Natasha Romanoff (
outstandingbalance) wrote in
undergrounds2016-03-10 10:36 am
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[open] some nights, i call it a draw
I. Redbright Institute: night
Even knowing about their open door policy, Natasha hadn't entirely believed they'd take her. She isn't a student, for one thing, or even student passing. For another, she's a vampire. Vampires are't known for getting open invitations from other factions; at least not knowingly. Not without good reason. Mostly, though, she's never been exposed to anything quite like the institute before. She'd applied to join the outreach group as a wild grab, an attempt to have anyone at her back to keep her from being seen as a loner or a feral. Being either of those is a good way to end up with a target on her back.
And maybe, if she allows herself to think about it, the open door policy had sounds nice. It sounds like the direction she wanted to take. Everyone welcome as long as they play by the rules, keep the peace and keep their secrets. Natasha isn't the kind to let herself think that way too much, though, or get too optimistic.
Either way, it's a surprise when she's accepted.
She still fosters that surprise as she gives herself a tour of the grounds. It's in her carriage as she walks between buildings or down the halls; not overt confusion or surprise, but a little bit of skepticism, a little bit of caution, holding herself somehow a little reserved from her surroundings. Despite her years of training, there's still an air about her of someone who's not sure they belong, or maybe who knows they don't.
II. A Bar: also night
It could be any number of bars. Natasha hits a lot of them. She always picks the quieter ones, places where you can hear people talk to you and talking to each other. She's not in a good place for loud music or excited kids, or to get caught up in fights. She doesn't want to go places that feel like hunting grounds.
The thing is, she's here in the first place because she's thirsty. She's always, constantly thirsty, and she's trying hard not to go after the one thing she really wants. So like a cigarette addict reaching for a stick of gum, Natasha wanders into a bar. Alcohol is not what she wants, but it's one of the few things she can tell herself helps, at least a little.
She's usually sitting at the counter. Most nights, she orders vodka tonics. Bad nights, it's scotch neat. She doesn't try to strike up conversations, but she listens. Almost as much as the alcohol, it helps to listen to the low murmur of conversation around her. It's a reminder that the other patrons are real people, with lives and goals, things they want and look forward to, even if it's just a new job or getting in to pants of the girl at the coffee shop. It makes them more real, somehow.
So no, it's not a perfect coping mechanism, but it helps.
III. On A Night Bus: missed your train, didn't you?
There's a good mix of people on the bus tonight. A few kids toward the back on their way home from a party, looking tired and far from sober, but happy. A few older passengers coming back from bars, all seated alone and ranging from a professional looking woman sitting primly toward to front, brief case across her knees and gin martins on he breath, to a rough looking man slumped against one window, a nascent black eye just starting the darken his face.
Natasha's not sure what started the fight. It couldn't have been something anyone said, because she'd have heard it. One moment it's quiet. The next, a football fan and a derelict are climbing up into the aisle, in each others' faces and cursing. The bus driver calls back for them to settle down, but they don't.
It's not really that big of a deal—at least not in Natasha's mind. They're both just human. But the fight escalates, and the homeless man pushes the football fan hard just as the bus starts to slow to a jarring stop, and sends the fan stumbling toward her and the person seated next to her. It's reflex and instinct, that pull Natasha to her feet, bearing up to keep the fan on his feet and off their laps.
Which means that just for an instant, the person next to Natasha might get the view of a small woman catching a man a full head and more taller than her, from falling, keeping her balance in heels even as the night bus lurches to a stop. It's just a second, but if someone's watching, the'll see when she releases the lapse in her masquerade and remembers to stagger just a little under the man's weight, wobbling a little.
Then she shrugs free of the football fan, disengaging with a glare before she sits back down.
To whoever's sitting next to her, she gives an apologetic smile and plays it off smoothly, "Always something like that, isn't there?"
There's a faint Russian accent on her words, nothing that would interfere with clarity. The look that accompanies her words is innocent, as though nothing strange happened at all.
IV. Wildcard
((Hit me up at
sarosaron if you have another idea.))
Even knowing about their open door policy, Natasha hadn't entirely believed they'd take her. She isn't a student, for one thing, or even student passing. For another, she's a vampire. Vampires are't known for getting open invitations from other factions; at least not knowingly. Not without good reason. Mostly, though, she's never been exposed to anything quite like the institute before. She'd applied to join the outreach group as a wild grab, an attempt to have anyone at her back to keep her from being seen as a loner or a feral. Being either of those is a good way to end up with a target on her back.
And maybe, if she allows herself to think about it, the open door policy had sounds nice. It sounds like the direction she wanted to take. Everyone welcome as long as they play by the rules, keep the peace and keep their secrets. Natasha isn't the kind to let herself think that way too much, though, or get too optimistic.
Either way, it's a surprise when she's accepted.
She still fosters that surprise as she gives herself a tour of the grounds. It's in her carriage as she walks between buildings or down the halls; not overt confusion or surprise, but a little bit of skepticism, a little bit of caution, holding herself somehow a little reserved from her surroundings. Despite her years of training, there's still an air about her of someone who's not sure they belong, or maybe who knows they don't.
II. A Bar: also night
It could be any number of bars. Natasha hits a lot of them. She always picks the quieter ones, places where you can hear people talk to you and talking to each other. She's not in a good place for loud music or excited kids, or to get caught up in fights. She doesn't want to go places that feel like hunting grounds.
