Joscelin Fitzthomas (
dredefulchilde) wrote in
undergrounds2017-02-18 05:47 pm
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And we don't know where we're going and we don't know where we've been (Amnesia plot post)
23 February, Early Morning
He wakes up in the middle of a field - actually, a football pitch in Hounslow, but it seems vast and strange to him. He feels a nagging sense that he's lost something important, but he can't remember what it is. On further thought, he realizes that it's not the only thing he can't remember. He has no idea who he is, where he is, or why he's standing in the cold rain. The only thing he can remember is the feeling of an old ring hanging on a chain against his chest, under his sodden clothes. It's familiar and safe, and he knows that if he removes it something very bad will happen.
So the boy crouches in the mud and puzzles through his odd predicament.
A woman at a bus stop opposite the park is the first to see the small figure in the rain. She approaches the pale child and asks him what he's doing out so early, offering her umbrella, but he doesn't seem to understand her questions, growing increasingly agitated and confused the more she tries to help him. He's obviously lost, and the thinness of his arms and legs concerns her. She calls the police.
That night, the evening news broadcasts a picture of a boy, believed to be between nine and eleven years of age, who has been taken into care by Child Protective Services. They are looking for anyone who may recognize him since he does not seem to recognize himself. It generates a bit of buzz online, but it's hardly a leading news story with everything else going on in the world.
There's a follow-up the next morning, but this time it leads the program: a nurse in the mystery boy's hospital room was found dead late last night, drained of blood, her throat ripped out. The child is nowhere to be found.
[Specific prompts in the comments!]
He wakes up in the middle of a field - actually, a football pitch in Hounslow, but it seems vast and strange to him. He feels a nagging sense that he's lost something important, but he can't remember what it is. On further thought, he realizes that it's not the only thing he can't remember. He has no idea who he is, where he is, or why he's standing in the cold rain. The only thing he can remember is the feeling of an old ring hanging on a chain against his chest, under his sodden clothes. It's familiar and safe, and he knows that if he removes it something very bad will happen.
So the boy crouches in the mud and puzzles through his odd predicament.
A woman at a bus stop opposite the park is the first to see the small figure in the rain. She approaches the pale child and asks him what he's doing out so early, offering her umbrella, but he doesn't seem to understand her questions, growing increasingly agitated and confused the more she tries to help him. He's obviously lost, and the thinness of his arms and legs concerns her. She calls the police.
That night, the evening news broadcasts a picture of a boy, believed to be between nine and eleven years of age, who has been taken into care by Child Protective Services. They are looking for anyone who may recognize him since he does not seem to recognize himself. It generates a bit of buzz online, but it's hardly a leading news story with everything else going on in the world.
There's a follow-up the next morning, but this time it leads the program: a nurse in the mystery boy's hospital room was found dead late last night, drained of blood, her throat ripped out. The child is nowhere to be found.
[Specific prompts in the comments!]
OTA
He hides in an alleyway, still wearing his hospital gown and covered in the nurse's blood. He knows he's done something unspeakably awful, but he has no idea why. She had been so kind to him! All he knew is that he'd been hungry. She kept bringing food, even several different varieties of candy bar (which he somehow recognized despite not even knowing his own name), but it didn't do anything to help. He was starving. And then something had come over him, something dark and terrible and strange. The next thing he knew, the nurse was dead and he wasn't hungry anymore.
He wants help. He wants to know what's wrong with him, why he can't remember, but he's so scared. So he keeps hiding, cold and exhausted and unaware that he's left a trail of blood behind him.
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Or as a delicious snack and a fun lay.
Not to mention, a good amount of London had seen them together. Attacking the girlfriend of a Night Council Member was not a good idea. So she felt safe to wander through whatever alleyways she pleased, which was what brought her to doing probably one of the stupider things she'd ever done in her life: following a trail of blood into said dark alley.
It's there that she follows the trail, a gruesome trail of bread crumbs. Something's wrong, here. A bit of searching reveals the source of the blood. A young boy, the same age as his brothers. Boy, kid. Are you lucky you ran into Nancy.
