Sofia "Skip" Hughes (
wolfmarked) wrote in
undergrounds2016-02-08 01:50 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Entry tags:
Anklebiters (Feb open post)
Why do you care what people think?
Department store, early February
"No. No, no, no. Also no."
To say that Skip is picky is... Well. It's very accurate. But Lupercalia with a new pack isn't exactly an every day occurrence. What she does and what she wears there will get back to her father, so she actually has to put some thought into all of it. Even if she'd rather just ignore everything that happens in the middle of February.
"Purple and gold, maybe?" she says, half to herself and half to whatever poor person might be walking too close.
Try to remember how it felt
Jolly Roger, all February
On the clock, Skip has only two settings. She is either excessively friendly or incredibly short-tempered. The usual good will of her as a bartender is sorely lacking, and woe to the person who implies that anything related to her being female has any bearing on the situation. Women are given proper service with a fair amount of friendliness, but men are singled out more than usual as either targets of her rage or objects of her interest. In the bar itself and in the back room.
"'Nother round?" she asks, stopping at a customer to collect what's empty.
Fall in love with yourself
Coffee shop, mid February
February and Skip simply do not get along. She's on edge far more than usual, especially when out and about. And being out with her sketchpad, sitting at a table by the window. It's deceptively warm with the sun pouring in.
The drawing she's working on is of a skeleton, laying back against a bush. Thorns have encircled the ribs, and, in the center of his chest, there is a single rose where the heart should be.
Skip sips her coffee as she sketches in details.
The only one you've got
Simon's flat, February 17th -- closed to Simon
Lupercalia is done. Valentine's Day is over. And Skip can finally start pretending that this month doesn't exist. She still hates February, yes, but at least it's almost done.
So, after a bit of warning -- mostly to make sure they're alone -- she's at the door, holding a bottle of vodka and dressed in an blue ombre cocktail dress.
A broken mirror to reflect
North Pole, late February
Dressed in thigh-high tights and a skirt that barely covers the top of them, Skip is completely at home in the noise of the club.
Tonight, she has only one goal: not going home alone. Maybe not going home at all.
With the music pounding in her ears, she sways to the beat and moves from partner to partner on the dancefloor. The more eyes she can get on her, the better.
When she does take a break from dancing, she stays close to the bar, leaning against it and making sure her cup stays full.
Department store, early February
"No. No, no, no. Also no."
To say that Skip is picky is... Well. It's very accurate. But Lupercalia with a new pack isn't exactly an every day occurrence. What she does and what she wears there will get back to her father, so she actually has to put some thought into all of it. Even if she'd rather just ignore everything that happens in the middle of February.
"Purple and gold, maybe?" she says, half to herself and half to whatever poor person might be walking too close.
Try to remember how it felt
Jolly Roger, all February
On the clock, Skip has only two settings. She is either excessively friendly or incredibly short-tempered. The usual good will of her as a bartender is sorely lacking, and woe to the person who implies that anything related to her being female has any bearing on the situation. Women are given proper service with a fair amount of friendliness, but men are singled out more than usual as either targets of her rage or objects of her interest. In the bar itself and in the back room.
"'Nother round?" she asks, stopping at a customer to collect what's empty.
Fall in love with yourself
Coffee shop, mid February
February and Skip simply do not get along. She's on edge far more than usual, especially when out and about. And being out with her sketchpad, sitting at a table by the window. It's deceptively warm with the sun pouring in.
The drawing she's working on is of a skeleton, laying back against a bush. Thorns have encircled the ribs, and, in the center of his chest, there is a single rose where the heart should be.
Skip sips her coffee as she sketches in details.
The only one you've got
Simon's flat, February 17th -- closed to Simon
Lupercalia is done. Valentine's Day is over. And Skip can finally start pretending that this month doesn't exist. She still hates February, yes, but at least it's almost done.