The thing is, she's here in the first place because she's thirsty. She's always, constantly thirsty, and she's trying hard not to go after the one thing she really wants. So like a cigarette addict reaching for a stick of gum, Natasha wanders into a bar. Alcohol is not what she wants, but it's one of the few things she can tell herself helps, at least a little.
She's usually sitting at the counter. Most nights, she orders vodka tonics. Bad nights, it's scotch neat. She doesn't try to strike up conversations, but she listens. Almost as much as the alcohol, it helps to listen to the low murmur of conversation around her. It's a reminder that the other patrons are real people, with lives and goals, things they want and look forward to, even if it's just a new job or getting in to pants of the girl at the coffee shop. It makes them more real, somehow.
So no, it's not a perfect coping mechanism, but it helps.
III. On A Night Bus: missed your train, didn't you?
There's a good mix of people on the bus tonight. A few kids toward the back on their way home from a party, looking tired and far from sober, but happy. A few older passengers coming back from bars, all seated alone and ranging from a professional looking woman sitting primly toward to front, brief case across her knees and gin martins on he breath, to a rough looking man slumped against one window, a nascent black eye just starting the darken his face.
Natasha's not sure what started the fight. It couldn't have been something anyone said, because she'd have heard it. One moment it's quiet. The next, a football fan and a derelict are climbing up into the aisle, in each others' faces and cursing. The bus driver calls back for them to settle down, but they don't.
It's not really that big of a deal—at least not in Natasha's mind. They're both just human. But the fight escalates, and the homeless man pushes the football fan hard just as the bus starts to slow to a jarring stop, and sends the fan stumbling toward her and the person seated next to her. It's reflex and instinct, that pull Natasha to her feet, bearing up to keep the fan on his feet and off their laps.
Which means that just for an instant, the person next to Natasha might get the view of a small woman catching a man a full head and more taller than her, from falling, keeping her balance in heels even as the night bus lurches to a stop. It's just a second, but if someone's watching, the'll see when she releases the lapse in her masquerade and remembers to stagger just a little under the man's weight, wobbling a little.
Then she shrugs free of the football fan, disengaging with a glare before she sits back down.
To whoever's sitting next to her, she gives an apologetic smile and plays it off smoothly, "Always something like that, isn't there?"
There's a faint Russian accent on her words, nothing that would interfere with clarity. The look that accompanies her words is innocent, as though nothing strange happened at all.
IV. Wildcard
((Hit me up at
Redbright Institute
What he is will be obvious. Vampires and werewolves know each other.
"Do you have any identification?" he asks. It's not overtly hostile. Or, at least, he doesn't mean for it to be. Most people would hear the Russian accent, see the large stature, and assume complete hostility. "May I see it?"
no subject
When she responds, it's in Russian—clearly her first language—and colored with a certain dark humor.
"Are you really asking for my papers," she asks, reaching into the inner pocket of her jacket calmly. As though she wouldn't have something. What she produces is a passport and a few loose sheets from her recent interview about joining. It's the best she has at the moment. "The birthday is fake. The name isn't."
no subject
So far as he's concerned, it's a simple statement of fact. A beautiful woman, especially a vampire, ought to be considered dangerous.
Her passport gets only a cursory look; it's the interview sheets he really pays attention to. And they meet his required level of scrutiny before he hands them back and gives a nod.
"Welcome to the staff, then. Illya Kuryakin, night security."
no subject
She dismisses the idea though, shifting the direction away from politics back in Russia.
"They must be serious about security here." She changes to English then, her accent faint but still recognizable. Her English is very good. "You don't look like a rent-a-cop."
no subject
"I recently became a Guardian for the Night Council as well. So it helps to know who is where."
no subject
Other than that the world has changed a lot in the past few decades.
"That actually makes it stranger. Very important title for a night watchman. Is it working out for you?—knowing who's where."
no subject
It was strange, yes, to still be here in addition to the Night Council, but he was originally assigned here, and Redbright hadn't released him from his duties. So, he worked some nights, when the Guardians didn't need him. Plus it kept him close to part of his objective from Waverly as well.
"Though little has been necessary so far."
no subject
She'd be lying if she said she wasn't interested in the perspective another Russian would have on the situation here, though she wasn't about to come out and admit as much.
no subject
"They're preparing for an election. So everyone's waiting more than doing anything."
no subject
All this goes through her head, but she reminds herself that regardless of the answer, she's keeping a low profile.
no subject
He repeats it with a faint smile. Because, well, he has no doubt it will be as honest an election as it's possible to be. But politics are politics, and that makes everything inherently messy. Especially with the conflicts brewing.
no subject
"Thanks for the warning," she adds, her smile a little rueful. "I know how to keep my head down."
no subject
Because why would she bother to keep the two separate? It does her no good, not with how this community is. Best a newcomer be warned.
no subject
"So I should expect to see election banners and people handing out buttons soon?"
no subject
Nothing too worrying, so far as he knew. He doubted there'd be much trouble for the candidates. Trouble, at least, that was the sort he was used to dealing with. But as a Guardian, he'd keep his eye out anyway.
no subject
It was the political tableau it created which mattered to her, and she appreciated knowing it. It was also good to know who was supposed to be keeping order around here.
"I'm planning to keep a low profile anyway." Which went for the election, and more generally.