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undergrounds2017-01-22 11:27 pm
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The Night Train
It's the 22nd of January and the sun has disappeared behind the horizon. You're waiting at your nearest station when a sleek, metallic grey train pulls up at the platform. No one else can see it, only those who are aware of the supernatural world. Ladies and gentlemen, welcome to the Night Train. Tonight the leaders of the Night Council will be making their annual introduction to the supernatural community – aboard a train that will make stops in every borough with a significant supernatural presence. Hop on and off whenever you like: this event is designed to be open to all. (Though for some reason the train won't be passing through East End or Seelie/Unseelie territory...)
The event takes place from 7pm-12 midnight Sunday 22nd January.
Rules of entry
• No weapons. Any weapons or objects that could be used as weapons will be confiscated.
• No drugs or alcohol except that provided at the event. Don't try to sneak any in.
• No violence. The train is cursed with a hex that will punish any trouble-causing passengers with a lightning strike. The Council doesn't mess around here.
Carriages
The train has five carriages, each one with a different theme. While the Night Council members are dispersed throughout the train, they are under no obligation to stay in their carriage and will likely move around to network and meet fellow members of the supernatural community. There are cameras and security guards in every carriage to ensure there is no trouble.
1) PRESIDENT / VICE PRESIDENT. At the front of the train is a carriage decked out as if for royalty. Surprisingly spacious, the carriage is decorated with gilt trimmings, a thick wine-red carpet and leather seating. Portraits of previous Presidents and Vice Presidents line the wall. Coffee, tea and wine is being served at tables interspersed throughout the carriage and finger sandwiches are available.
2) WITCH REPRESENTATIVE. The next carriage along belongs to the Witch Representative. It's rather like walking into a greenhouse: the entire place is full of herbs and other plants, and there are tables where you can sit and ask for advice or magical favours from witches with varying specialities: a healer, a herbalist, a psychic, a medium and a potions maker. Magical butterflies flutter along the ceiling and among the flowers like colourful lights. A small bar at the end of the carriage serves a variety of herbal teas.
3) VAMPIRE REPRESENTATIVE. The next carriage along belongs to the Vampire Representative. Decorated in a tasteful dark red, about half the carriage's length is taken up by a wine bar that serves a variety of alcoholic and blood-based drinks and snacks. The other half consists of leather seating where the seats face each other to allow guests to talk while enjoying a drink.
4) SHAPESHIFTER/META HUMAN REPRESENTATIVE. It seems that Yasmine decided her aim for the night was to let loose and avoid talking, since this carriage is basically a narrow dance floor. Club music blares out from speakers on the ceiling, there's a disco ball and strobe lighting, and all the windows are blacked out. A magical seal ensures that the noise is contained within this carriage, so you won't hear any of it until you step inside.
5) EMPTY CARRIAGE. There's nothing here apart from rows of seats that you might find on any ordinary train. A sign on the door says "WARNING: THIS CARRIAGE IS HAUNTED. KEEP OUT." If you ignore the sign and go in anyway, you might feel a sense of unease. The shadows seem unnaturally long and the lights will flicker on and off. Magically sensitive types will feel a strong sense of impending death and may experience visions of the seats being ripped apart and blood spattered on the walls. If you stick around even after that, the most magically sensitive person in the carriage will experience a vivid hallucination of their own death at the hands of a vampire. If you manage to endure that without fleeing, PM the mod to continue. (Don't worry, no one will die.)
Night Council NPCs
Sylvia can be found in the President's carriage with her customary glass of red wine in the early part of the evening, though later on she will make her way through the rest of the train. She seems distracted, however, and may occasionally be seen whispering with her fellow witches, in particular Peter Vrinak and Nora Shannon.
Peter Vrinak, Vice President, and Nora Shannon, Witch Representative
These two spend a lot of time talking together, moving between the President's and Witch's carriages. Nora seems unhappy about something. Rumour is that she was aiming to be chosen as Mother of Witches, but the signs ruled her out.
