Jean-Claude (
baisant) wrote in
undergrounds2016-11-03 09:59 pm
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[OPEN] MURDER ON THE DANCEFLOOR

The Duke of Central London's Samhain festivities are open upon invitation only. Those who are fortunate enough to have received one, either from the Duke himself or from one of his guests, are privy to quite the affair. Raymond has obviously been planning this for some time now, and the bar is fully stocked, the room fully decorated for the festivities. Collected from the fae hunt that their leader had encouraged, fae blood flows freely, available freshly served in punch bowls or straight from the source itself, in the form of kidnapped fae off of the streets. The vampires who partake are drunk with it and high on the euphoria that it offers, a drug unlike any other their kind can partake in.
As promised by Raymond himself, it is a rave the likes that London has never seen before. And it's about to get a lot more memorable still...
[OPEN] THE LEADUP
Jean-Claude himself can be found among the fray, dancing here and there with another vampire in attendance on the floor, sometimes catching a drink at the bar. He has left a 'gift' to prepare itself in the back room, and up until the moment that it is time to present that gift to Raymond, he might as well enjoy himself with the rest of them.
for Eames
Evie circles Eames, looking at the handcuffs they have him in- proper irons, and she winces for him. She approached him slowly, gloved hands going for the cuffs. it's a few moments, and she's managed to pick the locks, only to recuff him. This time, it's a bit more loose. She jerks her head towards the door, indicating the guard is still there. They've got to be quiet, play the game still.
But she wants to check up on him. Make sure he's alright. He volunteered for this after all, and she doesn't want their ally hurt.
"Treating you well, I hope?" Outside there's so much blood in the air, it takes every fiber of her being to stop herself from giving in. She needs to be sober for this, though her fangs are out in the natural reaction.
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(Should've worn long sleeves, a part of him jokes, and Eames huffs an amused noise at seemingly nothing in particular.)
Eames looks up at Evie when she comes in, seemingly not at all pleased to see her, but his expression falls to something strained but still friendly when it's just the two of them. Groaning in the momentary relief of having his cuffs undone, and hissing slightly once they're redone. Not that he doesn't appreciate it, but it still hurts like a bitch.
"Good as can be expected," Eames says with an amused lilt, voice pitched low so it won't carry through the door, choosing to ignore the way her fangs are out. He wouldn't ally himself with a vampire he didn't trust to control themself. "Kind of funny, they really believe I'm not a threat like this."
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Re: [OPEN] THE LEADUP
Those who saw him also might notice that his hair was a bit different than before, as he'd finally decided to go sans wig, showing off his hair that had grown back rather nicely since his incident with Cooper, and was now about four inches in length. Of course, to those who knew him it would look like he'd gotten his hair cut, and he had no intention of saying or doing anything that would correct that idea.
[CLOSED TO EAMES & RAYMOND] THE SHOWDOWN
"Ladies and gentlemen of the nest and the night," Jean-Claude addresses the room. "Your attention, if I may. Tonight is a very special evening. And it calls for a very special celebration." He gestures across the room to Raymond. "I have brought a present for you, mon ami. A present for the nest as a whole, perhaps you could say."
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Not Raymond. He hasn't touched a drop of fae blood, so he's as sharp as ever. "I hope it's not yourself, JC!" Laughter in the room. Raymond grins. "I know old habits die hard, but I'd have to turn you down."
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"Alas, no," he replies. "If I were to be offering myself, rest assured I would have dressed for the occasion." Not that he isn't dressed to the nines now. Complete with deep purple velveteen frock coat and a long metal blade carefully strapped to his back beneath it. "You have named your requests for the evening, monsieur, and there has been fae blood on the menu. But you have not had any for yourself yet, I noticed. It is just as well. Perhaps you understood just what I had in store for you."
He gestures to the side wings, for the guards to go and fetch the 'prisoner', as it were, as he turns back to the Duke himself and says, "I understand that you have something of a feud at work. With the Lord of Autumn, that is."
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[OPEN] THE AFTERMATH
The vampires in the dance hall have their orders. As do the allies positioned outside of the doors. No one is to escape. No traitor is to be trusted. Jean-Claude has few rules, few demands, but these are his orders and they will be obeyed.
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Even after the fact, Joscelin can barely believe what's just happened. Jean-Claude's always struck him as being just a bit too romantic, a bit too soft, to actually get anything done.
And yet here they are.
"You actually bloody did it."
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He glances aside at the other vampire from where he stands, covered in the blood of the former Duke of the city, and laughs. The sound loud and throaty, and perhaps a little shaky but then again he figures he is allowed here and now to need a moment to collect himself.
"It would seem that I did."
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Now came the fun part.
Armed to and including the teeth, Evie's ready. If anyone is watching, she moves like she's dancing. A sword usually makes it easy to decapitate, but this is close quarters combat, and she's prepared for a melee. Those who oppose the takeover will meet a swift end with a thrown stake or find themselves slowed by her Kukri. She takes her orders seriously. It's time to liberate London once again.
