Jean-Claude (
baisant) wrote in
undergrounds2016-11-03 09:59 pm
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[OPEN] MURDER ON THE DANCEFLOOR

The Duke of Central London's Samhain festivities are open upon invitation only. Those who are fortunate enough to have received one, either from the Duke himself or from one of his guests, are privy to quite the affair. Raymond has obviously been planning this for some time now, and the bar is fully stocked, the room fully decorated for the festivities. Collected from the fae hunt that their leader had encouraged, fae blood flows freely, available freshly served in punch bowls or straight from the source itself, in the form of kidnapped fae off of the streets. The vampires who partake are drunk with it and high on the euphoria that it offers, a drug unlike any other their kind can partake in.
As promised by Raymond himself, it is a rave the likes that London has never seen before. And it's about to get a lot more memorable still...
[OPEN] THE AFTERMATH
The vampires in the dance hall have their orders. As do the allies positioned outside of the doors. No one is to escape. No traitor is to be trusted. Jean-Claude has few rules, few demands, but these are his orders and they will be obeyed.
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Even after the fact, Joscelin can barely believe what's just happened. Jean-Claude's always struck him as being just a bit too romantic, a bit too soft, to actually get anything done.
And yet here they are.
"You actually bloody did it."
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He glances aside at the other vampire from where he stands, covered in the blood of the former Duke of the city, and laughs. The sound loud and throaty, and perhaps a little shaky but then again he figures he is allowed here and now to need a moment to collect himself.
"It would seem that I did."
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The boy vampire steps over a particularly large smear of blood--Raymond's--to get closer to Jean-Claude and be heard over the chaos.
"God's wounds, Jean-Claude! I didn't think you had it in you. Masterfully done, old friend."
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Now came the fun part.
Armed to and including the teeth, Evie's ready. If anyone is watching, she moves like she's dancing. A sword usually makes it easy to decapitate, but this is close quarters combat, and she's prepared for a melee. Those who oppose the takeover will meet a swift end with a thrown stake or find themselves slowed by her Kukri. She takes her orders seriously. It's time to liberate London once again.
[ooc: come help her fight, or they can chat after the blood's been spilled WHATEVER WORKS.]
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It is only once the smoke has cleared, as they say, and Jean-Claude stands breathing heavily on the stage of the dance hall, covered in Raymond Harris' blood and that of his followers, sporting few new cuts and bruises that will heal in time but otherwise none the worse for wear, that he can finally take stock of the situation. And he tilts back his head and laughs.
"Ah, mon amie," he says, addressing Evie directly. "Remind me never to find myself on your bad side."
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Evie sheaths her kukuri, then removes a stake from the chest of a dead vampire. She cleans it of the blood, and places it back into her holster for such items. Fire from the wrist, it's essentially shooting from the hip.
"You're quite good with that sword of yours," she says first, instead of just accepting the complement. "I hope you give me a good fight, if you're ever on my bad side."
Slowly, she mounts the stage. "Félicitations à notre nouveau duc".
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When the dust settles, though, Natasha has more freedom to meet her allies within the nest.
For Evie, she has a smile. "Hey," she says when she has a moment to reach the other assassin. "Hell of a night, huh?"
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"Natasha- you're alright." She's more relieved than she expected to be to see her dear friend again. She'd figured she'd partake tonight, and though Evie was aware of the other woman's abilities, her more recent diet did put her at a disadvantage.
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This, however, was not the only weapon on his person, as he now held a small, silver witch's amulet in his heavily gloved left hand that he had produced from a small pouch at his waist, which he was using to further damage any vampires that he caught in melee combat.
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"Thank you, friend!" She calls towards him, as she prepared to move to another target.
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OPEN
That said, she still has to be smart. She spends the evening near the doors, ready to support anyone out there while also making sure she doesn't get trapped in a fight she can't win. Luckily, so many of Raymond's followers are high on fae blood and thus not in a great position to fight.
She has a stake ready for anyone who tries to escape.
