Kyle Sutton (
akillersmile) wrote in
undergrounds2016-01-12 03:06 pm
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Entry tags:
wake up
(1)
(2)
(3)
(4)
Kyle was new to the area. Hell, he was new to the country. As easy as it was to pick up the basics - public transit, prices, slang - he was having a harder time learning the small and intertwining streets in his neighborhood. He felt almost constantly lost, which made him almost constantly anxious about knowing his exits and whether he would ever find his damn AWOL C.O. he'd come to find in the first place.
It's one such night, disoriented on the way back to his shared flat from a quiet drink at a pub, that he stumbles into something he thought he left behind. Kyle knows what he's looking at the moment he sees it. The vampire feeding on the teenage boy who seems near unconsciousness.
"Hey!" He yells without thinking, waving his arms as if trying to chase a coyote off from a stray stash of food. The vampire, in a stroke of luck for Kyle or perhaps to keep his face hidden, decides to take off rather than engage in a conflict, dropping the now passed out boy into the street. Kyle runs over, ripping off his shirt to apply pressure to the wound on the kid's neck, then looking around for someone - anyone - nearby. "Hey, I could use some help here."
It's one such night, disoriented on the way back to his shared flat from a quiet drink at a pub, that he stumbles into something he thought he left behind. Kyle knows what he's looking at the moment he sees it. The vampire feeding on the teenage boy who seems near unconsciousness.
"Hey!" He yells without thinking, waving his arms as if trying to chase a coyote off from a stray stash of food. The vampire, in a stroke of luck for Kyle or perhaps to keep his face hidden, decides to take off rather than engage in a conflict, dropping the now passed out boy into the street. Kyle runs over, ripping off his shirt to apply pressure to the wound on the kid's neck, then looking around for someone - anyone - nearby. "Hey, I could use some help here."
(2)
Post traumatic stress is never an easy thing. Although Kyle never receives full on hallucinations like a couple of his brothers had struggled with, the traumas continue to sneak up on him occasionally, clouding his judgment and ratcheting his anxiety into high gear. This time, it's in the middle of his run. He's not even sure if it was a scent or a sound that set him off. Maybe the combination. Whatever it is, it forces him to stop and focus, to breathe through it.
He takes a seat on the nearby bench, legs shoulder-width apart, forearms on his knees, eyes closed, head down to hide his face. His mandated counselor told him it was the most efficient breathing position. Now he uses it to relax, to try to force the body working against him to calm down and get back to the present with him. And he probably looks troubled, if not a little crazy, to the passersby, but that's rarely been a concern for him.
He takes a seat on the nearby bench, legs shoulder-width apart, forearms on his knees, eyes closed, head down to hide his face. His mandated counselor told him it was the most efficient breathing position. Now he uses it to relax, to try to force the body working against him to calm down and get back to the present with him. And he probably looks troubled, if not a little crazy, to the passersby, but that's rarely been a concern for him.
(3)
Vampires are real. Kyle learned about that some time ago, when Cooper came to his hospital room and gave him a reason to live and fight through the Fever. He'd been trained in that specialty, hunting, and it had been most of his tour in South Africa. What unnerved him was learning that they were everywhere. The problem wasn't contained to an area, as he'd been lead to believe, but the creatures sprawled in various corners of the world, thriving on the suffering and death of humans. So, yeah, he took it upon himself to do something about it.
Kyle has a split lip, a couple seriously bruised ribs, a swollen and bruised cheek, and some bloody scratches on both an arm and his neck from the fight. But you should see the other guy. The vampire lays dead on the ground, a broken pool cue shoved through his heart. All things considered, Kyle feels like he got off pretty well.
To the casual observer, it looks like a bar room brawl gone bad. Which is why, when he hears someone behind him, Kyle tenses and silently curses in his mind. The soldier lifts his hands to either side of him in a gesture of surrender, showing he's unarmed. "It's not what it looks like."
Kyle has a split lip, a couple seriously bruised ribs, a swollen and bruised cheek, and some bloody scratches on both an arm and his neck from the fight. But you should see the other guy. The vampire lays dead on the ground, a broken pool cue shoved through his heart. All things considered, Kyle feels like he got off pretty well.