"Are you alright, love?" she calls toward him softly. She bends down, extending a hand toward him and a warm smile. She was no threat to the boy. "Are you hurt? Come out here and let's get a good look at you."
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He looks up at the girl with wide, panicked eyes, too scared to speak. He's shaking from a mixture of cold and trauma, teeth chattering in his skull so loud he's surprised he hasn't brought the whole city down on himself.
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"I d-d-don't know," he stammers, on the verge of tears once more. "I don't remember."
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Closed to Cesare
He knows he deserves it. He's done a terrible thing.
But he doesn't like this room. He doesn't want to be here. He doesn't like the way that one of them keeps asking him the same questions over and over about what happened in the hospital, even if she pretends to be nice about it and gives him breaks when he wants them.
"I don't know," he keeps crying to her. "I don't know. I don't remember."
But then the door opens. "His father's here," says a man and the boy sits up in surprise. It never occurred to him that he might have a father.
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Soon enough he's contacting a guy who knpws a guy and documents are forged, identities created and Cesare becomes a proud father. Again.
When Cesare walks into the room, he's standing more awkwardly than he otherwise would have liked. He gives Joscelin a wry smile and holds out a hand.
"Come on, son."
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Maybe that means he really is my father, he thinks, and takes the hand that's held out to him.
"I think I did something bad," he says as the man leads him away. "Don't bad people go to jail? Am I going to go to jail?"
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"No. You're going home, where we can sort all this out." He means fixing Joscelin's predicament, not whatever bad thing he's talking about, although Cesare can guess exactly what that is.
"Do you....have your mother's ring?" he asks, trying to figure out exactly how to ask about the daylight jewelry without picking up any attention from the officers next to them.
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"They tried to take it but I wouldn't let them."
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"Good. Don't lose it. Keep it on, ok? It's important. Now, shall we take you home?"
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Closed to Natasha
It's been four days since he first woke up in the rain and he's still no closer to figuring out why he can't remember who he is.
The television in his room is on, playing a cartoon that he finds vaguely irritating but also rather funny. He doesn't notice the door opening behind him until he smells something--or someone, in this case--familiar in a way he can't quite place, the same way Cesare is familiar. He turns around to find a red-haired woman in the room.
"Who are you?" he asks, curiously.
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"Natasha Romanoff," she says, shrugging out of her jacket and setting hanging it on the back of a chair. "We've met."
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"I don't remember very much," he admits a little sheepishly. "I'm sorry I don't recognize you."
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"I very much doubt this is your fault. Don't apologize for it." She smiles at him a little, encouragingly. "How much do you remember?"
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He doesn't mention his fears about why he can't remember anything, or why he's so hungry all the time.
"May I ask you a question, Natasha? How do you know me?"
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"We move in similar circles, I guess. We keep running into each other."
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Closed to Jean-Claude
Despite Nancy's kind words that first night, he knows he's a monster. That's why he killed that nurse. That's why he has to wear the ring all the time. He's not human.
He locks himself in the room at Cesare's hotel, confused and worried that he is a threat to others, someone who could kill again. He doesn't remember who he was before he lost his memories, and now he's not sure he wants to.
He flinches when he hears a knock at his door.
"Go away," he yells through the latch.
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"Mon ami," he says quietly. "Will you not let me in?" He has the key of course, but there's no reason that he cannot try to coax his way in without force at first instead.
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"Hello, mon ami," he replies. "It is Jean-Claude. May I come in?"
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The door closes, the chain rattles, and then it opens again. Joscelin's room is a bit of a pigsty, sheets thrown off the bed and plates of half-touched food piled in a corner. He's still wearing Nancy's too-big hoodie because it makes him feel safe. He's wide-eyed and very pale; he hasn't had any blood in days.
"And how do you know me, Jean-Claude?"
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He makes it a point to move slowly as he steps in through the door and close it gently behind himself, moving to turn to the other vampire and smile gently down at the question in turn.
"We are friends, you and I," he replies to the little vampire, the expression perhaps a little sadder than it should have been. He does not know whether Joscelin would ever truly admit to being his friend, under normal circumstances after all.
He gestures to the edge of the bed, which is a mess, but he will brave it for the sake of the boy's comfort. "May I sit?" he asks.
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