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No one was getting out the doors alive unless they were one of Jean-Claude's.
But would it be too much to ask for it to open so he could have the satisfaction of getting a kill?
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She really hopes JC is a good enough judge of character that they'll make an exception for her.
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"Caroline!" She yelled, hoping she'd turn and see the man set to attack her and if all went well, the man would turn his attentions to Evie.
She got her wish, as he pulled out what appeared to be a very long bowie knife.
Well. This was going to be fun.
Without a moment's hesitation, she moved in towards the thug, wielding her own kukuri with swift, precise movements.
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Her attention was drawn away when another vampire came stumbling her way, his arms flailing. Thankfully, this was another one drunk on fae blood and Caroline moved in swiftly, driving her stake into his heart.
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Break of Dawn - for JC
Jean-Claude hadn't come out yet, though. Even with his victory being clear, Daryl had come to help on his request. A job he was getting paid for in more than just revenge.
If there was a little worry about the other man's physical state, it was being very forcefully squashed under general agitation and a desire to get his ass gone.
Re: Break of Dawn - for JC
Jean-Claude can feel dawn approaching straight down to his bones as he makes his way out of the building at last to give the all-clear from inside. It's not only the fact that it's been a long, long night (it has), but there is something about being a creature of the night in possession of daylight jewelry that makes him especially attuned with the ebb and flow of the orb in the sky. With the ring around his finger he is tied to no schedule, but his body aches from the coming sun nonetheless.
Still, even with his fine evening clothes ripped and torn and covered in blood and gore, most of which does not belong to him, Jean-Claude still holds himself tall. He must. He is the new vampire leader, after all. And despite his history and his regular attitude, tonight has proven that he must be taken seriously.
He realized an hour or so into the congratulations that he had not seen Daryl yet. The man he'd left watching the door from the outside -- a role that was necessary given the circumstances but he can understand why Daryl might think it something of a let-down. He wonders if maybe he's left already since he hasn't snuck inside by now when he sees the other man stalking about, not unlike the big cat that he is. The idea put a smile on Jean-Claude's face as he slips out the door towards him.
"A fine show we put on tonight, mon ami," he murmurs as he approaches.
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"About damn time," he barked out, lip curling in an agitated snarl. "Been waiting out here for hours."
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When the fighting slacks off, Natasha starts looking for Jean-Claude. She's sure he's busy, but if possible, she'd like to check in with him.
Maybe just to reassure herself she's made the right choice.
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He had almost forgotten what it felt like to kill with purpose, drain the blood from a man when he was trying to do the exact same thing to you. There's a thrill in it.
He hasn't touched the fae blood but he's still on a bit of a high when he catches sight of Natasha, gesturing for her to come join him. He reaches for the bottle of scotch that he took from the bar and pours her a glass, sliding it over to her.
"So were tonight's actions of yours for Islington or for Redbright?" he asks. The two of them had ended up on the same side tonight. That had been a pleasant turn of events. And they'd done well. But Cesare isn't entirely sure if they'll be fighting on the same side again.
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He spots Natasha approaching and offers her a smile as she does, inclining his head in greeting as she makes her way to where he leans against the edge of the stage and surveys the work yet to be done.
"It is good to see you here with us tonight, mon amie," he says, in greeting.
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He spies a familiar face nearby and motions her over to his table.
"Miss Romanoff."
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Re: [OPEN] THE AFTERMATH
By the end of it all, he was breathing heavily, the wings of his costume were torn, and he (as well as the sword he loosely gripped in one hand) was covered in blood. Thomas looked around, surveying the damage, and looking to see who still stood. The silver witch's amulet he'd wrapped around his very heavily gloved hand still dangled there, though he suddenly seemed to notice and started to pack it away in it's pouch, where it would sit until he took it home where he could stash it and ignore the fact that it existed once more.
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"Whatever you do with your time these days, mon ami, your talents are clearly wasted. If you would ever care for such employment, I am certain we could find room for you somewhere at Guilty Pleasures..."
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