The Underground Mods (
undergroundmods) wrote in
undergrounds2015-05-23 12:00 am
Game Opening: May Ball
It had to be done.
Welcome all to the Redbright Institute's May Ball! This evening is a celebration of the Institute's achievements over the past year. Students aged 16 and above can attend on their own, while younger students must be accompanied by a parent or guardian. Meanwhile, friends and guests of the Institute are invited as a gesture of friendship and harmony between the various factions.
Rules and etiquette
• This is a black tie event. Formal attire is required.
• No weapons. This is a school, there are children present. Any weapons or objects that could be used as weapons will be confiscated.
• No drugs or alcohol. Obviously. Don't try to sneak any in.
• No violence.
There is security within the school and present at the event. (In fact, if your character is a member of the Redbright Institute, you could have them acting as security if you want.) They will respond to and put a stop to any trouble.
Places to go
The main action takes place in the large Assembly Hall. This is where the Chancellor Sylvia Redbright will give her address. It's also where you can party later on. The disco is family-friendly – not exactly a rave, but the kids will love it.
Drinks and snacks are available in the dining hall. The drinks are non-alcoholic. Vampires, no need to worry about your cravings: blood cocktails are provided! They're given in good faith on the assumption that you won't be snacking on anyone else tonight.
Just off the dining hall, one of the classrooms has been converted into a chill-out area. The lights are off, the desks and chairs have been replaced by beanbags and there's a table in the corner with a chocolate fountain, marshmallows and strawberries. A video of young witches taking part in various night-time rituals (they mostly seem to involve chanting and bonfires) plays silently on the screen.
One of the lecture theatres has been opened up to showcase students' work from the past year. On the screen you can watch a slideshow of notable events and achievements. Strangely enough there aren't many people in this room.
Outside, there is a giant chessboard on the lawn. The pieces are made of plastic and can easily be moved around. Why, you ask? Why not, is the answer.
Finally, a large marquee has been set up in the quad. This is the adults-only area, with wine and cocktails served at the bar, nibbles available at a few high tables dotted around and a sophisticated atmosphere. No children under 18 allowed. (Note that the legal drinking age is 18.)
Timeline of events
20:00 – Doors open.
20:57 – Sunset.
21:15 – Sylvia Redbright makes her address in the Assembly Hall.
22:00 – Disco in the Assembly Hall. The DJ has atrocious taste.
01:00 – Disco stops. The event officially ends.
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Yup. I'll introduce you, so unclench.
[Ah, Kenzi. You have the soul of a poet.
Her gestures have changed to one of encouraging Nancy and her spastic date to come over.]
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There you are, Kenzi, I was looking for you earlier. [Someone still has a flute of champagne. She doesn't even remember how much she's had at this point, but it's glorious and she's feeling loose.] I wanted to introduce you to- [She gestures at Stiles, but stops.] -And it looks like I'm not alone in that. [She holds her hand out.]
Nancy Fagin. And this is my friend Stiles Stilinski. You are-? [She does her best to look the portrait of innocence, but when she's had this much to drink, it's really hard for her to do that. Especially if she may or may not be missing some of her blood, though any marks are covered by a simple charm.
And for the record, Stiles is not going anywhere. If he even so much as attempts, he's getting dragged back. So don't.]
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That would be Derek, [ he informs Nancy, voice going all croaky and high-pitched due to his discomfort. ] Derek Hale.
[ If he has to lose his anonymity, so does the werewolf. Without missing a beat, Stiles averts his gaze to turn his attention on Kenzi. He offers her a wide, lopsided grin. ]
So, you’re definitely not a cat.
[ If she’s expecting context to that startlingly idiotic remark, there’s none coming. Stiles simply gives Nancy a nod of acknowledgement. ]
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dragging his eyes from the human, he takes Nancy's hand. his gaze slides sidewards to Kenzi, eyebrow raising quizzically - circle midnight? it seems like a safe enough assumption, and Derek can only assume that the other girl has been the necessary ticket in here. it's a thread of thought swiftly broken by the name Stilinski, and Derek's eyes cut briefly back to the now named Stiles as he tries to discern precisely what significance that surname holds in the murk of old memory.
he goes to introduce himself, and then realizes it's been done for him. mouth snapping shut reproachfully, he scowls once again at Stiles, this time emphatically, before glancing back to Nancy. his dourness lets up. slightly. ]
That's right.
[ for now, the cat remark goes ignored, and so do polite greetings. ]
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While she thinks she understands Derek's brow-speak and responds with a exaggerated frown and a nod to confirm the question she doesn't know he's asking. She could have just told him to punch Nancy in the face.
The cat remark takes precedence, however.]
Last time I checked, no. But my street name was Meow Meow.
[Was. She was thirteen and entirely too into cats. As she says it, Kenzi looks at Nancy quizzically. What the hell did you tell this kid?]
