Jean-Claude (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
baisant) wrote in ![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
undergrounds2016-01-15 03:31 pm
baisant) wrote in undergrounds2016-01-15 03:31 pm
DOWN COMES THE NIGHT (JANUARY CATCH-ALL)
I) THE CLUB
It's a regular night at Guilty Pleasures. A steady hum of conversation and music creeps across the air of the interior of the club, not too loud, but not too quiet besides. Phillip has just finished an act, received the appropriate attentions, and there arrives the appropriate scheduled break, allowing people to decide whether they want to hit the bar for a drink and stay for Awbrey or start to think about making the long, lonely journey home. Or maybe not so lonely. It's not up for Jean-Claude to decide how they arrive or exit, after all.
As the owner of the club, he tries to keep a relatively low profile. That is not to say that he will not book his own, private events, for the right customer, for the right price. But the public will notice, assuming the business should stay afloat for so long, that he does not age. They will notice certain other oddities about him as well. His pallor. The way that he hardly touches his drink.
And so his role in Guilty Pleasures is a bit less removed than another strip club owner's might be. He handles the background affairs. The performers and the employees, they all answer to him. But he has an announcer take his place. He is not the host. He is the Management. And he is always there. Always watching. Taking notes for the dancers, taking cues from the crowd. Handling a situation as it arises with all the grace that his collective six centuries afford him. And what a lot of grace it is.
He sits at the edge of the bar, nursing a glass of wine although he's barely drank any. Sitting still and poised as a statue. As his eyes meet the surly bouncers' across the room and he offers the man the barest of nods, which the bouncer returns in form.
And then he turns, and it is as if life has returned to his body as he raises the glass of wine to take a sip and asks, "It is not a bad show tonight, non?"
II) THE DELUGE
Jean-Claude may be good at adapting to a lot of difficult situations and scenarios. He may have an excellent poker face and he may know how to navigate himself through a challenging political moment better than most. But here he is, standing in an expensive velvet frock coat, with equally expensive if not moreso Italian leather boots strapped to his feet, staring out from the shop awning he'd found shelter beneath with something of a look of defeat. He has been caught out in the rain, and it would seem that the damned English weather has no intention of letting up any time soon. And he'd really liked these shoes.
He lets out a long and heavy sigh and swears low under his breath in French as he turns to determine whether he might at least explore the shop that he had trapped himself against. A... Convenience store? He sighs again. Will the day get any better, he wonders to himself.
III) THE THEATER
It isn't just because he's French that Jean-Claude loves the ballet. That's a cliché, and one that he resents, thank you very much. No, he likes the tranquility of it, the darkness of the theater, the beauty of the dancers' movements, of their costumes, the orchestra... How one can sit back in their seat and listen, or watch, and need not focus on the dialogue. Not of the mouth, at least. For dance is a dialogue of the body. And the human body is something that Jean-Claude knows, intimately. And loves just as much. For all its weaknesses and flaws. For all its beauties and temptations. He likes to sit and watch and admire, and the ballet is a perfect way to do just that.
It should come as no surprise that he's a season ticket holder. Despite being Belle Morte's plaything for centuries, he's managed to amass a tidy sum of money to his name, which he is as a rule rather frugal with. But the theater is a place he has been known to indulge himself, at times.
He has enjoyed the most recent production, and as the crowd slowly fills out into the street beyond, Jean-Claude lets himself be carried with them. In something of his own world as he remembers better days, better times, and the people he had known then... Having no particular place to go and no particular place to be for the rest of the night, he lets his feet take him where they will. He's perhaps too well-dressed for a night on the town, but that's never stopped him before.
IV) THE PURGE
He should have known that there would be trouble with this purging of magic, when it had come up. He should have known that he would not have been so lucky as to escape it. And he should have known that it would be Phillip, one of his most popular dancers, not only to fall victim to their fines, but to also find himself under arrest for the sheer amount of paraphernalia he had been in possession of. If Jean-Claude were capable of developing a headache, Phillip might have given him several in the last few days alone.
And so, despite wanting to maintain a low profile within the supernatural community, it comes to pass that instead Jean-Claude finds himself taking a taxi into Westminster to bail his trouble-making front man out of jail. Clutching his jacket tight around himself, he sets his shoulders square and schools his expression pleasantly blank, before letting himself into the building itself, asking around until he finds himself directed into a rather unassuming waiting room. Where no doubt he's going to be left to wait for an extraordinary amount of time, before forced to sign a lot of paperwork and sign over an exorbitant amount of money.
He sits back in his chair and lets out a sigh. He really should have eaten first...
V) THE MYSTERY
Choose your own adventure! Do you have an idea that I haven't covered here? Not a problem at all, just go for it!!
It's a regular night at Guilty Pleasures. A steady hum of conversation and music creeps across the air of the interior of the club, not too loud, but not too quiet besides. Phillip has just finished an act, received the appropriate attentions, and there arrives the appropriate scheduled break, allowing people to decide whether they want to hit the bar for a drink and stay for Awbrey or start to think about making the long, lonely journey home. Or maybe not so lonely. It's not up for Jean-Claude to decide how they arrive or exit, after all.
