Sofia "Skip" Hughes (
wolfmarked) wrote in
undergrounds2015-08-19 08:15 pm
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Entry tags:
Wolf Like Me
Say, say, my playmate
The Jolly Roger, day or night - open
The pub's become like a second home for Skip. She buzzes between the bar, small kitchen, and tables. For the most part, she's usually pretty sociable. She moves to whatever music there is, an easy turn from one table to another with the beat and the like.
Of course, pity the poor fool who tries to cause trouble on her shift. Or anyone caught up in it who might be assumed to be guilty. There, something rather like the 'wrath of God' might descend upon them.
Part of her duties involve the backroom and its supernatural inhabitants. Not that they get away with anything more than the patrons in the proper pub. There's some leeway, yes. Vampires feed on willing victims, for one. But anyone who starts a fight? She'll shout them down the same as she would anyone else.
Lack of fear? Lack of self-preservation? Both?
But she tries to be attentive, eyes peeled for new faces, empty plates, or waiting glasses.
Mirror my melody
London streets, day - open
"Oi! Fuck you! Fucker!"
The completely useless cursing is done to the back of a bus, complete with her flipping it off. He can't hear her, no, but it makes her feel better to do it. Even if she's promptly honked at for standing in the street.
"Fuck you, too!"
The driver doesn't reply. He just keeps driving once she moves. Then, she throws herself onto the bench to wait for the next bus.
"Stupid fuckin' transportation. Fuck 'em all."
She really needs to think about getting a license and even a shitty little car before school starts. It wasn't bad when she lived a campus or had her father or brothers to drop her off. But living with an aunt working full-time? This is going to get old, fast.
Got a curse I cannot lift
London streets, night - open
Bravado. That's Skip's main battle plan. Bravado and keys. They're all car keys, collected from neighbours, friends, and family over the years. And some just found. But they protude from her closed right hand, between each finger.
She may or may not also have slightly-illegal-grade pepper spray in the messenger bag worn over her shoulder. Sure, no one ever bothered her in Waterford, but she can't be sure about London. She hasn't been in ages, and, even then, she doesn't know the neighbourhood too well.
Besides, streets at night are dangerous, even when you're just walking to your bus stop. And have to wait there. People and the supernatural have to be considered. She doesn't care about politics, but she also knows she reads as human. Which, to some, might mean 'meal.'
When the moon is round and full
The Jolly Roger - Aug 29th
The song always plays. Whenever Skip is on duty at the pub, that song will come on the jukebox. Only after it's sat unused for a bit. She never makes anyone wait for their music to indulge her. But tonight, well. Tonight it might seem more than particularly apt.
'Oh, don't go 'round tonight
For it's bound to take your life.
There's a bad moon on the rise.'
She even sings along as she weaves between the tables and checks on her pool-playing regulars. She has their bottles of beer right as they took their last drinks. They almost didn't know what to do when she moved in, took their bottles with her right hand and put a new bottle in its place with her left.
Then, she turns her attention elsewhere.
The Jolly Roger, day or night - open
The pub's become like a second home for Skip. She buzzes between the bar, small kitchen, and tables. For the most part, she's usually pretty sociable. She moves to whatever music there is, an easy turn from one table to another with the beat and the like.
Of course, pity the poor fool who tries to cause trouble on her shift. Or anyone caught up in it who might be assumed to be guilty. There, something rather like the 'wrath of God' might descend upon them.
Part of her duties involve the backroom and its supernatural inhabitants. Not that they get away with anything more than the patrons in the proper pub. There's some leeway, yes. Vampires feed on willing victims, for one. But anyone who starts a fight? She'll shout them down the same as she would anyone else.
Lack of fear? Lack of self-preservation? Both?
But she tries to be attentive, eyes peeled for new faces, empty plates, or waiting glasses.
Mirror my melody
London streets, day - open
"Oi! Fuck you! Fucker!"
The completely useless cursing is done to the back of a bus, complete with her flipping it off. He can't hear her, no, but it makes her feel better to do it. Even if she's promptly honked at for standing in the street.
"Fuck you, too!"
The driver doesn't reply. He just keeps driving once she moves. Then, she throws herself onto the bench to wait for the next bus.
"Stupid fuckin' transportation. Fuck 'em all."
She really needs to think about getting a license and even a shitty little car before school starts. It wasn't bad when she lived a campus or had her father or brothers to drop her off. But living with an aunt working full-time? This is going to get old, fast.
Got a curse I cannot lift
London streets, night - open
Bravado. That's Skip's main battle plan. Bravado and keys. They're all car keys, collected from neighbours, friends, and family over the years. And some just found. But they protude from her closed right hand, between each finger.
