Imogen Reed (
greenevoices) wrote in
undergrounds2017-09-15 03:23 pm
Entry tags:
Dream a Little Dream of Me - Locked to Cesare (Late September)
Imogen's been offered a job, and she thinks she'll take it. Not that she particularly wants to spend her days teaching magical teenagers how to sightread--as someone who's only barely in her twenties herself, she thinks that's far below her--but because the pay is decent and, combined with her weekly performances at the Angelo, it means she might even be able to move out of her aunt and uncle's house. Or at least start paying rent.
Two days after her meeting with Sylvia Redbright, Imogen is back under the spotlight at the Angelo. She's "gifted," whatever that means. Something about her voice is magical. It should be earth-shattering news, but somehow it makes sense as much as anything in a world that is suddenly peopled by witches and vampires in addition to regular humans makes sense. It seems right.
Halfway through her set, another person walks into the lounge. Imogen is too much of a professional to register her surprise, but it's actually the first time that Cesare Borgia, her mysterious employer and benefactor, has come to see her sing. She smiles to herself. Gifted, huh?
Between songs, she whispers something in the ear of the pianist, and he signals to the rest of the band. They're going to change things up a bit.
Two days after her meeting with Sylvia Redbright, Imogen is back under the spotlight at the Angelo. She's "gifted," whatever that means. Something about her voice is magical. It should be earth-shattering news, but somehow it makes sense as much as anything in a world that is suddenly peopled by witches and vampires in addition to regular humans makes sense. It seems right.
Halfway through her set, another person walks into the lounge. Imogen is too much of a professional to register her surprise, but it's actually the first time that Cesare Borgia, her mysterious employer and benefactor, has come to see her sing. She smiles to herself. Gifted, huh?
Between songs, she whispers something in the ear of the pianist, and he signals to the rest of the band. They're going to change things up a bit.

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So she does what he says. She finds an armchair outside the bedroom and curls up on it, feeling miserable and utterly alone.
And that is where Cesare will find her hours later, fast asleep.
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He's is surprised to see Imogen for a couple of reasons. For one thing, he had expected her to be gone. For another, he hadn't expected her to look like that, semi-dressed and lying on his bed covered in blood. She looks good. He freezes for a moment, trying not to let himself think about the temptation.
"Get up." he commands, using his vampiric powers of persuasion. Two can play at that game.
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She's never been on the receiving end of magic before; her mind feels foggy, unfocused. Imogen blinks slowly at Cesare, ready to be commanded.
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"Metahuman? Like hell you are," he seethes. "Who sent you?" Because obviously someone must have. Redbright perhaps? Would Eames have bothered to do it? His minds races as he tries to figure it out.
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"Don't fucking equivocate with me, Imogen," he growls. "I do not have time for that. What is your real name?" If he finds that out then he can trace her, have his people figure out what happened and why. Or more importantly who ordered it.
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"Take a seat," he commands, gesturing towards the chair at a dressing table and slowly making his way towards her, rolling up his sleeves.
"Why did you come to his room, Imogen?"
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"And why did you do that?" Because she wanted him to drink and get hooked on fae, have his reputation ruined and his presidency marred, obviously. But he wants to hear it from her.
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"We can do this the hard way if you want to, Imogen..." he says warningly. "Tell me the truth that matters."
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Imogen has never been able to lie, and with the magic working its way through her it’s impossible to even bend the truth as she is normally accustomed to doing.
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"I don't have a girlfriend," he says in a tone that sounds almost offended. If he had a girlfriend would he be sleeping with other women like that? No. And that is one of the precise reasons why he refuses to have a girlfriend.
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"I don't have a girlfriend," he repeats. "Not her. Not anyone."
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“...oh. May I leave now?”
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"But you'll stay in the hotel. You won't leave. We'll keep you fed and comfortable until we talk again, is that clear?" He needs to sort this out, after all.
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She still hasn’t seen Cesare.
Imogen isn’t sleeping well. She has nightmares about vampires, about being attacked. She moves through her day like a ghost, a pale imitation of the usual front she puts up for everyone. People have stopped showing up to her shows; she’s getting used to singing in a mostly empty room.
When she hears a knock on her door, she barely looks up. It must be the maid.
“Come in,” she sighs.
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"I brought wine..." he says, placing it on the table by the window starting to uncork it. "I thought it might loosen your tongue." Because clearly vampiric persuasion didn't quite get the answer that he had expected. To be honest, he had deliberately left her to wait, give her a time to think and simmer on what she was going to tell him. He had given her time to realise that it was in her best issue to keep him happy.
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“Thank you,” she says softly.
Then, before she can stop herself, she blurts: “Are you going to kill me?”
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Imogen frowns at the wine glass. “I...manipulated you. I have this power and I experimented with it on you. I didn’t mean for it to go as far as it did.” The rush of magic had been intoxicating. She’d gotten so caught up in it...
“I’m sorry.”
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