To the casual observer, it looks like a bar room brawl gone bad. Which is why, when he hears someone behind him, Kyle tenses and silently curses in his mind. The soldier lifts his hands to either side of him in a gesture of surrender, showing he's unarmed. "It's not what it looks like."
(4)
Hoping to settle in faster than the average, Kyle's out running errands throughout the day. He's picking up some new clothes, having arrived with only his backpack's worth of stuff, and groceries for the apartment. At the same time, he pops in to occasional shops to apply for jobs. Sweeper, clerk. Anything with decent pay at a local joint who will accept an American with a military background in a questionable economy.
[Feel free to bump into him shopping, or be in a shop when he asks for work, or anywhere in between. Fairly open.]
[Feel free to bump into him shopping, or be in a shop when he asks for work, or anywhere in between. Fairly open.]
2
When some guy practically throws himself at the bench, paying no attention to the fact that she's already taking up more than half of it, her immediate response is to snarl, "Hey!"
He's still ignoring her, and it only takes her a moment to realize he's having a panic attack. She glances around, making sure he's alone before saying, "Hey," again, quieter this time. She drops the half-finished sandwich into her bag, then, very tentatively, bracing for him to lash out at her, puts a hand on his shoulder.
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Without thought, in a flash, his opposite hand seizes her wrist, pulling her arm away from him and his other hand tenses as if ready to spring into action. An automated response. Kyle releases her within the second it takes to even react and pulls both his hands back to his chest, open palmed, looking at her with an apologetic smile completely incongruous with the anxiety of a moment before.
"Sorry! I'm sorry. You surprised me," he offers with his American accent, "Is your wrist okay?"
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"Yeah, fine." A human might have been a little bruised, but any slight injury he might have done her has already healed. She frowns, and demands, "Are you?"
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He lifts a hand to casually demonstrate: breathe in, breathe out. It's infinitely easier for Kyle to push away all the potential bad thoughts and remain in the present when he's talking to someone. Especially an attractive girl who's roughly his age. Flashing her a charming smile, he glances at her bag. "Sorry to interrupt your lunch. Most important meal of the day."
He knows that's not the saying. The point is for her to correct him, a red herring to distract her from the panic he was enduring a moment before.
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Alex isn't out to make new friends. So far, she's even kept her distance from the other members of the pack. But right now she's bored, and whether she likes to admit it or not, she's a little bit lonely. This guy is nice so far, and he could be kind of interesting, so she decides to keep talking to him instead of walking away.
"Isn't that breakfast?" She pulls out what's left of her sandwich. "I'd offer you some, but, uh." There's no milk or juice in the bag. She forgot to buy anything to drink. "I think I have to go back to the store."
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"One of the two," he agrees. Then he glances at her grocery bag. "You forget something?"
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"Yeah, a few things." She grimaces. "I'm the worst at shopping."
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"I could use some groceries too. You get what you need and I can say sorry for grabbing you."
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"Sure," she says after a pause, looking at him again and mustering up a small smile.
The bag says Sainsbury's on it, so she can't exactly lie about where she's been. But she points to a different one, in the opposite direction of the one she usually goes to. It's a bit of a longer walk, but a few more blocks are worth it if it makes it harder for this guy to track her down later. "The store's a couple blocks that way."
And that's when she remembers that neither of them have introduced themselves yet. "I'm Alex, by the way."
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let me know if you'd like me to edit
nah you're good! let me know if you want changes
s'all good
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1
Which leaves the boy bleeding and the man near him.
Disgustedly, Skip rips off her apron and tosses it at him. "There. Use that t' help. I'll call a fuckin' doctor."
Which she's whipped out her phone to start dialing. And not 999.
"Fuckin' moron," she mutters under her breath. "Got a fuckin' back room for this bullshit, but he's gotta go an' make a scene. Gonna fuckin' have him booted out so fast... Fucker."
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He then returns his attention to the woman, frowning at her nonchalance about the issue. She saw what happened. Which means she knows. And either she's one of them or an ally, neither of which Kyle's particularly a fan of. He waits until she's done calling the doctor before confronting her though, verbally, with his hands still holding pressure on the kid's neck.
