, you know. Lady named Sylvia Redbright wants me to teach music in her school.”
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Then the topic of Sylvia crops up. Ew. Cesare's disgust is pretty clear as he rolls his eyes.
"Why would that bitch want anything to do with you?" It seems like Sylvia broke the rules far before he did.
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Now here’s the tricky part. If she reveals why, exactly, Redbright had scouted her out Cesare will know she’d been experimenting with her powers. But she knows now that there are people with powers, and it’ll be useless to pretend otherwise.
“Apparently I’m...a, uh, meta-human? Sounds like a comic book, doesn’t it?”
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"What can you do?" he asks, the same way you ask a magician to show you a trick. "Fire? Invisibility?" He pauses and grins, clearly joking with his next words. "Mind control?" Apparently he truly has no idea.
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“So you’re actually a vampire? Hundreds of years old, can’t go in the sunlight or eat garlic or anything?”
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"But not everyone here can. Why do you think this hotel has such great blackout curtains?" He flashes her a smile, trying to focus on the conversation and not how fantastic she looks.
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This is all ridiculous and part of her still doesn’t quite believe it, despite all she’s seen in the last few weeks. Vampires and werewolves and witches and metahumans. Hell, probably mermaids and pixies too.
“...are there more vampires in the hotel? Other than you?”
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"I sleep in a bed, though you are welcome to check that if you like." Wow, subtle, Cesare. Normally he's considerably smoother than that. What's happening? Why is he so nervous? He tries to move on and takes another swig of his drink.
"See that man over there who looks in his sixties? The one drinking port? He's only ninety or so. And that young thing at the bar, wearing all the sequins? One of my elders."
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And she doesn’t deny that she’s been intensely attracted to him since the night he brought her back to the hotel. She’d been attacked by vampires and now she wants to go to bed with one.
“Are they all vampires? Everyone who’s come to see me?” She asks, curiously. “They’re a hell of a lot better dressed than the ones who tried to kill me last month. How many of you are there?”
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"Not all of them but a lot. At least half of the guests here are of the vampiric variety. You could call it a haunt of theirs." He internally cringes as he says it. Oh my god, Cesare. Why are you acting like a dork? Get it together.
"As for as many there are in the world, it's difficult to say. We're a secretive bunch, but there are certainly quite a lot of us. How much do you know about meta-humans?"
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“Not much,” she admits. “I got a pamphlet and a job offer. They want to keep me on as a vocal coach—to keep an eye on me, probably. It’s only been a few days since I found out about any of this. I thought I’d been hallucinating when that girl—when I got attacked. Now it makes sense.”
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He settles for leaning in a little and placing his hand on the table.
"Are you worried?" He doesn't want her to worry. He wants her to be happy, enjoying the supernatural world around her, ideally with him.
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“A little,” Imogen admits. “Obviously it’s not all....witch schools and really nice hotels.” She shrugs, then smiles. Dazzlingly. “But I’ve got people to show me the ropes. I’m a quick study.”
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"It can be all witch schools and nice hotels, if you would like it to be..." After all, that's what his life is. He's had years to craft it carefully and invite people along for the ride. He could easily make things more comfortable for her.
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She says, coyly, “But what if I want to see more? As long as it doesn’t try to kill me.”
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"Well, there is certainly plenty to see..." He gives her a smile and takes a swig of his wine. "And who am I to tell you what you can and cannot experiment with?"
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Of course he is. But this is part of the game, after all.
“And how should I experiment?”
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"Would it be a problem if I were?" Though from how she's reacting, he gathers he already knows the answer. He reaches for her hand and turns it over, his thumb pressed against her wrist. He looks down at it thumb tracing absent-mindedly over the vein there.
"Well, to start I should tell you that the act of drinking is mutually enjoyable."
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Imogen leans over and whispers, her lips just brushing the shell of his ear, "let's get out of here."
Not twenty minutes later and her expensive little cocktail dress is in a pile on the floor of Cesare's bedroom, its zipper torn in his haste to get it off her. She hadn't been wearing much underneath. Cesare's shirt and trousers are crumpled next to the dress, and Imogen finds herself on her knees in front of him, practicing a skill she hasn't needed to use in a long time. It's rough, sloppy, chaotic.
And she likes it this way.
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