As the owner of the club, he tries to keep a relatively low profile. That is not to say that he will not book his own, private events, for the right customer, for the right price. But the public will notice, assuming the business should stay afloat for so long, that he does not age. They will notice certain other oddities about him as well. His pallor. The way that he hardly touches his drink.
And so his role in Guilty Pleasures is a bit less removed than another strip club owner's might be. He handles the background affairs. The performers and the employees, they all answer to him. But he has an announcer take his place. He is not the host. He is the Management. And he is always there. Always watching. Taking notes for the dancers, taking cues from the crowd. Handling a situation as it arises with all the grace that his collective six centuries afford him. And what a lot of grace it is.
He sits at the edge of the bar, nursing a glass of wine although he's barely drank any. Sitting still and poised as a statue. As his eyes meet the surly bouncers' across the room and he offers the man the barest of nods, which the bouncer returns in form.
And then he turns, and it is as if life has returned to his body as he raises the glass of wine to take a sip and asks, "It is not a bad show tonight, non?"
II) THE DELUGE
Jean-Claude may be good at adapting to a lot of difficult situations and scenarios. He may have an excellent poker face and he may know how to navigate himself through a challenging political moment better than most. But here he is, standing in an expensive velvet frock coat, with equally expensive if not moreso Italian leather boots strapped to his feet, staring out from the shop awning he'd found shelter beneath with something of a look of defeat. He has been caught out in the rain, and it would seem that the damned English weather has no intention of letting up any time soon. And he'd really liked these shoes.
He lets out a long and heavy sigh and swears low under his breath in French as he turns to determine whether he might at least explore the shop that he had trapped himself against. A... Convenience store? He sighs again. Will the day get any better, he wonders to himself.
III) THE THEATER
It isn't just because he's French that Jean-Claude loves the ballet. That's a cliché, and one that he resents, thank you very much. No, he likes the tranquility of it, the darkness of the theater, the beauty of the dancers' movements, of their costumes, the orchestra... How one can sit back in their seat and listen, or watch, and need not focus on the dialogue. Not of the mouth, at least. For dance is a dialogue of the body. And the human body is something that Jean-Claude knows, intimately. And loves just as much. For all its weaknesses and flaws. For all its beauties and temptations. He likes to sit and watch and admire, and the ballet is a perfect way to do just that.
It should come as no surprise that he's a season ticket holder. Despite being Belle Morte's plaything for centuries, he's managed to amass a tidy sum of money to his name, which he is as a rule rather frugal with. But the theater is a place he has been known to indulge himself, at times.
He has enjoyed the most recent production, and as the crowd slowly fills out into the street beyond, Jean-Claude lets himself be carried with them. In something of his own world as he remembers better days, better times, and the people he had known then... Having no particular place to go and no particular place to be for the rest of the night, he lets his feet take him where they will. He's perhaps too well-dressed for a night on the town, but that's never stopped him before.
IV) THE PURGE
He should have known that there would be trouble with this purging of magic, when it had come up. He should have known that he would not have been so lucky as to escape it. And he should have known that it would be Phillip, one of his most popular dancers, not only to fall victim to their fines, but to also find himself under arrest for the sheer amount of paraphernalia he had been in possession of. If Jean-Claude were capable of developing a headache, Phillip might have given him several in the last few days alone.
And so, despite wanting to maintain a low profile within the supernatural community, it comes to pass that instead Jean-Claude finds himself taking a taxi into Westminster to bail his trouble-making front man out of jail. Clutching his jacket tight around himself, he sets his shoulders square and schools his expression pleasantly blank, before letting himself into the building itself, asking around until he finds himself directed into a rather unassuming waiting room. Where no doubt he's going to be left to wait for an extraordinary amount of time, before forced to sign a lot of paperwork and sign over an exorbitant amount of money.
He sits back in his chair and lets out a sigh. He really should have eaten first...
V) THE MYSTERY
Choose your own adventure! Do you have an idea that I haven't covered here? Not a problem at all, just go for it!!
no subject
"Your particular talents," he repeats.
no subject
"I prefer other means of protection, of course, but this old thing does occasionally come in to use. I saved Coward's life with it just a fortnight ago, in fact. I am far faster and stronger than I look, you know."
no subject
"What trouble did our young master Coward find himself in then, that you would need to rescue him so?" he inquires, cocking his head to the side and watching Joscelin's response to his question carefully as he does. Nearly everything that Jean-Claude does could be described as careful. It is what has kept him alive all of these years, after all.
no subject
Joscelin smirks, suddenly looking far older than his body seemed capable.
"Do you remember that idiot--oh, what was his name. Tall, dusky fellow, all big hands and feet. Not very bright. I think he was turned just after the Great Fire. Anyway, he took offense at Coward's politics." The little boy cackles with glee, recounting the carnage. "Like I said, not very bright."
no subject
"I remember him, yes," Jean-Claude confirms. He glances down at the stake in the smaller vampire's hands before up at Joscelin's face again. "I take it that you were the one to take care of him for Coward, then? Did you defend him against an attack?" He quirks the corner of his lips up at the other vampire. "Was it terribly heroic of you?"