"When you say you have a back room, please tell me you don't actually have a super secret room for vampires to feed in," he replies, trying to keep things light in spite of the solemnity of the subject.
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Safer than this kind of thing, taking it out onto the street. And the vampires who are there? Know not to touch the staff or anyone who doesn't give their say-so. If this kid wasn't willing, that definitely makes the vampire even more stupid. If he was? It makes the bystander a moron.
Customers know to clean up after themselves. No deaths, lick the wound after, and it's all good. But this one bolted. And now? Hard to say what he'd been up to. Sure as hell wasn't going to be let back in the bar, though.
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"Are you a 'supernatural creature?'" He asks, a poorly adopted British accent on the words he quotes from her.
After her answer, he sighs and turns his attention to the kid again. "You said you called someone, right? Look, a person can only lose four pints, max, before it gets serious. Timmy here is pale, his heart's racing, and he passed out. That's more than a snack. He needs help."
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Which was... true and not. But it was what she admitted, especially working in a bar where most of the major clientèle were vampires. Even if the dynamics seemed to be changing just a little. Not enough for her to feel quite safe.
"An' dunno what you are or what you're familiar with, but it ain' like most can teleport, y'know? The doc'll be here soon. 'Nother vampire 'fore y' freak out. Heal 'im up quick."
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She must be a sympathizer. It's the only explanation that makes any sense right now. Maybe she's one of the ones that gives her consent in the back room. Kyle frowns at the thought and begins tying the apron strings carefully around the kid's opposite shoulder to try to hold the garment in place. It will make it easier to carry the body to either a hospital or, more likely, some place safer.
"Call off the vampire and call 911 or 999 or whatever the hell it is here."
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Fucking Americans, she can't help but think about. Coming in and thinking they own the place. And wanting to go against every statue of secrecy at the same time.
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"Okay," he agrees, begrudgingly. "Vampire doctor. Tell me about the fucking Night Council."
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3
And now here it is again.
He walks, somewhat unsteadily, over to the American, holding his sleeve over his nose because if he smells any more of it he's going to vomit, and it's far too early into the evening for him to even think about sobering up. Especially now that this is happening. At least this time it isn't human blood. Not entirely.
"It looks like the police are going to have a lot of questions for you when they get here. Which is probably going to be soon. You should clear out before they do."
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"Are you going to come with me and explain why the hell you're telling me to run?" He asks evenly, donning a light smile. Kyle's fairly confident the fight wasn't covered by CCTV in this alley, in this lighting, but he also knows it can look bad if he's not careful and even worse if he runs instead of claiming self defense in a 'he said, she said' series of questions.
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"You've just killed a vampire. In public. Most police officers aren't going to know the difference between a hunter and a freakishly strong American who's just put a pool cue through somebody's heart."
He sways slightly, holding onto a building for support.
"I don't suppose you've got the Night Council's number, have you?"
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"I'm not a hunter," he clarifies after a moment. Kyle's not sure what he is. A soldier trained to kill vampires, sure, but he doesn't exactly hunt them anymore, does he? Maybe he does. Hard to say right now. "Are you going to come with me or are you going to find another way to make yourself scarce when the police get here?"
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His hand hovers over the phone in his pocket.
"How long do you plan to stay in London?"
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"I don't know," he answers honestly with a shrug. Noticing the guy's reliance upon the wall and general stilted speech, he considers a new plan b. "Let me buy you a drink and you can fill me in on why that's a problem."
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Who may or may not remember you in the morning.
"As long as you're buying, by all means. May I suggest a pub that's...not close to here, though? The owner of that pool cue may not be too keen on having you back."
Luckily for them, it's a big city with hundreds, probably thousands, of alcohol-serving establishments.
"I'm Simon, by the way," he says offhandedly, once they've put a few streets between them and the dead vampire.
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"Kyle," he replies in turn, walking amiably with the drunk guy and keeping a tentative eye on ensuring Simon remains upright. After a couple more turns, Kyle points at random to an old fashioned looking pub called Finn's as a suggestion, beginning to walk that way unless otherwise directed. "How about this one?"
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Sorry for the hiatus!
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