Yasmine Merad, Shapeshifter/Meta Human Representative
Yasmine starts out in the President's carriage but checks out when it's clear that the witches are embroiled in their own intrigues. She stops by the Vampire carriage to grab a drink and stare balefully at any vampire who looks at her the wrong way, then finally makes her way to her own carriage to forget the rest of the Night Council and just dance. They have to do these things every year, she may as well enjoy herself.
Samantha Okeke, New Girl in Town
There's a reason for the distraction among the witches, and Samantha is it. Having recently returned to the city of her birth, the signs have confirmed that she is to be the new Mother of Witches. No official announcement has been made and it's meant to be a secret for now, but somehow rumours seem to be spreading throughout the train... Samantha won't confirm or deny, but there's certainly a spring in her step as she moves through the carriages, happy to introduce herself to anyone who seems important.
A Conversation
At around eight o'clock in the evening, the following conversation takes place between Sylvia and Samantha in the President's carriage. They greet each other with a hug and kiss to the cheek – clearly, they know each other – but an attentive observer may note that Sylvia's smile is a little strained and Samantha's a little too effusive.
Samantha folds one arm across her waist, lifting her glass with a teasing smile. "So, can I finally call you 'Auntie' now instead of 'Mother'?"
"Oh, God." Sylvia makes a face of mock horror. "No, it's fine to call me Sylvia. I also accept Madame President and Chancellor Redbright."
"Madame, really?" That gets a small laugh from Samantha, who shakes her head. "I forget you have other titles. So where is the line between Circle Daybreak and the Night Council, now that you're no longer Mother of Witches? If I had a witch issue I wanted to talk about, I'd go to Nora, right?"
"Is that a rhetorical question?"
Samantha shrugs, her smile disarming. "I just want to know how everything works."
[ooc: Any of the Night Council NPCs are available to interact with, just say which one you want to talk to! This event also introduces a new NPC, Samantha, who is here to shake things up a little. Feel free to say hi.]
For Sylvia
Turns out it's really hard to get a job when you're twenty with no experience or formal education.
At one point during the night, nursing a martini from the Vampire carriage that certainly wasn't her first, she manages to cross paths with Sylvia, though she's certain the older woman knows why she's here at all. "Hello," she says warmly, all the same. It's hard not to feel good to night. "Lovely picture of us on your facebook." She's actually really not that happy about it.
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As discussed!
Last, but not least, the occupants. Samantha is stirring things up, Peter and Nora are colluding in what no doubt is to be something that will make his life difficult and Sylvia is obviously tense about the vampires being back on board. He regrets that he's avoiding drinking anything.
He sees her talking with Nancy, and just knows he's going to be beckoned over as she leaves before it even happens.
Sylvia looks up, and Lancelot lofts his eyebrows in an answer question before closing the distance between them. He's dressed in his usual grey suit, no tie because they make him a little itchy but smart enough to pass.
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Samantha? c8
"So how did you do it?" he asks with a smirk. Ok. So maybe he does want some advice from a witch after all.
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If Cesare knows too much, tell me and I'll scoot back. <3
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Nancy | OTA
B Of course, Nancy has every reason to stop in the Witch Representative train. Though she's under Islington, rather than Daybreak, she's still a witch. It only seemed polite, anyway. She's content drinking another martini, looking at the collection of plants. It was impressive, to say the least, and it was nice to be somewhere quiet.
C [For Eames]
You know how in horror movies, white people tend to ignore those huge signs that say "WARNING: THIS CARRIAGE IS HAUNTED. KEEP OUT." and do the exact opposite of what they're explicitly told not to do? Yeah, that was exactly what Nancy and Eames were doing right now. She still had a martini in her hand, giggling a bit- she was hoping to talk to Eames somewhere private, this time with good news.
"Let's just duck in here," she tells him, gesturing with her head towards the haunted carriage. "We can talk there."
What was the worst that could happen?
D wild card <3
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He opens the door, frowning as that wave of unease washes over him, but he ignores it with a shake of his head and moves to the nearest seats to the door so they can sit and talk.
"Okay, what is it?"
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OTA
Daryl was tucked into the corner near the door, where he could sit comfortably on the leather couch and just watch the comings and goings. He wasn't much for the alcohol or atmosphere in the car, but he did want to learn more about the newest Vampire on the council. And maybe keep an eye on a certain vampire in particular **coughJean-Claudecough**.
