Abigail Widdowson (
acrookedchild) wrote in
undergrounds2015-07-01 07:21 am
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Stroke of Midnight [OPEN]
Miss Abigail Widdowson cordially invites you to Geap Manor on Wednesday, July 1st at 19:00.
Food, drinks, and music will be provided.
All are welcome, but individuals are to be aware that any hostilities during the evening's festivities will not be tolerated.
It is the first time in at least a generation that the doors of Geap Manor have been opened to the general population. Or, at least, as general as the supernatural community could be considered. Some invitiations were made personally, but most were formally sent to the higher ranking members of the various factions.
Dinner is announced precisely at 19:30. The small, intimate eating area for the family has been turned into a buffet room. The caterers Abigail hired have obviously been paid well to make sure there is something for everyone. Rich meat dishes, hearty vegetarian dishes, light fish dishes, plenty of accompaniments and finger food. There is also plenty of fairly fresh blood for vampires. For the others, there are wines, water, and tea available.
The grand dining room has had its large table removed, replaced, instead, by small tables that can comfortably hold four. They can, of course, be pushed together to allow for more room.
The ballroom is open to the guests, and the DJ has also been highly paid to make sure the music played is precisely to the hostess's tastes. There is plenty of modern music, good for dancing, as well as older classics. However, interspersed are classical pieces meant for waltzes and foxtrots and other such ballroom dances.
In the sitting room is a drink cart with wine, tea, water, and blood. Chairs and divans are available, as the room is a quiet place, a little away from the ballroom, so conversation can be had with ease. There is an unlit fireplace, and a portrait of Abigail a few years younger than she is now hangs above it.
Most of the rest of the house is locked. One can wander the hallways, but it may prove ultimately fruitless. One who simply walks up the stairways will find the walls of each lined with the Widdowson family portraits of every generation, starting with one of a ten-year-old Abby, her parents, and her six-year-old brother. As one takes in all the paintings, a pattern presents itself. Every Widdowson woman featured is pale, thin, and blonde.
The grounds are beautifully maintained and fenced in by wrought iron on top of stone. A very traditional look for such an imposing manor. On the path from the street to the house, there's little remarkable, save the knocker on the door. Behind the house, however, if one ventures away, one might get the keen sense of something from inside the house watching, waiting, and hungering. On the ground floor, the locked rooms are mostly unremarkable, save for the study at the back of the house. Linger too long near there, and one might hear a sound coming in a pattering set. It isn't a knock against the door, no. Instead, it is the sound of something hitting the wall. If someone were to force their way into the nursery on the second floor or the attic several stories up... Well. They likely won't be coming back to the party. Or to anything.
Wandering, of course, isn't a suggested enterprise. The old house doesn't like people poking around and trying to find its secrets.
(Everyone who has at least a familiarity with the supernatural is welcome, as the invitations were distributed widely. Mingle, make your own top comments, enjoy the food, etc!)
Food, drinks, and music will be provided.
All are welcome, but individuals are to be aware that any hostilities during the evening's festivities will not be tolerated.
It is the first time in at least a generation that the doors of Geap Manor have been opened to the general population. Or, at least, as general as the supernatural community could be considered. Some invitiations were made personally, but most were formally sent to the higher ranking members of the various factions.
Dinner is announced precisely at 19:30. The small, intimate eating area for the family has been turned into a buffet room. The caterers Abigail hired have obviously been paid well to make sure there is something for everyone. Rich meat dishes, hearty vegetarian dishes, light fish dishes, plenty of accompaniments and finger food. There is also plenty of fairly fresh blood for vampires. For the others, there are wines, water, and tea available.
The grand dining room has had its large table removed, replaced, instead, by small tables that can comfortably hold four. They can, of course, be pushed together to allow for more room.
The ballroom is open to the guests, and the DJ has also been highly paid to make sure the music played is precisely to the hostess's tastes. There is plenty of modern music, good for dancing, as well as older classics. However, interspersed are classical pieces meant for waltzes and foxtrots and other such ballroom dances.
In the sitting room is a drink cart with wine, tea, water, and blood. Chairs and divans are available, as the room is a quiet place, a little away from the ballroom, so conversation can be had with ease. There is an unlit fireplace, and a portrait of Abigail a few years younger than she is now hangs above it.
