That gets another thoughtful frown from him, and Eames taps his lip in consideration. She loves Shakespeare, he knows that much, and honestly a lot of the names of women in his plays would sound right between those names, but the beauty of getting to choose is a little more meaningful than just what sounds good.

"How about Viola?" He suggests after some thought, "like in Twelfth Night?"

Somebody strong and adaptable, two of the qualities he respects most in her. Plus he suspects Nancy loves that idealism in doing what's "right" instead of messing with people's lives just to make her own station better.