[ooc: come help her fight, or they can chat after the blood's been spilled WHATEVER WORKS.]
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It is only once the smoke has cleared, as they say, and Jean-Claude stands breathing heavily on the stage of the dance hall, covered in Raymond Harris' blood and that of his followers, sporting few new cuts and bruises that will heal in time but otherwise none the worse for wear, that he can finally take stock of the situation. And he tilts back his head and laughs.
"Ah, mon amie," he says, addressing Evie directly. "Remind me never to find myself on your bad side."
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When the dust settles, though, Natasha has more freedom to meet her allies within the nest.
For Evie, she has a smile. "Hey," she says when she has a moment to reach the other assassin. "Hell of a night, huh?"
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This, however, was not the only weapon on his person, as he now held a small, silver witch's amulet in his heavily gloved left hand that he had produced from a small pouch at his waist, which he was using to further damage any vampires that he caught in melee combat.
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OPEN
That said, she still has to be smart. She spends the evening near the doors, ready to support anyone out there while also making sure she doesn't get trapped in a fight she can't win. Luckily, so many of Raymond's followers are high on fae blood and thus not in a great position to fight.
She has a stake ready for anyone who tries to escape.
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No one was getting out the doors alive unless they were one of Jean-Claude's.
But would it be too much to ask for it to open so he could have the satisfaction of getting a kill?
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"Caroline!" She yelled, hoping she'd turn and see the man set to attack her and if all went well, the man would turn his attentions to Evie.
She got her wish, as he pulled out what appeared to be a very long bowie knife.
Well. This was going to be fun.
Without a moment's hesitation, she moved in towards the thug, wielding her own kukuri with swift, precise movements.
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Break of Dawn - for JC
Jean-Claude hadn't come out yet, though. Even with his victory being clear, Daryl had come to help on his request. A job he was getting paid for in more than just revenge.
If there was a little worry about the other man's physical state, it was being very forcefully squashed under general agitation and a desire to get his ass gone.
Re: Break of Dawn - for JC
Jean-Claude can feel dawn approaching straight down to his bones as he makes his way out of the building at last to give the all-clear from inside. It's not only the fact that it's been a long, long night (it has), but there is something about being a creature of the night in possession of daylight jewelry that makes him especially attuned with the ebb and flow of the orb in the sky. With the ring around his finger he is tied to no schedule, but his body aches from the coming sun nonetheless.
Still, even with his fine evening clothes ripped and torn and covered in blood and gore, most of which does not belong to him, Jean-Claude still holds himself tall. He must. He is the new vampire leader, after all. And despite his history and his regular attitude, tonight has proven that he must be taken seriously.
He realized an hour or so into the congratulations that he had not seen Daryl yet. The man he'd left watching the door from the outside -- a role that was necessary given the circumstances but he can understand why Daryl might think it something of a let-down. He wonders if maybe he's left already since he hasn't snuck inside by now when he sees the other man stalking about, not unlike the big cat that he is. The idea put a smile on Jean-Claude's face as he slips out the door towards him.
"A fine show we put on tonight, mon ami," he murmurs as he approaches.
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When the fighting slacks off, Natasha starts looking for Jean-Claude. She's sure he's busy, but if possible, she'd like to check in with him.
Maybe just to reassure herself she's made the right choice.
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He had almost forgotten what it felt like to kill with purpose, drain the blood from a man when he was trying to do the exact same thing to you. There's a thrill in it.
He hasn't touched the fae blood but he's still on a bit of a high when he catches sight of Natasha, gesturing for her to come join him. He reaches for the bottle of scotch that he took from the bar and pours her a glass, sliding it over to her.
"So were tonight's actions of yours for Islington or for Redbright?" he asks. The two of them had ended up on the same side tonight. That had been a pleasant turn of events. And they'd done well. But Cesare isn't entirely sure if they'll be fighting on the same side again.
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He spots Natasha approaching and offers her a smile as she does, inclining his head in greeting as she makes her way to where he leans against the edge of the stage and surveys the work yet to be done.
"It is good to see you here with us tonight, mon amie," he says, in greeting.
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He spies a familiar face nearby and motions her over to his table.
"Miss Romanoff."
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Re: [OPEN] THE AFTERMATH
By the end of it all, he was breathing heavily, the wings of his costume were torn, and he (as well as the sword he loosely gripped in one hand) was covered in blood. Thomas looked around, surveying the damage, and looking to see who still stood. The silver witch's amulet he'd wrapped around his very heavily gloved hand still dangled there, though he suddenly seemed to notice and started to pack it away in it's pouch, where it would sit until he took it home where he could stash it and ignore the fact that it existed once more.
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"Whatever you do with your time these days, mon ami, your talents are clearly wasted. If you would ever care for such employment, I am certain we could find room for you somewhere at Guilty Pleasures..."
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