Natasha Romanoff (
outstandingbalance) wrote in
undergrounds2016-06-11 09:00 pm
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In fact I have been all over town
I. Hoar's Head (Closed to Evie)
Who is Natasha to argue with good atmosphere? Evie described the place as Marie Antoinette's attic, which is both amazingly accurate and misses its exact charm. It feels private, which Natasha respects, and there's something about it that's not as masculine as a lot of bars. She doubts she needs to worry about fights breaking out over a girl or the latest football match.
As she walks toward the bar, she scans the room for Evie. She couldn't be the first one here, could she? It's five past ten now, and Evie didn't strike her as the type to be late.
II. Guilty Pleasures (OTA)
It's been a while since Natasha said she'd stop in, and it might be too late now. She's heard that Kenzi's not around anymore and that was supposed to be her reason, right? Keep an eye on the girl. Give her a friend, someone who knew what she was going through. Someone who wasn't her sire to help her adjust. Natasha considered not even coming in...
But here she is now.
If nothing else she's hoping to see how Cherry's doing, that she was safe and comfortable since Natasha and Evie rescued her last month. Make sure that she's back to normalcy. That's why Natasha comes in on Lady's Night. Or it's a good excuse to come in on Lady's Night. Either way.
It's well into the evening when she shows up, taking a seat at a table near the corner with a good view of the room and orders herself a gin and tonic. She keeps an eye on things from there, not asking after Cherry directly or looking for Jean Claude. If either of them actually want to speak to her, she imagines that they'll know she's here before long. Maybe it was a passive approach, but she was fine with letting them decide whether or not they wanted to talk to her again.
In the time being, well, she has plenty of money.
III. Dark Corners (Closed to Arthur)
Natasha tries not to think about how long it's been since she fed, but it's not very successful. The thirst won't let her forget it. Even if it's not at the front of her thoughts, it's always there somewhere in the back of her mind.
It's been about the same length of time since she's had sex. Not unrelated. The two things had often gone together for her, and while she'd played with the idea a little, even gone on a date or two, but it never went anywhere. Natasha wasn't in the place for a relationship, and she hadn't wanted to lead anyone on. But there's no reason she shouldn't have some fun.
Tonight, she doesn't intend to give anyone the wrong idea. She walks into the bar knowing what she wants. It's a little bit more upscale than most of the dives she frequents, and the dress she wears could be shorter, could be tighter, but she's dressed to attract attention rather than deflect it. If she turns heads, it's intentional.
She smiles when she spots a familiar face. She remembers Arthur from Lancelot's birthday. Their chat had been fine—and he was certainly attractive enough. Internally, she shrugs. Why not? She could do a lot worse. She'd even considered making a play for it at the time, but Arthur had left with another woman and no hard feelings that he had.
But if she's going to get a second chance?
Natasha sits beside him at the bar, crossing her legs pointedly as she swivels an eight of a turn toward him. "The accountant, right? You might not remember me..."
IV. Fresh Air (Closed to Eames)
On the street, panting warm night air and trying to calm a raging thirst: not Natasha's finest moment. She's not even sure what she left behind her. She thinks Arthur was saying something as she disengaged and chased herself away from the situation, but she hadn't registered what he was saying over the pounding in her ears. Perfect.
She leans back against the brick wall behind her, steadying herself.
"Shit." She is a mess.
And now she has an audience.
V. After Hours (Closed to Daryl)
Looks like Natasha is going to have a chance to do some of the tourist things after all. Maybe she should have begged out, but Daryl and asked her if she wanted to go and she'd said yes. It's not like she really had anything better to do. It's not like she doesn't want to spend more time with him. Daryl has been good for her, refreshingly nonjudgmental for all his awkwardness.
She waits for him to meet her on the street near near the Redbright Institute. She's still not entirely sure this is a good idea, but as far as bad ideas go, she's had a lot worse.