Maybe.
Empty Carriage
The only other car Daryl felt half-way comfortable in was the supposedly haunted one. He didn't see any ghosts when he first stepped inside, but it was quiet and didn't have the headache inducing noise of the car that claimed to be for the shapeshifters and metahuman representative to entertain people. Not really entertaining. And the other cars? Both run by witches? Not really places Daryl felt safe in.
The haunted carriage didn't really feel that safe either, a strange feeling coiling in his gut after he stepped inside. But it was quiet and isolated and he needed that.
aaaa 1
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So yes, he is there. And yes, he notices that Daryl is as well. He notices too, the way that the shapeshifter's eye seems to keep gravitating towards him throughout the night. He's noticed how the man has seemed to avoid him, over the past month. And he's noticed now the fact that he can't seem to keep his eyes away. Jean-Claude smiles to himself and makes his way over to the other man's side, folding himself into a seat beside him on the leather couch and offering Daryl a smile of his own.
"It has been a while, mon ami," he says in greeting. "I have missed you. Have you been avoiding me?"
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Eventually, the car's occupants thin out a little, and Cooper has a moment to himself. Time to find out about the fellow who's sitting there. He sidles over to where Daryl is on the couch. He remains standing as he asks, "Don't suppose I could get you something t'drink?"
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empty carriage
He'd like to have a poke around on his own, shame there's someone else in here. At first he assumes it's the ghost, but the magic is different-- a shifter, he'd wager. Or a wolf, maybe. Hard to say without getting a look at them.
With a sigh, Eames looks up as the lights flicker but ultimately decide to stay off. Fantastic.
"Don't suppose you're an electrician?"
empty carriage
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OTA yo
WITCH CARRIAGE
GHOST CARRIAGE
general grumpiness for everybody
Well, to hell with all that. It's only been maybe a couple hours since he's gotten on and he's already had his fill. While he'd been expecting trouble with vampires, what he's instead stumbled upon is a wealth of fake-polite dismissals and chilly looks from witches, of all things.
Being stuck on a train swarming with them doesn't seem all that appealing anymore. Not even the promise of endless alcohol can console him. He backs up, blindly groping behind himself until he grabs hold of a sleeve that he assumes is attached to one of the other wolves he'd come here with. He doesn't turn around far enough to see his mistake, which is why he carries on with an irritable sounding, "This shit's for the birds, I'm gettin' off at the next stop. You staying?"
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witch carriage
"Thinking of taking up gardening?" he asks dryly, drink in hand as he looks at the plants around them.
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General, plz.
As Lan winds her way through the crowds towards Eames, she is well aware that looks somewhat out of place among all the suits and fine dresses. Slight, scaled, and wearing only an undyed linen sarong tends to make one stand out in a carriage filled with brass and heavy carpet. "Be careful if they give you advocaat. First, we know then that they'll be offloading the unwanted drinks on you, but more importantly, your face would curdle it."
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Ghost Carriage
Unfortunately, however, it seems the carriage is not as empty as he hoped. There's a fae in there, the one who helped Jean-Claude assassinate Raymond Harris.
"Oh it's you," he says, moving past Eames to sit in an empty row. He chalks the vague unease he feels up to being in a closed space with someone who smells so much like the blood he accidentally consumed over Christmas.
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Cooper | OTA
He's using the combination of his young face and old mind to their best advantages. Anyone who wants to talk politics tonight will find an ear willing to listen to them. He's comfortably in the position he's been dreaming of for some time now.
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She approaches him with a smile. "Hey. You're the new guy, right?"
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Finnick / OTA
Not this year.
The solemn look on his face is only so no one will spot him turning up his nose at everything. He can't manage a full smile unless he's engaged in conversation, and he doesn't see the need anyway. Everyone knows the fae are bitter that the Night Train won't even stop in their boroughs, and besides, he knows his weak but natural magic adds a perceived layer of charm and interest to his serious stare for the humans around him at least.
He wanders up and down each carriage slowly, taking it all in from the edges. All but the last. Finnick knows how to trust an instinct.
