Eames. (
falsify) wrote in
undergrounds2016-10-31 03:29 am
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[open] FAE HUNT
17TH // BROMLEY
18TH ONWARDS
29TH/30TH
ETC;
The reports come his way in the morning. Losing fae to the vampires is... Unfortunate, but not unexpected. Not with Harris in charge. This is different however, and an urgent call has him making his way down to one of the community centres long before he'd think about leaving the house under usual terms.
Having a couple of fae tell you all about the night they had, being caught by vampires, watching another die, one with bites on their neck, etc. etc. It puts a real damper on your day. At first, he chalks it up to general vampire cruelty and plans to phone in a bounty to Hillingdon, but they just keep coming. Fae with burns from iron cuffs, missing fae, dead. It's like something just happened overnight.
He can be found more than once over the course of the evening, having a hushed conversation in the corner of a bar that looks like it could easily come to blows if not for the way Eames excuses himself abruptly and none too friendly.
Maybe you're curious, maybe he bumps you as he leaves looking fully like he intends to kill someone. Or maybe you just have a weak spot for men with clenched jaws nursing drinks alone at the bar. Either way, he's about.
18TH ONWARDS
It takes a couple days, and even then it's slow to start, but sure enough security starts tightening up around the two Fae boroughs. Anyone with a particularly keen eye for patterns and a lot of free time will notice the patrols and any vampire who enters the area might notice how it feels like they're being followed. Not just watched, like they usually would be.
A week in, it wouldn't be entirely incorrect to assume every other fae is carrying a stake, but that's not the only change in faeville. Eames is powerfully unhappy with this, and he's really not too pleased to speak to anyone who isn't a fae. He doesn't think the handful of vampires he's friendly with are involved, but he doesn't care to see them, and in his estimation humans are a bunch of useless hypocrites. Any conversations are strictly business.
Despite the danger, he's totally unafraid to wander into vampire territory, (though by the 25th he's constantly flanked by a burly looking pair at the behest of another Lord,) and some might say he's actively looking for a fight. There's more than a few scuffles if one fancied joining the fray. Vampires he sees getting a little too close to a fae, or maybe they try to round on him instead.
It wouldn't be silly to assume he's looking out for his people, but really he's just looking to vent some of his frustrations at the source.
29TH/30TH
There may be plans to deal with Harris, but that doesn't put Eames any more at ease in the interim. They're being hunted by vampires, and they're increasingly at danger of the whims of witches as Samhain approaches. It's not exactly a great time to be a fae in London.
He's not been in the mood for sex (shocking, isn't it,) drinking is at a minimum, and he can't exactly fight his way across the city just because he's in a shitty mood. Much as he'd love to. Doesn't leave many outlets to keep his mood even, but there's always a spot of fun to be had with a game of cards.
They're not as numerous as they used to be, (ah, the good old days,) but there's still plenty of back room gambling dens around London if you know where to look. And maybe it's a little unfair to hang out in the ones not frequented by magical types, but on the other hand Eames doesn't give a fuck. He needs to unwind a little, relax himself before the big night that hopefully won't be a huge fucking disaster. If that means clearing a bunch of mortals out, then so be it.
Go ahead, confront him about it. He'd love the fight.
ETC;
Wildcard! PM or Plurk me if you want something more specific.
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"Yeah, I know," he says, in that resigned sort of way. He knows. He also knows he should try harder at not doing that, probably, but it's so easy.
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Eames sighs and reclines a little in his seat, and tips his head at Arthur with a light smirk, "or haven't you noticed we don't argue as much as when we met?"
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"I thought it was mostly the sex."
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Hot tips from Eames.
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"In the meantime, there's a lot of decent alcohol out there you can get for under thirty quid."
You know. For apologies.
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"Listen," he's looking at the label when he speaks, a bit of that recent tiredness showing around his eyes, "you might be the most frustrating friend I've ever had, but I know you well enough by now that I probably won't punch you in the face for being a prick."
See? It's progress.
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He sighs down at his beer and looks up at Eames hesitantly. He's about to maybe cross a line herebut he feels like it needs to be asked.
"Are you okay?"
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"No." He doesn't even have the energy to lie about it right now, which probably says a lot about how he's doing, and he drags a hand through his hair with a sigh, "not at all."
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"Is there anything I can do?" he says, frowning at Eames in concern.
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He waves a hand dismissively, "don't worry about it. I'll... Sort it out."
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"That's not how that works," he says softly. It's empathetic rather than chastising. "I've been out there almost every night; I see what they're doing. I know this has to be hard. I just want to know if I can help."
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"I don't know if you can, Arthur," he says quietly, and it's not dismissive this time. An admission instead, because honestly he has no fucking idea what he's doing anymore. Right now is rough, but it's not just now, is it? Maybe they get rid of Harris, then what? Some other fucking problem he has to deal with because nobody else gives a shit.
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So he puts his drink down and shuffles just a bit closer, bumping Eames' shoulder gently with his own. "Sometimes just having someone around helps," he says. "I can do that at least, if you want."
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"I'm not exactly great company right now," Eames says, "unless you really enjoy drinking in silence and scowling."
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"Being good company isn't the point. If you don't want me here, I'll go, but I do know how important is not to be alone sometimes."
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Well, yes. It's part of why this situation even exists to begin with, but it's still pretty awful. He doesn't want to want that, it feels like an admission of weakness. And maybe that's fine for other people, but not for him.
Eames sighs, "I'm not asking you to leave." Which is the best way he can come up with to say it without saying it, "but I'm pretty pissed off right now. You might not want to be around that." He says it evenly, it's not a warning, but Eames doesn't do open anger in part because he knows he's so unpleasant to be around in ways he can't control when he is.
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"Listen, unless you're going to wreck your stuff and me in the process, it's fine. I told you, being good company isn't the point."
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His jaw tightens in the next moment though, working it like it takes an actual physical effort at make himself speak, and frowns at the bottle in his hand.
"Thanks," he lingers on it a moment, like he has more to say, but nope. That's it.
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It's not that he's scared for Eames - he's sure the man has seen a lot of terrible and endlessly frustrating things in his lifetime and he's managed to make it this far - but he does know how hard it is to go through that alone and he knows how hard it is to think straight in those situations. There's a lot of pressure on Eames to think straight right now. It must be almost suffocating. So Arthur's gonna stay and try and take some of that edge off, because they're friends, and because Eames opened up to him. He feels like that's important.
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At some point Eames switches to the fae wine, though for the sake of his health Arthur's only allowed the human booze, which eases him up a bit when the sobriety finally starts to slip away. Talking more about nothing important until eventually falling asleep, ending up awkwardly positioned on the couch with his head on Arthur's chest, one foot up on the coffee table, and an empty glass cradled next to him.
It's not comfortable in the least but Eames is too asleep to care.
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Speaking of morning, it's quickly approaching and Arthur might be starting to stir.
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