So, after a bit of warning -- mostly to make sure they're alone -- she's at the door, holding a bottle of vodka and dressed in an blue ombre cocktail dress.
A broken mirror to reflect
North Pole, late February
Dressed in thigh-high tights and a skirt that barely covers the top of them, Skip is completely at home in the noise of the club.
Tonight, she has only one goal: not going home alone. Maybe not going home at all.
With the music pounding in her ears, she sways to the beat and moves from partner to partner on the dancefloor. The more eyes she can get on her, the better.
When she does take a break from dancing, she stays close to the bar, leaning against it and making sure her cup stays full.
The only one you've got
Suddenly, he feels distinctly under-dressed.
"Hey," he says with a small smile. "You look amazing. C'mon in."
And once she does he adds, "Are you all right? I hadn't expected to hear from you."
no subject
She doesn't follow politics, but she makes sure to know who's who in it. Which is a totally different thing, according to her.
"Thought maybe I'd come over an' we'd celebrate a bit."
no subject
The three solid weeks he'd spent on a bender last month were quite enough for a long time.
Still, he takes the bottle and rummages for a couple of shot glasses. With Skip, he doubts they'll be drinking very long. This is part celebration, part booty call, and he knows it.
"Did your birdie mention who nominated me for it? Because I haven't any idea."
no subject
"Doesn' really matter, though, does it?"
no subject
He pours Skip a shot. "Guess not. It's all a bit overwhelming, honestly. Wasn't exactly expecting to get nominated, much less get the job."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
Try to remember how it felt
The bartender is vaguely familiar. Another wolf, maybe, someone she's seen around with James or other members of the pack. Just as the girl stops to address another customer near Alex, a man - a stranger, not the witch she's waiting for - sidles up to Alex and drunkenly asks for her number. Even after unsubtly being warned off, he won't go away, and Alex's patience finally snaps. In a burst of pure vicious instinct, she slams the heel of her hand into his throat, knees him in the gut, and then kicks his legs out from under him. He falls backwards, directly towards the bartender.
no subject
It's the shout everyone can know to expect when someone starts trouble in the bar. Skip is very nearly back at the bar when the guy falls toward her. She has to step quickly to put her tray of glasses down on the bar then duck around its corner to avoid him falling. Then, she moves just as quick back around to get between him and the girl.
He gets her attention first. "You leave a girl 'lone next time she says 'no,' got it?"
Then, she looks at Alex.
"An' you. There's the fuckin' door. Use it an' get th' fuck out."
no subject
She scowls and shakes her head. "No, I'm waiting for someone."
no subject
On a personal level... More guys deserve to get their asses handed to them when they're pricks. And if she were a patron? She'd have bought the girl a drink.
But. Well. That doesn't work when she has to maintain order. She lets one go, then they're all going to think their special. So, she crosses her arms over her chest and watches the girl.
no subject
She would rather avoid causing an even bigger scene than she already has, so she sits back down and says, quietly but with a certain amount of force, "Once my friend shows, I'll go and you won't see me here again."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
Try to remember how it felt, early Feb
The voice didn't register right away. Matt glanced up and smiled, the old charm immediately kicking in. He didn't bother to hide it anymore. He was beyond caring if he pushed someone too far, manipulating their wants to sync with his own against their better judgement. It was easier when everyone loved him.
"Sure thing," he said with a wink, his words heavy and seductive. "In fact, why don't you sit down and have one yourself. I'm sure no one will mind if you go on break."
no subject
Don might not be... particularly happy looking about it, but there's not much he seems to be able to say either as she takes off her apron, sets it on a chair and slides in right next to the customer.
no subject
He waits until the drinks are in front of him before he picks up his glass and clicks it against her own. "Cheers," he says. "Drinking is far better with a pretty girl at my side."
no subject
"I hate drinkin' alone. Lot more fun when you've got some good company with you."