VI. Grocery Delivery (Closed to Alex))
Alex has been relocated to a nondescript little apartment in a bad neighborhood, paid for in cash by Natasha with a little extra to keep quiet. The landlady is a Russian woman in her sixties, and after a hushed, serious conversation in their native language, Natasha was confident that money wasn't the only reason she wouldn't mention the suspicious circumstances of her new tenant's arrival.
It was a good move, for the short term at least, and Natasha was starting to think that she might just be able to keep the werewolf alive through the end of the month.
After a few days in the new place, Natasha checks in again. She brings two bags of groceries, since Alex still shouldn't be outside where she can be seen. Even during the day, there were too many ways word could get back to the nest if she were spotted. Or that word could get back to the Night Council. Either way, the end would be about the same outcome for both of them at this point.
"I brought you a couple of steaks," Natasha says as she brings the bags in. "I wasn't sure what else you'd like, so I went ahead and guessed." Her tone is light, inviting Alex to let her know if there was anything in particular that she'd like in the future. "There's a book of sudoku, too."
Once the food is on the counter, she turns and takes in the flat quickly. No sign of trouble, at least.
"Anything else you need before I get out of your hair?"
VII. Choose Your Own Adventure
(Don't see anything here that strikes your fancy? Then let's do something else. Hit me up on plurk at
sarosaron!)
Who is Natasha to argue with good atmosphere? Evie described the place as Marie Antoinette's attic, which is both amazingly accurate and misses its exact charm. It feels private, which Natasha respects, and there's something about it that's not as masculine as a lot of bars. She doubts she needs to worry about fights breaking out over a girl or the latest football match.
As she walks toward the bar, she scans the room for Evie. She couldn't be the first one here, could she? It's five past ten now, and Evie didn't strike her as the type to be late.
II. Guilty Pleasures (OTA)
It's been a while since Natasha said she'd stop in, and it might be too late now. She's heard that Kenzi's not around anymore and that was supposed to be her reason, right? Keep an eye on the girl. Give her a friend, someone who knew what she was going through. Someone who wasn't her sire to help her adjust. Natasha considered not even coming in...
But here she is now.
If nothing else she's hoping to see how Cherry's doing, that she was safe and comfortable since Natasha and Evie rescued her last month. Make sure that she's back to normalcy. That's why Natasha comes in on Lady's Night. Or it's a good excuse to come in on Lady's Night. Either way.
It's well into the evening when she shows up, taking a seat at a table near the corner with a good view of the room and orders herself a gin and tonic. She keeps an eye on things from there, not asking after Cherry directly or looking for Jean Claude. If either of them actually want to speak to her, she imagines that they'll know she's here before long. Maybe it was a passive approach, but she was fine with letting them decide whether or not they wanted to talk to her again.
In the time being, well, she has plenty of money.
III. Dark Corners (Closed to Arthur)
Natasha tries not to think about how long it's been since she fed, but it's not very successful. The thirst won't let her forget it. Even if it's not at the front of her thoughts, it's always there somewhere in the back of her mind.
It's been about the same length of time since she's had sex. Not unrelated. The two things had often gone together for her, and while she'd played with the idea a little, even gone on a date or two, but it never went anywhere. Natasha wasn't in the place for a relationship, and she hadn't wanted to lead anyone on. But there's no reason she shouldn't have some fun.
Tonight, she doesn't intend to give anyone the wrong idea. She walks into the bar knowing what she wants. It's a little bit more upscale than most of the dives she frequents, and the dress she wears could be shorter, could be tighter, but she's dressed to attract attention rather than deflect it. If she turns heads, it's intentional.
She smiles when she spots a familiar face. She remembers Arthur from Lancelot's birthday. Their chat had been fine—and he was certainly attractive enough. Internally, she shrugs. Why not? She could do a lot worse. She'd even considered making a play for it at the time, but Arthur had left with another woman and no hard feelings that he had.
But if she's going to get a second chance?
