Mog (
bellbound) wrote in
undergrounds2017-03-08 09:04 pm
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Botching it in Bromley (Territory Claim)
They've done their research. They know where the fae in Bromley are hiding out, their movements, their numbers. As far as intelligence gathering goes, it's not a bad effort. They have a plan too. This at least is an improvement over some past witches that Mogget could mention, though in his opinion the plan is rather crude. Samantha could get a lot more resistance than she bargained for.
Which, it turns out, is exactly the case. Of course, Mogget is the one on the ground with the other witches, trying to control a situation that swiftly spirals out of control. Samantha is nowhere to be seen; she gets others to do her dirty work.
He's not looking forward to telling her what went wrong.
[ooc: Planning post here, individual threads for each day below! Feel free to make your own subthreads and let me know if you have any questions!]
Which, it turns out, is exactly the case. Of course, Mogget is the one on the ground with the other witches, trying to control a situation that swiftly spirals out of control. Samantha is nowhere to be seen; she gets others to do her dirty work.
He's not looking forward to telling her what went wrong.
[ooc: Planning post here, individual threads for each day below! Feel free to make your own subthreads and let me know if you have any questions!]
Thursday, 9th March: Evening
Friday, 10th March
Then it's done, the ripples settle down, and Mogget pads forward to the edge of the circle. "Send in the wolves."
OTA
There's another thing the mortals got right. Thank goodness for phones.
It's only a few hours between the call and his arrival at the town centre, an overnight bag slung across his body that's not packed with clothes and toiletries but weapons and a few bits and bobs that might well come in handy. (His magic has very few offensive applications, if he's honest. And part of him prefers it that way.) He's made his call to Jean-Claude, and he can feel it easily-- the magical undercurrent in the area that, well. He wouldn't exactly know what it did without having been told, but that doesn't matter a whole lot.
He sets off, moving about the fringes of the area in some attempt to find the anchor points of the spell and dismantle it, cloaked in a glamour that hides him from view. Making phonecalls as he does, telling the more sensitive fae (and friends) he knows to try and do the same thing.
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He looks up, hackles raising. The street is quiet apart from one man cleaning his car and a couple of teenagers heading further up the road. All human as far as he can tell. Mogget turns his head this way and that, as if questing for some invisible thread in the air. Is there something here?
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In the meantime, he pauses once he starts to feel something stronger than the ambient magic in the air, like walking against the wind-- he suspects if he crossed to the next borough it'd be like there was nothing at all. He surveys the street for any obvious signs of magic, but he can't see anything just yet. Not unless someone's about to sacrifice one of those kids anyway.
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Saturday, 11th March
The number they've actually captured is pitifully small. Mogget can't stand to be around the iron cages, however, and so he slips off to help with some of the individual targets. Like the shop Kunstkammer, with its Seelie proprietor.
for mogget
He's storming through alleyways, keeping out of sight to prevent any witches from calling him over for help. As fucking if. His plan is to, perhaps, find a few wolves and nag them to leave with him until he remembers Lan's shop is here. Maybe they're planning on putting her in a cage too. With that in mind, he darts off towards her place.
On the way, he spots a salt circle around a tiny building- being full of spite, he slows long enough to kick through the salt as he passes by. He doesn't know whether it'll do anything and since he can hear voices around the corner he doesn't stick around to find out, but a few blocks later he comes across another. This one is quieter, maybe unguarded. He stops, looks around, and then crouches down by the circle. After a few seconds of squinting at it, he reaches out and swipes his palm across the ground a few times, creating a wide gap in the line. Fuck the police.
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"I saw that. Breaking the circle when you thought no one was looking... Who are you working for?"
Clearly, it's not Samantha. Perhaps Katherine decided to hedge her bets and choose the fae after all. That would explain a lot.
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Why is it always the fucking cat.
He sneers once the initial panic wears off, lifting his hand away from the ruined circle and shooing Mogget with it. "I guess for my fuckin' self, since this ain't what I signed up for." He really ought to shut his mouth, probably.
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OTA
He dims his magic as much as he can when he's focused enough, but he can't hide from a magic-sensitive witch completely, so it's easier to keep his distance. He's not the most experienced prowler but he's paranoid enough to be half-decent.
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"Seelie, northeast," he hisses from his vantage point on a nearby roof. "Your first left! He has a trident."
That's not for Finnick's benefit, but rather to alert a group of werewolves who are on the prowl hunting down escaping fae. They're carrying crowbars made of iron which is one reason why Mogget is staying well away from them. As one or two of the wolves peel off from the group to head around the corner in search of the trident-bearing fae, Mogget follows them from above, keeping pace with the hunt.
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His second thought, upon seeing their target, is fuck. He knows this one.
