Natasha Romanoff (
outstandingbalance) wrote in
undergrounds2016-06-11 09:00 pm
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Entry tags:
In fact I have been all over town
I. Hoar's Head (Closed to Evie)
Who is Natasha to argue with good atmosphere? Evie described the place as Marie Antoinette's attic, which is both amazingly accurate and misses its exact charm. It feels private, which Natasha respects, and there's something about it that's not as masculine as a lot of bars. She doubts she needs to worry about fights breaking out over a girl or the latest football match.
As she walks toward the bar, she scans the room for Evie. She couldn't be the first one here, could she? It's five past ten now, and Evie didn't strike her as the type to be late.
II. Guilty Pleasures (OTA)
It's been a while since Natasha said she'd stop in, and it might be too late now. She's heard that Kenzi's not around anymore and that was supposed to be her reason, right? Keep an eye on the girl. Give her a friend, someone who knew what she was going through. Someone who wasn't her sire to help her adjust. Natasha considered not even coming in...
But here she is now.
If nothing else she's hoping to see how Cherry's doing, that she was safe and comfortable since Natasha and Evie rescued her last month. Make sure that she's back to normalcy. That's why Natasha comes in on Lady's Night. Or it's a good excuse to come in on Lady's Night. Either way.
It's well into the evening when she shows up, taking a seat at a table near the corner with a good view of the room and orders herself a gin and tonic. She keeps an eye on things from there, not asking after Cherry directly or looking for Jean Claude. If either of them actually want to speak to her, she imagines that they'll know she's here before long. Maybe it was a passive approach, but she was fine with letting them decide whether or not they wanted to talk to her again.
In the time being, well, she has plenty of money.
III. Dark Corners (Closed to Arthur)
Natasha tries not to think about how long it's been since she fed, but it's not very successful. The thirst won't let her forget it. Even if it's not at the front of her thoughts, it's always there somewhere in the back of her mind.
It's been about the same length of time since she's had sex. Not unrelated. The two things had often gone together for her, and while she'd played with the idea a little, even gone on a date or two, but it never went anywhere. Natasha wasn't in the place for a relationship, and she hadn't wanted to lead anyone on. But there's no reason she shouldn't have some fun.
Tonight, she doesn't intend to give anyone the wrong idea. She walks into the bar knowing what she wants. It's a little bit more upscale than most of the dives she frequents, and the dress she wears could be shorter, could be tighter, but she's dressed to attract attention rather than deflect it. If she turns heads, it's intentional.
She smiles when she spots a familiar face. She remembers Arthur from Lancelot's birthday. Their chat had been fine—and he was certainly attractive enough. Internally, she shrugs. Why not? She could do a lot worse. She'd even considered making a play for it at the time, but Arthur had left with another woman and no hard feelings that he had.
But if she's going to get a second chance?
Natasha sits beside him at the bar, crossing her legs pointedly as she swivels an eight of a turn toward him. "The accountant, right? You might not remember me..."
IV. Fresh Air (Closed to Eames)
On the street, panting warm night air and trying to calm a raging thirst: not Natasha's finest moment. She's not even sure what she left behind her. She thinks Arthur was saying something as she disengaged and chased herself away from the situation, but she hadn't registered what he was saying over the pounding in her ears. Perfect.
She leans back against the brick wall behind her, steadying herself.
"Shit." She is a mess.
And now she has an audience.
V. After Hours (Closed to Daryl)
Looks like Natasha is going to have a chance to do some of the tourist things after all. Maybe she should have begged out, but Daryl and asked her if she wanted to go and she'd said yes. It's not like she really had anything better to do. It's not like she doesn't want to spend more time with him. Daryl has been good for her, refreshingly nonjudgmental for all his awkwardness.
She waits for him to meet her on the street near near the Redbright Institute. She's still not entirely sure this is a good idea, but as far as bad ideas go, she's had a lot worse.
VI. Grocery Delivery (Closed to Alex))
Alex has been relocated to a nondescript little apartment in a bad neighborhood, paid for in cash by Natasha with a little extra to keep quiet. The landlady is a Russian woman in her sixties, and after a hushed, serious conversation in their native language, Natasha was confident that money wasn't the only reason she wouldn't mention the suspicious circumstances of her new tenant's arrival.
It was a good move, for the short term at least, and Natasha was starting to think that she might just be able to keep the werewolf alive through the end of the month.
After a few days in the new place, Natasha checks in again. She brings two bags of groceries, since Alex still shouldn't be outside where she can be seen. Even during the day, there were too many ways word could get back to the nest if she were spotted. Or that word could get back to the Night Council. Either way, the end would be about the same outcome for both of them at this point.
"I brought you a couple of steaks," Natasha says as she brings the bags in. "I wasn't sure what else you'd like, so I went ahead and guessed." Her tone is light, inviting Alex to let her know if there was anything in particular that she'd like in the future. "There's a book of sudoku, too."