She may or may not also have slightly-illegal-grade pepper spray in the messenger bag worn over her shoulder. Sure, no one ever bothered her in Waterford, but she can't be sure about London. She hasn't been in ages, and, even then, she doesn't know the neighbourhood too well.
Besides, streets at night are dangerous, even when you're just walking to your bus stop. And have to wait there. People and the supernatural have to be considered. She doesn't care about politics, but she also knows she reads as human. Which, to some, might mean 'meal.'
When the moon is round and full
The Jolly Roger - Aug 29th
The song always plays. Whenever Skip is on duty at the pub, that song will come on the jukebox. Only after it's sat unused for a bit. She never makes anyone wait for their music to indulge her. But tonight, well. Tonight it might seem more than particularly apt.
'Oh, don't go 'round tonight
For it's bound to take your life.
There's a bad moon on the rise.'
She even sings along as she weaves between the tables and checks on her pool-playing regulars. She has their bottles of beer right as they took their last drinks. They almost didn't know what to do when she moved in, took their bottles with her right hand and put a new bottle in its place with her left.
Then, she turns her attention elsewhere.
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"Skip, lovely t'meet you. Nancy Fagin." Because she had to include her last name now, she realized with a bitter sigh and a handshake.
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"Skip Hughes," she replied. Only fair to give her last name, too. "Like I said, you need anything? Flag me down."
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Then, she stops briefly by Nancy and says with a smile, nodding to her glass, "Need another?"
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"Yes, please, if you don't mind. Ah, this time I'll go with a Jack Daniels, though." She gestures to the bottle a bit higher up.
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"Want somethin' from the kitchen? Appetizer on the house."
It was just pub food, sure, but... Just like her boss gave her a bonus for working the back room, she felt that ought to apply to anyone. Besides, if this girl was a regular?
Well. Skip knew that taking care of regulars was how waitresses stayed around.
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"Really? You're the sweetest bartender I've met here." And she'd been drinking here since she was at least fourteen. Perks of being friends with Hook, once more. "I don't know if you knew Alex, but he didn't like me working out of here." The truth gets another wince from her, and as such, she took a nice drink.
"Let's see- chips, please if you don't mind." and because she was getting an appetizer on the house... "And pour yourself whatever you want." She'd run into a customer up front who, upon Nancy's return from being fed on, happened to have a very loose purse. So it was all on her.
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Plus she had an inkling that the bartender was looking for something new.
After a minute, she returned, having put the order in to the kitchen. Then, she called over to the man behind the bar -- someone who just bothered watching for drink orders and sometimes chatting up people at the bar --
"Oi! Takin' my break. Gimme some Jameson. Neat."
Once he put it in front of her, she raised it to Nancy.
"To singing for your supper."
Then, just to make sure she didn't think she was mocking her, Skip followed quickly. "My da and brothers... They looked after the people in town, y'know? The ones the cops couldn't give a shit about. Got a lot of respect for you."
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Nancy blinked at the toast, about to question before Skip kept speaking. She let out a small exhale, relaxing her shoulders. And, oddly enough, turned bright pink.
"You shouldn't. I'm not any good." She suddenly decided her knees were very, very interesting.
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Which she thought said it all. Was it the most 'respectable' line of work? Maybe not. But it was work. And hard work.
The day she laughed or turned her nose up at that? Was the day her family disowned her.
"More than some people do."
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It was refreshing.
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"Hey, you're welcome any time. Probably won't be working as much once school starts. But I'll still be around."
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She hadn't gone to school. Ever.
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"So you're from Waterford, I'll take it." Ireland. Her accent was clear. And if Nancy's own London accent didn't make it clear: "I was born and raised here." Right here. In this pub.
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It's easy to say to someone who doesn't have that kind of accent. The kind of someone who knows London-London. Not just the fancy schools. Like the one she used to attend. Or the one she is now.
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Older vampires knew the correlation between sex and blood that was so often there, and got what they could while they were able.
"I like your natural accent best, to tell you the truth. Always thought there was something mysterious to it."
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"Thought I'd be a soloist in a company, an' they like 'em posh."
But that chance had disappeared, so she'd given up trying to sound like a Londoner. Still, it wasn't something she talked about, especially not with a relative stranger. Always best to keep it light.
"Don' know about mysterious, but thanks."
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"Of course- one of my best friends is Irish." Best friends. Right, that was a good way to describe herself and Cooper... Right?
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Assuming, yes. But it would have been a guess either way.
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