Eames. (
falsify) wrote in
undergrounds2016-01-14 07:51 pm
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CROYDON 2: CROYDON HARDER
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January 7th-14th: Once the purge really gets going, it's pretty obvious that Croydon's being targeted disproportionately. It's less of a surprise than some might like; the area's a source of numerous bruised egos - Eames' included - but more than that, every side involved clearly wants to put this to bed. Daybreak, unfortunately, has a lot more backing and more official channels to go through to get the upper hand. Numerous people are taken in by the Night Council on whatever charges of using dark magic can be used against them, and it leaves a not insignificant dent in their power. Clever, one might suppose, reduce the numbers before Daybreak - Norrell, let's all be honest here - send the bodies in to take the area. Eames has the fae on his side and the people in his employ do what they can to undermine this though. Moving people out of the area quickly and under the noses of the Council guardians sweeping the area, goods hidden, the odd person stored away safely in Faery. More than anything, it's a move of solidarity with those living here. A gentle suggestion that those witches, fae, metas, etc. in the area can trust him and his to look after them. January 15th: This is a losing fight, and Eames makes it clear no one is obligated to join in before things start. There's too many extenuating circumstances to have a hope of keeping their hands on Croydon. Still. Eames is too frustrated with the current state of affairs to let it go easily, and he amasses a small militia of the like-minded. They may not be able to keep Croydon, but they can make it difficult as hell to take. The plan is simple: In the early hours of the morning, before the sun has risen, they'll attack. The intent was to avoid bloodshed last time, but this time the intent is clearly to kill as many as possible. By the evening they'll have withdrawn, and Norrell can have fun explaining to the families of the deceased that they died for a shithole like Croydon. |
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But that means that Eames is really, really close, and the way Arthur's eyes glance down might betray his mixed feelings. The danger and adrenaline of the fighting they've been through tonight and the potential of this perhaps-volatile fae just means his pulse is already quickened. "I just want to be able to trust you," he says with a bit of a snarl.
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If he were fully in his right mind, he might question this kind of thing. But Eames feels like he needs to remind Arthur of the nature of this relationship - it's not one where trust is on the table - and he puts his hand on Arthur's chest, pushing him back against the wall with little effort.
"You can't," he says. Voice low and absolute. That's just how this is.
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He slows his breath, breathing deeply in an attempt to slow his heart rate, and then he looks down from Eames' hand to his face, working his jaw again as he tries to work out how to proceed from here. He knows what he wants, but that has to stay far in the back of his mind.
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He doesn't know, but he also doesn't move his hand just yet, scanning Arthur's face for a moment to figure out what's made him stop instead. It's hardly as if the man has ever balked at the idea of a confrontation.
"Are we done with this?" He asks, though it comes out more akin to a warning than a question.
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He just can't fucking help himself.
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He lightens up his hold on Arthur, a consequence of the angle of his arm more than anything, but he's close enough that he may as well be bodily pressing him against the wall.
"Not all my problems, dear, but some issues just need a little force to rectify."
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He glances down between them again, his jaw tight. It's crazy, he thinks, to give into this type of thing, but then again maybe Eames is doing this on purpose, like he's done with so many people before. Maybe not in this context, but Arthur's witnessed Eames' revolving door of partners and it's hard not to imagine that the man knows exactly how he affects people. Arthur hates that he's one of those people right now, but god he just wants to give in already, and maybe it could dissolve some of the tension or actually prevent Eames from doing something stupid.
But all that is really just an excuse for Arthur to do what he does next, which is to put his hands lightly on Eames' hips to pull him forward that last inch if he'll come, and to lean his head in, his eyes flicking up to make contact with Eames' before he leans in the rest of the way and brushes their lips together.
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Eames' initial response is to press him against the wall and kiss Arthur back with a low noise in the back of his throat, something hungry and aggressive as he plants his hands on the wall either side of Arthur like this is the only thing he can think about right now. He seems to think better of it a moment later though, pulling back a moment later to look Arthur in the eyes with a frown.
"You don't want this," he says, voice hushed and already a little breathless. Normally Eames would barely hesitate, but he knows himself and right now he feels angry and destructive, this might be a good outlet for that but there's a strength disparity to be aware of. "I don't know that I can trust myself to, ah... Show enough restraint."
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"I'm not made of glass," he says, almost offended by the insinuation that he can't handle some roughness. He knows the concern isn't entirely unfounded, but it's just so appealing that he has to try. "And I know how to say the word stop."
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But he's confident Arthur will tell him if it's too much and he nods, licking his lips as he leans back in for a particularly aggressive kiss.
And then they probably did some stuff respectable adults don't discuss in public.