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He'd spotted Finnick passing through the vampire's carriage, aloof expression matching Eames' own of disgust, and moves across the carriage to him. Looking over Finnick's shoulder at them and how fucking outrageous this all is. Why not just spit on them while they're at it? Fucking disgraceful. And more than anyone, Eames expects Finnick to understand his feelings on the matter. They've worked on so much together, after all.
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Re: Finnick / OTA
Perhaps she could or should care about the fate of the fae on the whole, but as far as Lan's concerned, she's owed nothing by the Night Council or its people. Still, whether from some sort of solidarity or just petty interest, she makes a point to go and speak to any of the fae present.
"You'll have to forgive my manners, but I don't think we've had the pleasure of being introduced."
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OTA
[Sirius starts the night in the Shapeshifter carriage. He figures he at least ought to make an appearance at this thing. Show the Night Council that there's no hard feelings or anything and that he's being good. Plus you never know when you might learn something useful.
Although he doesn't quite look like he fits in in this car. While this might have been his scene at one point, interest seems to have faded. So he's mostly hugging the wall
[Witch's Carriage]
[While this might not be the best place for him either, Sirius finds himself spending his time here among the greenery. At the very least, it's quieter than the Shapeshifter carriage and if all else fails he can hide among the plants. Not that he's planning to.
At some point he ends up with a cup of tea, and is admiring the butterflies. And certainly not thinking of chasing one.]
shapeshifter carriage
He's not exactly dressed to the nines with his torn black clothes and dirty red hair, but he's got a swagger that makes him look like he belongs here as he walks over to Sirius to lean against the wall next to him. ]
Not feelin' the music?
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Lan; Seelie; OTA
Unbothered and visibly inhuman, Lan wanders through the carriages and sips at her drink. As she stops to chat, the colours at the base of her throat ripple and change according to her mood or whim. Perhaps there is a pattern or a meaning to the subtle shifts of light, or perhaps it's just artifice.
She's brash enough to introduce herself to anyone that catches her eye without regard to which faction they're allied with. Either she doesn't care, or she's confident enough in her own skills that it makes no difference. "I'm called Lan. I don't believe we've met."
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He supposes despite his status, he must not be all that well-recognized, considering how many people he runs into who don't know who he is. This being another example, of course. Perhaps it's for the best, though. He doesn't know how he'd handle people stopping him to be introduced to the Head of Hillingdon and just finding...him.
"Ehm," Faolan replies. "Hey. I'm. Not sure we have, no. I'm Faolan. Faolan O'Neill." Out of habit, he holds a hand out to shake.
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OTA
But he needs to support Jean-Claude, so he is here on the Night Train, surrounded by people he either hates or doesn't care to know. He keeps fiddling with the chain around his neck, not used to its once-familiar weight. It's only been a couple of weeks since his Ring was returned to him, and its newness preoccupies him. Joscelin can mostly be found in the vampire car, but sours on Cooper's presence later in the evening and decides to explore the rest of the train.
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He catches the little vampire frowning and fiddling with the chain around his neck for yet another time and so he steps forward to distract him from his thoughts. For the moment at least.
"Something is on your mind, mon ami," Jean-Claude says, by way of greeting, before he folds himself into a seat beside where the other vampire is hovering and offers Joscelin the one beside him in turn.
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For Fun Ghoul
He's about two drinks in and stopping by for his third when he sees Ghoul come in from the witch's car, so he asks for a second drink and saunters up to Ghoul, all friendly-like.
"Lookin' kinda like you really were made to wear a sweater vest." He holds out the extra drink.
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He doesn't quite catch the first part, but it's hard to miss a drink being held out for him. "Aw, for me?" How thoughtful. With a flick of his wrist, Ghoul abandons his empty wine glass- tossing it carelessly behind some sort of obstacle. Decoration, seating, whatever. He doesn't give half a shit where it goes. He's pretty sure he hears the glass shatter on impact, though, and that makes him smile.
After carefully taking hold of Party's offering like the precious gift it is, he gives it a quick sniff. "What is it?" He might actually drink this one instead of dumping it everywhere.
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