Imogen Reed (
greenevoices) wrote in
undergrounds2017-09-15 03:23 pm
Entry tags:
Dream a Little Dream of Me - Locked to Cesare (Late September)
Imogen's been offered a job, and she thinks she'll take it. Not that she particularly wants to spend her days teaching magical teenagers how to sightread--as someone who's only barely in her twenties herself, she thinks that's far below her--but because the pay is decent and, combined with her weekly performances at the Angelo, it means she might even be able to move out of her aunt and uncle's house. Or at least start paying rent.
Two days after her meeting with Sylvia Redbright, Imogen is back under the spotlight at the Angelo. She's "gifted," whatever that means. Something about her voice is magical. It should be earth-shattering news, but somehow it makes sense as much as anything in a world that is suddenly peopled by witches and vampires in addition to regular humans makes sense. It seems right.
Halfway through her set, another person walks into the lounge. Imogen is too much of a professional to register her surprise, but it's actually the first time that Cesare Borgia, her mysterious employer and benefactor, has come to see her sing. She smiles to herself. Gifted, huh?
Between songs, she whispers something in the ear of the pianist, and he signals to the rest of the band. They're going to change things up a bit.
Two days after her meeting with Sylvia Redbright, Imogen is back under the spotlight at the Angelo. She's "gifted," whatever that means. Something about her voice is magical. It should be earth-shattering news, but somehow it makes sense as much as anything in a world that is suddenly peopled by witches and vampires in addition to regular humans makes sense. It seems right.
Halfway through her set, another person walks into the lounge. Imogen is too much of a professional to register her surprise, but it's actually the first time that Cesare Borgia, her mysterious employer and benefactor, has come to see her sing. She smiles to herself. Gifted, huh?
Between songs, she whispers something in the ear of the pianist, and he signals to the rest of the band. They're going to change things up a bit.

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"I want you in Islington because you could be helpful politically, a branch between factions. It's in my interest to show people that I'm amicable with other communities."
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“And why do you care about politics? Are you the head of the vampire club?”
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"I'm head of everyone's club. I'm president of the entire Night Council. That means vampires, metahumans and even fae like you. So it helps if I can show I can get along with them." He conveniently misses out the fact that he's been trying to present an image of a polite man of virtue.
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"Or a representative. A bridge between factions."
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She takes a deep breath.
“...what are we going to do about the fact that you shut me up in a room for a week, Mr. President of the Night Council?”
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"Careful, Imogen. You're still in here. I would suggest trying to threaten me once you're out instead." Perhaps she doesn't realise quite who she's dealing with.
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Imogen is treading on thin ice but she doesn’t have much left to lose at this point.
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"I'm looking for someone who will be helpful, not try to threaten me."
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Imogen is back to being small and scared. Quiet. Demure. Anything to save her life.
“I can be helpful.” Her eyes brim, rather prettily, with tears. “Please. I want to go home.”
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"Then prove that you can be," he says firmly. Though to be honest he's a bit confused as to why she's desperate to go home. As far as he thought, she didn't really have one.