Natasha sits beside him at the bar, crossing her legs pointedly as she swivels an eight of a turn toward him. "The accountant, right? You might not remember me..."
IV. Fresh Air (Closed to Eames)
On the street, panting warm night air and trying to calm a raging thirst: not Natasha's finest moment. She's not even sure what she left behind her. She thinks Arthur was saying something as she disengaged and chased herself away from the situation, but she hadn't registered what he was saying over the pounding in her ears. Perfect.
She leans back against the brick wall behind her, steadying herself.
"Shit." She is a mess.
And now she has an audience.
V. After Hours (Closed to Daryl)
Looks like Natasha is going to have a chance to do some of the tourist things after all. Maybe she should have begged out, but Daryl and asked her if she wanted to go and she'd said yes. It's not like she really had anything better to do. It's not like she doesn't want to spend more time with him. Daryl has been good for her, refreshingly nonjudgmental for all his awkwardness.
She waits for him to meet her on the street near near the Redbright Institute. She's still not entirely sure this is a good idea, but as far as bad ideas go, she's had a lot worse.
VI. Grocery Delivery (Closed to Alex))
Alex has been relocated to a nondescript little apartment in a bad neighborhood, paid for in cash by Natasha with a little extra to keep quiet. The landlady is a Russian woman in her sixties, and after a hushed, serious conversation in their native language, Natasha was confident that money wasn't the only reason she wouldn't mention the suspicious circumstances of her new tenant's arrival.
It was a good move, for the short term at least, and Natasha was starting to think that she might just be able to keep the werewolf alive through the end of the month.
After a few days in the new place, Natasha checks in again. She brings two bags of groceries, since Alex still shouldn't be outside where she can be seen. Even during the day, there were too many ways word could get back to the nest if she were spotted. Or that word could get back to the Night Council. Either way, the end would be about the same outcome for both of them at this point.
"I brought you a couple of steaks," Natasha says as she brings the bags in. "I wasn't sure what else you'd like, so I went ahead and guessed." Her tone is light, inviting Alex to let her know if there was anything in particular that she'd like in the future. "There's a book of sudoku, too."
Once the food is on the counter, she turns and takes in the flat quickly. No sign of trouble, at least.
"Anything else you need before I get out of your hair?"
VII. Choose Your Own Adventure
(Don't see anything here that strikes your fancy? Then let's do something else. Hit me up on plurk at
no subject
"I can understand that." They were vampires. They were supposed to feed off of human blood. Anything else didn't cut it. Natasha was hardly the first to go vegetarian. "In that case, you'll have to be extra vigilant." She pauses, and looks back over her conversations with the other woman.
"Unless you mean to remain out of our line of business." Almost a pity. Natasha would be a wonderful Assassin. A great way for her to make up for some of her past mistakes.
no subject
"I guess it all depends on who wants to hire me. I'm feeling a lot pickier about who I work for these days." Now that she's not at the beckon call of the KGB or her nest. "There was a time that wasn't the case."
no subject
one of the reasons that Evie so often free-lanced.
"If you're ever interested, you would be more than welcome to work with the Assassins, as far as I'm concerned. You're good- extremely good and we work well together."
no subject
"That's an interesting offer," she says, playing it off. "I really shouldn't be taking on more jobs right now though. I'm already probably overstepping my boundaries."
By which she means she is, and she knows it.
"But that's not to say I'm not flattered."
no subject
But that was it- she thought that Natasha had something still to offer. And she wanted to believe that people could redeem themselves. To try to set things right.
She nods.
"I understand. It's an unconventional offer, I must admit. Our sorts aren't readily admitted, but I believe in redemption." It was something they all wanted, she thought, in some way or another. She thought her redemption lied within doing the right thing, ridding the world of those who wanted to do it harm. She would suffer, if it meant to see things brighter.
"I do recall you saying you were mostly out of the business...?"
no subject
Natasha has only just started to come to the realization that it's redemption she's looking for. Having it put in words like that, it seems somehow more fragile. Less realistic.