Most of the rest of the house is locked. One can wander the hallways, but it may prove ultimately fruitless. One who simply walks up the stairways will find the walls of each lined with the Widdowson family portraits of every generation, starting with one of a ten-year-old Abby, her parents, and her six-year-old brother. As one takes in all the paintings, a pattern presents itself. Every Widdowson woman featured is pale, thin, and blonde.
The grounds are beautifully maintained and fenced in by wrought iron on top of stone. A very traditional look for such an imposing manor. On the path from the street to the house, there's little remarkable, save the knocker on the door. Behind the house, however, if one ventures away, one might get the keen sense of something from inside the house watching, waiting, and hungering. On the ground floor, the locked rooms are mostly unremarkable, save for the study at the back of the house. Linger too long near there, and one might hear a sound coming in a pattering set. It isn't a knock against the door, no. Instead, it is the sound of something hitting the wall. If someone were to force their way into the nursery on the second floor or the attic several stories up... Well. They likely won't be coming back to the party. Or to anything.
Wandering, of course, isn't a suggested enterprise. The old house doesn't like people poking around and trying to find its secrets.
(Everyone who has at least a familiarity with the supernatural is welcome, as the invitations were distributed widely. Mingle, make your own top comments, enjoy the food, etc!)
sitting room | ota
He's a peculiar fella. Greasy hair, old cigarette smoke sticking to his skin, a 7 'o clock shadow darkening his cheeks, and yet, Captain Homer Jackson is a sartorial success in his patterned dress shirt, vest and green suit jacket, as if he were plucked out from another time. And if that doesn't call attention to you, then it's the fact that Jackson's staring at your character-- watching them pass by as he plays that game of guess what he or she is. His face seems permanently fixed in a look that's somewhere between judgmental and skeptical.
Or perhaps you catch Jackson as he approaches the drink cart in the center of the room. He's reaching over to take a glass of whiskey from the tray, but the tips of his fingers pause against the rim of a blood-filled cup. A beat. Jackson appears to be considering something, before not-so-absentmindedly, tipping the glass over.
What? He's petty and petulant, and really, vampires? Who invited them? They were like flies; always another one of them, wherever you looked. Hopefully, none of them will look at him and recognize that wanted face.
Pulling a cigarette from his back pocket, Jackson lights it with a spell-- and for that moment, he admits that it feels good to be free to cast magic. He takes a long drag, not expect anyone to address him.
no subject
He laughs at that, finally electing to pour himself another glass of wine, and raises an eyebrow at the mess on the tray. "Not quite your taste, I take it?"
no subject
Cocking a crooked grin, Jackson throws back his glass of whiskey in its entirety-- see, Eames, he's just set a precedent. There's nothing unseemly at all about enjoying yourself.
"Not particularly." He looks to Eames, raising his eyebrows as he pauses to let out a cloud of smoke. "A chicken wouldn't invite a human to a dinner party, would it? "
no subject
Eames glances around the room before he speaks, but he feels fairly certain he'd know by now if there were any vampires in the immediate area. "Personally I find them to be more like bedbugs," a wrinkle of his nose in distaste to illustrate his point, "bloodsucking vermin that's frustratingly hard to get rid of."
no subject
At this point, Jackson doesn't care, let them hear. Though that may be the drink talking, as he makes a habit of saying things he regrets in the morning.
"Not a fan, either?" There's a beat, before Jackson gets up close to Eames, snaking a hand over his shoulder, chummy as can be. All past ills over ruining his joke forgiven. "Actually, I think I like you."
no subject
(no subject)
(no subject)
no subject
"Homer Jackson, right? Forensics? Didn't expect to see you here. You think you've seen the last of them exploding bookcases?"
no subject
Regaining his breath, he nods, saying nothing as he tries to remember this guy's name. What is it? Something Japanese. Hatoki? Hatachi? Wait, he's got it, he's got it."Hatori, right?" He offers a cool smile, "Everybody at the station knows I got special hobbies, but they've got a different idea of special."
But more importantly--
"Exploding bookcases?"
no subject
He laughed. "The way you say it makes ya sound so sinister, though. I hope no one's casting aspersions!"
no subject
A low laugh rumbles in his chest. Sinister. Yeah, Jackson likes that.