Once the food is on the counter, she turns and takes in the flat quickly. No sign of trouble, at least.
"Anything else you need before I get out of your hair?"
VII. Choose Your Own Adventure
(Don't see anything here that strikes your fancy? Then let's do something else. Hit me up on plurk at
sarosaron!)
Who is Natasha to argue with good atmosphere? Evie described the place as Marie Antoinette's attic, which is both amazingly accurate and misses its exact charm. It feels private, which Natasha respects, and there's something about it that's not as masculine as a lot of bars. She doubts she needs to worry about fights breaking out over a girl or the latest football match.
As she walks toward the bar, she scans the room for Evie. She couldn't be the first one here, could she? It's five past ten now, and Evie didn't strike her as the type to be late.
II. Guilty Pleasures (OTA)
It's been a while since Natasha said she'd stop in, and it might be too late now. She's heard that Kenzi's not around anymore and that was supposed to be her reason, right? Keep an eye on the girl. Give her a friend, someone who knew what she was going through. Someone who wasn't her sire to help her adjust. Natasha considered not even coming in...
But here she is now.
If nothing else she's hoping to see how Cherry's doing, that she was safe and comfortable since Natasha and Evie rescued her last month. Make sure that she's back to normalcy. That's why Natasha comes in on Lady's Night. Or it's a good excuse to come in on Lady's Night. Either way.
It's well into the evening when she shows up, taking a seat at a table near the corner with a good view of the room and orders herself a gin and tonic. She keeps an eye on things from there, not asking after Cherry directly or looking for Jean Claude. If either of them actually want to speak to her, she imagines that they'll know she's here before long. Maybe it was a passive approach, but she was fine with letting them decide whether or not they wanted to talk to her again.
In the time being, well, she has plenty of money.
III. Dark Corners (Closed to Arthur)
Natasha tries not to think about how long it's been since she fed, but it's not very successful. The thirst won't let her forget it. Even if it's not at the front of her thoughts, it's always there somewhere in the back of her mind.
It's been about the same length of time since she's had sex. Not unrelated. The two things had often gone together for her, and while she'd played with the idea a little, even gone on a date or two, but it never went anywhere. Natasha wasn't in the place for a relationship, and she hadn't wanted to lead anyone on. But there's no reason she shouldn't have some fun.
Tonight, she doesn't intend to give anyone the wrong idea. She walks into the bar knowing what she wants. It's a little bit more upscale than most of the dives she frequents, and the dress she wears could be shorter, could be tighter, but she's dressed to attract attention rather than deflect it. If she turns heads, it's intentional.
She smiles when she spots a familiar face. She remembers Arthur from Lancelot's birthday. Their chat had been fine—and he was certainly attractive enough. Internally, she shrugs. Why not? She could do a lot worse. She'd even considered making a play for it at the time, but Arthur had left with another woman and no hard feelings that he had.
But if she's going to get a second chance?
Natasha sits beside him at the bar, crossing her legs pointedly as she swivels an eight of a turn toward him. "The accountant, right? You might not remember me..."
IV. Fresh Air (Closed to Eames)
On the street, panting warm night air and trying to calm a raging thirst: not Natasha's finest moment. She's not even sure what she left behind her. She thinks Arthur was saying something as she disengaged and chased herself away from the situation, but she hadn't registered what he was saying over the pounding in her ears. Perfect.
She leans back against the brick wall behind her, steadying herself.
"Shit." She is a mess.
And now she has an audience.
V. After Hours (Closed to Daryl)
Looks like Natasha is going to have a chance to do some of the tourist things after all. Maybe she should have begged out, but Daryl and asked her if she wanted to go and she'd said yes. It's not like she really had anything better to do. It's not like she doesn't want to spend more time with him. Daryl has been good for her, refreshingly nonjudgmental for all his awkwardness.
She waits for him to meet her on the street near near the Redbright Institute. She's still not entirely sure this is a good idea, but as far as bad ideas go, she's had a lot worse.
VI. Grocery Delivery (Closed to Alex))
Alex has been relocated to a nondescript little apartment in a bad neighborhood, paid for in cash by Natasha with a little extra to keep quiet. The landlady is a Russian woman in her sixties, and after a hushed, serious conversation in their native language, Natasha was confident that money wasn't the only reason she wouldn't mention the suspicious circumstances of her new tenant's arrival.
It was a good move, for the short term at least, and Natasha was starting to think that she might just be able to keep the werewolf alive through the end of the month.
After a few days in the new place, Natasha checks in again. She brings two bags of groceries, since Alex still shouldn't be outside where she can be seen. Even during the day, there were too many ways word could get back to the nest if she were spotted. Or that word could get back to the Night Council. Either way, the end would be about the same outcome for both of them at this point.