Mogget has eyes on them, though- aside from a dismayed knit of his brow, he keeps his face blank-enough and his mouth closed, grip tightening on the bar in his hands. Fuck, fuck, fuck forever.
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His shoulders slump a little on recognition and he lowers his iron crowbar. "Gotta get your ass outta here, man. Ain't gonna like what anyone else is gonna wanna do to you when they catch up."
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"I'm just trying to get my people out before they end up in cages," he says.
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OTA (and also Mogget pls)
Everything is so fast and chaotic that he figures no one will notice that he's purposefully chasing Fae out and that more than once, he pulls his strikes and slows his pace just enough to make sure that they're getting away from him instead of captured or killed.
He does his best to keep his head down and do what he can, but towards the end of the fighting, things settle around him and he starts to really notice all the filled cages. Something snaps in him.
"This ain't what I signed up for. We're gettin' you land, not pets. Can't just put people in kennels." He gestures at the nearest cage, trying to get the attention of anyone around. "This ain't right. It's just gonna keep us all divided!"
The words are out of his mouth before he can consider if it's a smart thing to voice, but he can't help it. There's a panicked, queasy feeling in his chest that he just has to do something about. He can't sit by and see all these things that are just so viscerally wrong to him. His emotions are all over the place, but mostly he's just mad that people can't get over all of this shit.
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"Considering a little sabotage?" asks an arch voice from somewhere near Party's feet. Not too near, because he doesn't like going near the cages, but Mogget is close enough to hear the outburst where the Daybreak witches are too busy trying to keep the trapped fae contained.
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His stance shifts and then he moves closer so that he can tower over the cat. It's not often that Party gets to use his size to intimidate anyone, but he's not above trying when he can. "How'd you like to be in one of those if they were attackin' you, huh?"
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Sunday, 12th March
Samantha will want to know why they have failed. As the last witch runs into the Tube station to leave the area, Mogget sits on the wall outside and licks his paws, contemplating the story he's going to tell her. This setback won't stop her, he's certain of that. But perhaps he can convince her to be more cautious.
OTA
But this wasn't any old territory dispute, and maybe he finally has that proof he been looking for to point out what a fucking power-mad lunatic Samantha is, but that doesn't do anything for the disgust he feels at the cages. Iron cages. Fucking barbaric. Like they're circus animals from the 1890s who deserve to spend their time either in servitude or in agony.
He spends the day overseeing everything he can. The cages that were left behind are destroyed and sold for scrap, he has people checking up on missing fae to see if they were captured — though Eames suspects they made off with far, far fewer of them than Samantha would have liked. At one point he comes across the body of a dead witch, toes their wand away and squats down to check the pockets and take their phone. Peels his glove off so he can have a rifle through and check for anything of interest or use. Mostly he's getting a sense that somebody had an addiction to Bejeweled and its million variants.
Essentially he's currently subsisting on a nice and simple cocktail of rage and coffee.
for Evie
He has no interest in attacking fleeing witches, though he'll not step in if anyone else does, attention better spent on the postscript of this whole debacle. He also needs to make sure the vampires are behaving themselves-- most of them wouldn't go against Jean-Claude, not openly at least, but he can't expect them all to be happy about this. Or to use the carnage to take a snack or two.
So it's a bit of a relief, seeing the likes of Evie. Someone rational, by and large in control of herself. And with a not insignificant influence within Islington. Eames waves a hand in greeting as he approaches, waiting until he's close enough to speak quietly before he speaks at all.
"Dame Frye," he smiles in greeting, "I suppose thanks are in order."
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She's noticed, however, as the witches escape, that their Mother is not amongst them. Curious, this woman who would command troops into battle and yet be nowhere to be found. It didn't do much to endear the new Mother of Witches to her, not in the slightest.
Evie makes a 'hats off' gesture towards Eames as she approaches him. She brushes his offer off. "No, think nothing of it. Are you alright?" Him, his friends. She had a soft spot for the older fae, after their time trying to take down Raymond.
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12 March: Night
This move against the fae, though, was different. It spoke to a much less measured stance. Even if she ignored the aggression and the grab for power, it was also just a mess. And a bald faced grab, particularly in retrospect, knowing what she did.
It's not lightly that Natasha, tired and frustrated, appears at Sylvia's office hoping to sneak in a meeting.
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She's sitting in the little meeting area at the side of her office with her third cup of coffee in hand when Natasha enters. Sylvia takes a sip and then offers Natasha a tired smile. "So, how did it go?"
She suspects Natasha's report isn't going to be too positive, if the preliminary news they've been hearing is anything to go by.
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"Would you like to sit down? I don't need a blow-by-blow account, but – well. How exactly did it fall apart?"
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