"Magic. Werewolves. Fae. This world ain't for the faint of heart, even for coppers used to ripped up tarts and shot-up corpses."
no subject
"I s'ppose not. That why you're here, for business?" By which Heiji meant are you here on a case? "Personally, I was curious to see if the DJ for this party was any better than the one at Redbright's."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
This is, she knows, the difficulty of sending such open invitations. There's little assurance that people who come will actually know how to behave. She'd promised no hostilities, but something like that, however small, indicated ill will. So, Abigail knew to be on guard but still polite.
no subject
"Try hydrogen peroxide and cold water. Promise it'll do the trick." And it's true; Jackson gets blood on his clothes on a near-daily basis.
"And if not for this mess--" He quiets, substituting a sly sort of smile for words. "For the future, once you commence your activities."
no subject
Though... Well. Subtle as it is, she can suspect why the glass fell in the first place and the reason for the lack of sincerity on his part. It's not uncommon. Not even unwise. To dislike vampires, but.
"I hope, sir, you understand that I expect all my guests to be treated with respect. Otherwise, the offending parties will be asked to leave."
Formal and proud talk from a girl who's barely old enough to drink.
no subject
"Don't know what you're talkin' about, I've been as amicable as can be." He follows his words with winks, tilting his hat in a gesture of mock courtesy.
Jackson takes another drink from a tray, and gives the glass as swirl before he takes a drink. Subtlety is an art that gets increasingly difficult the more sips the takes.
"It's a prudent thing-- being careful, as you are. I'd still say you're not being careful enough. Inviting the leader of Daybreak to your party?" Jackson makes a clicking noise with his tongue. "One might take that as a challenge. A declaration, even."
no subject
Because what happened in Barnet (and what had happened in other places before, but Barnet was the catalyst for her) was a threat to every witch who wouldn't fall in line with what Daybreak wanted. The girl killed in Barnet had been the final straw.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
Then she sees him light his cigarette with his hand and vampire is off the table. Fae is still on though, and now witch can be added to it. And meta-human. Maybe he can do fire with his hands like she can do ice.
Basically she has no idea. But he's not a normal human.
Blast, bloody cigarettes, Elsa hates them. Young people think they're so posh. Obviously her condition prevents her from any activity that would involve her literally inhaling smoke, but the very smell of cigarettes bothers her too. She coughs, not obnoxiously, and sips her tea.
"Do you need an ashtray?"
There's one sitting on the table next to her end of the couch.
no subject
What he isn't deaf to is that cough. Couple that with her too courteous offer an ashtray, and the unconscious facial twitch that accompanies any reaction to a bad smell, Jackson gets her subtext.
"If you want me to put out my cigarette, just say it."
no subject
no subject
"The name's Homer Jackson," he explains. "I'm a surgeon, a forensic scientist, a human, and yes, a witch."
Jackson is being pedantic, but you've got to understand. He's sensitive about semantics, at least in the case of the supernatural. There seems to be an either/or trend in this world. You're either a supernatural being-- a witch, a special human, a vampire-- or you're just a human. A mundane.
Okay, maybe he is being too particular, but it's a touchy subject, because Jackson's not just a witch. He's more than that-- something he's been trying to make a point of since running away all those years ago.
no subject
She gets it, actually. Most of her life she's been thought of as a freak or a monster. People have gone so far as to actually be afraid of her, which she thinks is kind of ridiculous because she would never intentionally hurt anyone. Thankfully now she has more control over her powers and incidents of accidentally hurting people have gone way down.
(no subject)
(no subject)
(no subject)
no subject
There's a momentary lapse in any response from her. Usually when jerks get caught, they immediately back down. But sometimes more drastic measures must be taken.
"What?"
Kenzi snaps quietly, not wanting to cause a scene but also not wanting to let someone creep on her without getting an earful.
no subject
Not a fair assumption. No real evidence for it either, but Homer Jackson finds himself more critical the grouchier he gets.
When Kenzi snaps at him, well, the temptation's too much to resist.
"You walked into my field of vision," he explains. Jackson continues being a dick, words muffled by the cigarette pinned between his teeth. "So don't flatter yourself."
no subject
However, since she isn't a mind reader, Kenzi just thinks Jackson's a douchebag - end of story.
She scoffs and flaps a hand dismissively at him with as much disdain as her little heart can muster.
"Whatever, just direct your toolitosis in another direction, buddy."
no subject
That's not the response of a grown ass man. Even though he may be dressed his age, Jackson sure knows a thing or two about acting petulant and juvenile. The smile that's pulling at the edges of his mouth? That just says how much he's enjoying this all.
"Toolitosis, huh?" He fakes an impressed look. "At least you got your suffix right."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)