And a cute guy? Just what the doctor ordered to make February a lot more bearable.
no subject
There's something about her that is oddly familiar. Matt has a nagging sensation that he's met her before but he can't place where. "How long have you been working here?" he asks. "I can't imagine that I would have missed meeting you. Seems rather rude of me not to invite you to have a drink with me before tonight."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
Valentines
He doesn't think about her rules. He can't. It scares the crap out of him to see her like this and he leans over to pop open the passenger side door. There's traffic coming to a standstill behind him and
"Skip, Jesus...," he can't even smell her under all of it. It makes something like instinct in him want to kill something and - he didn't realize he still had his Moonlight Jewelry on, but his claws scrape against the steering wheel.
"Get in!"
no subject
Despite the weather, her feet are bare. Her heels were the first things she got rid of when it became very apparent it was time to run.
The car's warmth is a relief, but, honestly, she only just registers it. The goosebumps on her skin are probably hardly visible under all the blood. When she puts her phone down in her lap, the screen is streaked with bloody fingerprints. The make-up on her face is entirely ruined, and she's still crying, thin body shaking. Only once the car door is closed does she raise her hands to cover her mouth and give a kind of shrill cry, just barely down from being a scream.
no subject
...Oh god she's such a girl right now. He doesn't know how to deal with this. Skip has never once been anything but Skip before.
"Do I need to call 999?"
He asks as he pulls back into traffic. He's not going to take her anywhere but his place. It's safe and he knows the way back better than he does the way to Skip's aunts.
no subject
She's trying hard to actually remember what happened. Because one minute she was grinding against a guy, her hand in his hair... and the next, she felt blood on her hand and someone grabbing her.
"Everythin' went dark an' people started-- started screamin'--"
Someone else would tell the authorities. Someone else could deal with the responsibility. All she wants is to get to her basement and lock the door. And know she's safe because she always rescinds invitations in when she shows someone out. And that part is hers. Isn't it? Will that still keep out someone her aunt invited in?
Even just thinking about that has her crying again and thrashing a little in her seat because she can't do anything else.
"It was jus' s'posed t' be a party."
no subject
James is having a hard time imagining it but Skip being covered in blood and shaking and crying in the passenger seat is pretty damning evidence that she isn't lying. He'll call his firm, get the cleaners out there to make sure nobody tries to torch the place - he wants the Night Council to know about this.
He needs to call Coward too.
All this is racing through his mind while he drives by route and he knows Skip can react violently to things she doesn't like - so he doesn't touch her either, as much as he wants to.
Before he knows it, they've pulled up to his place.
James doesn't think to ask if this is where she wanted to go. All he can think of is getting her inside. He opens her door for her and offers his hand, if she wants to take it.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
Why do you care what people think?
Kyle leans on the edge of the door frame into the boutique, looking fairly out of place in a t-shirt and jeans. He caught a glimpse of her from outside and decided to pop in, especially after Simon's glowing review of her as a person. Almost. Still, he doesn't exactly like how they left things and he has questions about werewolves that he's hoping the damn girl might be willing to answer if he can get her out of the hate camp.
no subject
She has plenty of red in her wardrobe. After all, it's perfectly fine if you know how to wear it. But she knows that American accent.
"'Sides, plenty of people're gonna be wearin' red. So definitely not."
no subject
Kyle straightens and grabs a nice black and gold dress from nearby, eyeballing her size to guess. He steps up behind her and puts the dress in front, emulating every cheesy romance film ever made and not caring in the slightest.
"Big plans?"
no subject
Which she is not thrilled about, and she won't pretend otherwise.
"Haven' gotten yourself killed yet, huh? Guess that's a good thing. You're dumb. But you're cute."
no subject
"Thanks. You're not bad yourself." No use in being coy. Kyle lowers his voice to ensure they're not overheard, but that's about all the consideration she's getting. "I'm mostly up to speed. Your boyfriend said you could tell me more about werewolves though."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)