Imogen Reed (
greenevoices) wrote in
undergrounds2017-09-15 03:23 pm
Entry tags:
Dream a Little Dream of Me - Locked to Cesare (Late September)
Imogen's been offered a job, and she thinks she'll take it. Not that she particularly wants to spend her days teaching magical teenagers how to sightread--as someone who's only barely in her twenties herself, she thinks that's far below her--but because the pay is decent and, combined with her weekly performances at the Angelo, it means she might even be able to move out of her aunt and uncle's house. Or at least start paying rent.
Two days after her meeting with Sylvia Redbright, Imogen is back under the spotlight at the Angelo. She's "gifted," whatever that means. Something about her voice is magical. It should be earth-shattering news, but somehow it makes sense as much as anything in a world that is suddenly peopled by witches and vampires in addition to regular humans makes sense. It seems right.
Halfway through her set, another person walks into the lounge. Imogen is too much of a professional to register her surprise, but it's actually the first time that Cesare Borgia, her mysterious employer and benefactor, has come to see her sing. She smiles to herself. Gifted, huh?
Between songs, she whispers something in the ear of the pianist, and he signals to the rest of the band. They're going to change things up a bit.
Two days after her meeting with Sylvia Redbright, Imogen is back under the spotlight at the Angelo. She's "gifted," whatever that means. Something about her voice is magical. It should be earth-shattering news, but somehow it makes sense as much as anything in a world that is suddenly peopled by witches and vampires in addition to regular humans makes sense. It seems right.
Halfway through her set, another person walks into the lounge. Imogen is too much of a professional to register her surprise, but it's actually the first time that Cesare Borgia, her mysterious employer and benefactor, has come to see her sing. She smiles to herself. Gifted, huh?
Between songs, she whispers something in the ear of the pianist, and he signals to the rest of the band. They're going to change things up a bit.

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“Thank you,” she says softly.
Then, before she can stop herself, she blurts: “Are you going to kill me?”
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Imogen frowns at the wine glass. “I...manipulated you. I have this power and I experimented with it on you. I didn’t mean for it to go as far as it did.” The rush of magic had been intoxicating. She’d gotten so caught up in it...
“I’m sorry.”
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"Very well. Are you working with anyone else?" His eyes flicker up from his drink to meet hers, his look still serious. She had better not lie to him. After all, he'll know.
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She shakes her head, no. She isn’t working for anyone else. “I was stupid. It was entirely me. Finding out about this world, about being a, uh, metahuman...I got caught up in it.”
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"You aren't a metahuman, Imogen. You're fae."
He swallows thickly, still able to taste it in his throat. His body still craves it.
"Fae blood is highly addictive for vampires." Though really that's a bit of an understatement. Suddenly her attack makes so much more sense.
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Imogen’s eyes go wide. “But that’s not true. I’m human—I’m from Essex. I have parents and little brothers and sisters, a family. I’m human. We’re all human. I can’t be a...fairy. Fae. I would know, wouldn’t I?”
When Cesare mentions fae blood, she looks confused. Was that why he had run from her? “But...I’m not...” She protests, weakly.
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"You're going to need to be careful around vampires..." Including him, to be fair.
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“But I can’t be fae. I’m normal. I’m just...Imogen.”
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"Now, being a fae doesn't necessarily mean you have to join the Unseelie or Seelie. After all, you have lived as a human all your life. Why should you switch now? Within Islington, you could be useful. Particularly useful, in fact."
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"I can look after you, but if you join the fae....well, they can be capricious at best." Cesare is nothing if not stable. He keeps to his word, painfully so. He's too stubborn not to.
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Imogen looks down at the wine glass. "You've kept me here for a week. You were interrogating me--and now you want to look after me? Why? To stop me from going to anyone else?
"You tell me that I'm a...a...fae and that I'm not human and suddenly it's okay and you want me to join your vampire club?"
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To be totally honest, he would rather keep her around. She's pretty and a fae and maybe there's still a remnant of her powers that are working on him even now. But if she wants to complain, he can very easily end it all. It's no major loss for him...
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"I didn't know you were fae before. I thought you were going to be a decent lay for one night that I would keep comfortable for a few months until we both got bored." Hey, if she wants honest, he'll give it to her. "Had I known you were meth, I would have kept my hands off."
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“First I’m a decent lay and now I’m meth? Really? Christ, Cesare, you really do how to make a girl feel wanted.”
She sighs. “So if I do joint your vampire club, what then? Do I get turned into a vampire too or does my being meth mean I’m just the fae girl you’ve got on the side?”
She doesn’t want that. She wants to be involved. In the ten minutes since she found out she isn’t human, she’s felt...stronger, somehow. More determined than ever to exploit this for her own gain.
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"I want you in Islington because you could be helpful politically, a branch between factions. It's in my interest to show people that I'm amicable with other communities."
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“And why do you care about politics? Are you the head of the vampire club?”
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"I'm head of everyone's club. I'm president of the entire Night Council. That means vampires, metahumans and even fae like you. So it helps if I can show I can get along with them." He conveniently misses out the fact that he's been trying to present an image of a polite man of virtue.
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"Or a representative. A bridge between factions."
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She takes a deep breath.
“...what are we going to do about the fact that you shut me up in a room for a week, Mr. President of the Night Council?”
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"Careful, Imogen. You're still in here. I would suggest trying to threaten me once you're out instead." Perhaps she doesn't realise quite who she's dealing with.
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