"I brought you a couple of steaks," Natasha says as she brings the bags in. "I wasn't sure what else you'd like, so I went ahead and guessed." Her tone is light, inviting Alex to let her know if there was anything in particular that she'd like in the future. "There's a book of sudoku, too."
Once the food is on the counter, she turns and takes in the flat quickly. No sign of trouble, at least.
"Anything else you need before I get out of your hair?"
VII. Choose Your Own Adventure
(Don't see anything here that strikes your fancy? Then let's do something else. Hit me up on plurk at
no subject
Not that Alex is happy to see a vampire. Not that she wants to hang out with a vampire.
Except that she kind of is and she kind of does. But she's not going to admit that ever.
"Steaks are great. I'm not, uhm. I'm not picky, whatever you got is fine. Thanks." She has to think of a way to get Natasha to stay for a while without admitting that she really wants some company. "I... I don't know how sudoku works. How do you do it?"
no subject
She takes out the game book a moment later, flipping through it. "I haven't played them much, but they seemed like more fun than crosswords. It's a number puzzle."
no subject
"I haven't taken a math class since middle school," she says, secretly proud of the effort she put into learning the American education system, "so, uh, if it's long division or anything I'll have to pass."
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"Yeah." Very casual. "If you don't have to get out of my hair right away," she says, echoing what Natasha had said earlier.
no subject
She flashes a little smile again. "That'll give me some extra time."
no subject
She's also surprised by Natasha's offer to skip going home in favor of spending time with her. Part of her is a little suspicious of the kindness, but mostly she's just grateful.
"If... I mean, if you're gonna stay anyway." She looks up at Natasha again, trying to be casual but almost immediately blurting out, "I haven't had a sparring partner in forever, and you know how to fight, right? We could move the furniture out of the way and go a few rounds. I'm way better at that than numbers puzzles." Not that she's not grateful for the sudoku book, but if Natasha really is going to stay for a while, she'd much rather do something active.
no subject
She might not be that different now, under the same circumstances.
"If you think you can manage it without making enough noise to bother the neighbors, I'd be willing to give it a shot." She takes off her jacket as she speaks, folding it over the back of a chair. "It's been a while since I sparred."
no subject
She moves to the center of the room and balances lightly on the balls of her feet, raising her hands to chin height as she starts to circle Natasha, and smiles cockily. "You ready to get your ass kicked?"
no subject
"Should be a good fight."
no subject
Her cocky smile fades to a frown of intense concentration. She doesn't wait for Natasha to make the first move, quickly aiming a one-two punch at the vampire's head.
no subject
When Alex attacks, she drops lower, dipping to the right and aims two short punches to her ribs before dropping into a roll and coming up behind her.
no subject
She quickly twists around, stepping back as Natasha comes out of the roll to face her. That gives Alex enough room to aim a kick at Natasha's knee.
Though she doesn't fight with much strategy, she does want to go as hard and as fast as she can in the hope of keeping Natasha too busy and off-balance to get on the offensive. So as soon as she kicks, she winds up to aim another punch at Natasha's face.
no subject
And if she needed a reminder not to go easy on the girl, she has it there.
Changing tactic, Natasha grabs Alex's arm in a tight grip and twists, grappling instead of punching.
no subject
She cries out, but instead of trying to get away, she steps closer. Her free hand reaches for Natasha's shoulder, trying to keep her still long enough to knee her in the gut.
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Despite herself, she's impressed by Natasha's skills. She takes a second to catch her breath and gasp, "You've gotta show me how to do that," before trying to kick Natasha away so she can get back on her feet.
no subject
She huffs a laugh as she rolls to her feet. "Yeah, sure. I could show you that. Maybe a couple other moves while we're at it."
no subject
"Is it like this?" She grabs at Natasha's arm, trying to replicate the move with maybe too much enthusiasm.
no subject
The problem with that though, is that Natasha has a high tolerance for pain, the difference in the hold makes her grip less secure and Natasha's experience makes her better prepared to counter the move, right or wrong. Natasha twists (not without some more jerking and a wince) and steps back, catching Alex's ankle and sweeping at it mercilessly.
no subject
She's more than a bit frustrated that she didn't get it right away. She frowns in concentration. "Okay, show me."
no subject
"You didn't do bad before. It's about control, though, and you didn't have that." She tilts her head a little. "You really want me to show you again?"
no subject
"Yeah, I can take it." Even if Natasha injures her, she'll heal fast enough.
no subject
It's very educational.
And more than a little uncomfortable, though Natasha is confident she won't have a problem with the discomfort.
no subject
With a sudden burst of speed, she throws her weight at Natasha, trying to ram her shoulder into the vampire's chest and break free of the hold. Her arm ends up being twisted further, but if she can just get it loose, she's confident that she can do the move correctly now.
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