Clearing her throat, she lets herself shy away from the topic. "At least for now. It's not part of my current job. I intend to keep it that way. I made an exception for Cherry..." And in a way for Alex, though she doesn't voice that and she didn't kill anyone herself. "I might make exceptions again if I have to. But for now, it seems like a good time for a break."
no subject
"I'm glad you're doing better, though. What have you been up to, in the interrum, if you don't mind me asking?" All this time, and Evie's still not the greatest at having actual conversations about things that aren't Assassin-or-work-related in one way or another. But she can try.
no subject
The next answer is a little more complicated. Natasha bows her head briefly as she considers how to respond. "For the moment, I'm working at the Redbright Institute," she says, starting with the simple facts. This particular bit hadn't made her too many friends, but she didn't regret the choice. It kept her out of Islington politics. At least to the degree she didn't let herself be drawn in anyway. "Trying to get back in the habit of dealing with people outside of nests."
no subject
"Interesting," she opts to say. "I'm sure that keeps you busy." She kept a close eye on Redbright as a human, but the Institute... That was there for a good reason. Being thrust into the underground here was a complicated, confusing thing, she imagined. Best to have a place to guide you.
no subject
And getting to know her better, tempting.
"It does. Apparently I still find a little time to work on the side," she says with a little bit of a smile. "Though at the moment, I'm spending a lot of time indoors."
Vampire problems in summer.
no subject
"With the Solstice approaching, it won't be long until the days are shorter again." It's meant to be a comforting thought. Not that Natasha doesn't know how seasons work. "But it's a problem I can sympathize with."
no subject
She wasn't at her best during the day anyway.
"At some point, I'll probably want to do something about it." She glances at Evie's ring. "But for the moment, it's not in the budget."
no subject
Honestly, Evie wasn't too hopeful about it.
"I was lucky, and got mine quite early." Bless Aleck. He was so wonderful, really. She missed him often. "But there is something to the midnight mystique."
no subject
That's more story than Evie needs, though. Sometimes it's better to keep the details light.
"For the time being, though... it's not so bad. Midnight mystique—I like that."
She pauses, taking another sip before she says, "Seems like you came back to town at an interesting time."
no subject
Evie looks mildly amused at the question. "I did. I heard there was unrest in the community, and I realized it was high-time I made my return. London is a very important city to me. My brother and I always like to watch over her, look out for the human population." She takes another drink, allowing herself to wonder where the hell her brother was, anyway.
no subject
And it did still offer that, she had to admit. Just not as much more as she might have hoped. Natasha doesn't regret the move, but the longer she's here the more she realizes she didn't really have a plan when she fled Russia and she still didn't know what her own end game was. It was a strange way to live.
"The human population can use it right now. I can't argue with your timing."
no subject
She nods. "Thank you. I wish they didn't need me quite so much- it's funny, really. A vampire working for the safety of humans, I'm quite aware." She tried not to be one of the monsters they all feared. "But I'll do what I can to keep them safe."
no subject
It had taken her a while to figure that out.
She was still working out how she did feel about humans, exactly. "I'm not sure what it is, but not funny. Maybe it's admirable?"
no subject
"No gold stars, as I think they're saying now." Every once in a while she tries out more modern slang. It never seems to suit her.
no subject
no subject
"Well, thank you. I do appreciate it."
no subject
Natasha signals for the server as she says it, motioning to bring another round of drinks. This one seems to have gone dry.
"You know, I have to wonder about it. Not often you see people like us helping people like them."
no subject
"No, you don't- Assassins always have. Though Assassins that are like us are few and far between." She could probably name a few, if pressed.
"But I swore an oath, and it's one I intended to keep in life, and I'm going to keep until my true death." It sounds terribly melodramatic, but weren't all vampires, to a degree?
no subject
no subject
"Old habits die hard, isn't that what they say? Apparently they survive us."
(no subject)