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you two know each other. [there is a slight question in her tone as she watches Stiles carefully. two Americans knew each other. that seemed like trouble. a quick glance at Kenzi, trying to get a read off of her in regards to this situation.]
maybe the four of us should get a drink. take this outside.
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Marquee
"Abigail Widdowson," she said politely, offering her hand. "I didn't spill your drink, did I?"
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"No, no - " as though to illustrate his empty free hand, he holds it palm up for a moment. His expression creases - while not a smile, it's certainly more amiable, no less serious but much less severe. Inwardly, he's still trying to piece together what he knows of this woman. "Hale. Derek Hale."
Perhaps belatedly, he shakes her hand.
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"A pleasure to meet you, Mister Hale." And then, the safest question first: "Are you affiliated with the Institute?"
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She may be the last one left, but that doesn't make her name hold any less potential, and he's here to test the water, to network.
"Miss Widdowson," he says, nodding to her as a means of saying likewise. "Not quite. I guess you could call me a stakeholder. And you?"
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And it's unsettling, to hear Sylvia speak of claiming more land. Barnet is worryingly close to Geap Manor, after all. Not that she's afraid of anything happening to the house, but it's a small concern.
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"Well, she's definitely clear on that," he says, his voice suggesting neither scorn nor admiration, carefully implacable. "Impressive speech."
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lecture theatre, or, MY FAMILY IS ALL DEad. I'm terrible, i'm sorry
He'd been absent for a lot of his own childrens' school functions due to his job. Plays, science fairs, career days... not that he'd have been able to honestly participate in that one. 'Hi, I'm Lila's dad, I'm an assassin.' Nope. A lie would have been suitable, anyways. As far as his kids had ever known, Clint had been in the Army, away on active duty; not out playing spy. It had been hard to balance a family with that other life, but he'd managed. And he'd trade anything to have it back.
So when Clint stops and stares at these students' projects, he's not just seeing weird magic and potions and enchantments. He's envisioning the kids who have put in the time and the effort to create the displays. Goddammit.
Eventually, he ends up staring at the same piece that Derek is examining. There's a steaming glass vial containing a bright green potion, and he's just kind of watching the steam rise inexplicably off of the liquid without any sort of flame to cause it to boil.
"Are you... uh, a potions-guy?"
wow...samesies...............
Studying the vial as intently as he is, it might appear that Derek is wholly ignorant of the world moving around him, but his focus has always veered towards single-minded. However, the moment the other man speaks, his eyes flick up to look at him across the case. Before any response maps itself upon his face, he's assessing - human, he's fairly sure, which raises more questions than it answers. The purposes of humans here is always harder to tell, but while it's something to keep in mind it's nothing to jump to a conclusion about.
The corner of his mouth quirks, and he shakes his head.
"No," for a moment, that appears to be all he's going to say. Eventually, he continues. "These are a little beyond me."
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In supernatural situations, it's always harder for Clint to get a solid idea of the capabilities of the people around him, unless they're chasing him, or the other way around. He can pick up on hints when they're present, but Derek isn't dropping any of those. Of course, Clint is well aware that this room is affecting him on a personal level, so he could just be missing something. But he doubts it.
"Not that there was a school like this around anyways, where I grew up." Or that Clint would have been able to go, if there had been. Magic and monsters were just stuff in stories, for most of his life.
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"Yeah, same," he says, huffing in a way that can barely be called amusement. Leaving had, arguably, been a choice - but staying had been unthinkable. "But I don't think there are many of these around to begin with," he replies, which is perhaps evidenced by the amount of Americans here tonight - or maybe they're all just unlucky.
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"You just visiting, to see the school? Or do you live around here?" Because, yeah, he's noted Derek's lack of an English accent. It is kind of odd that there are so many Americans hanging around. "I'm Clint, by the way. Clint Barton."
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"Derek," he says, and there's an infinitesimal pause before he adds: "Hale." Carefully, he tracks Clint's expression as he continues. "I moved here a while ago."
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Sipping what must be his third glass of good old H20, he catches sight of Derek across the way and freezes. As if in response to his gut-punch reaction of fear, his stomach churns uncomfortably. God, he’s not sure what would be worse—puking or having a panic attack in front of this guy. With his luck, it’ll be both. Prepared to hightail it out of there, he turns on his heel to hurriedly flee. ]
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eventually, restlessness spurs him to move and he follows his peripheral awareness of Stiles' scent. it isn't difficult, though whether that's the distant memory of Beacon Hills in his wake, or the fact he vomited at some point, Derek is hesitant to think about too much.
he shouldn't be surprised that, when he is seen, Stiles tries to make a break for it. he shouldn't be, and yet the banked anger is now sparked all over again. despite having little right to it - and despite knowing as much - Derek feels slighted. ]
Stiles.
[ and yet, that was not the harsh thing he intended, but when it goes unheard it only makes him that much more intent on being impossible to ignore. snarling, his pace quickens until he can see the risen hairs prickling the back of Stiles' neck and it's the easiest thing in the world to clamp a hand on his shoulder, spin him around to face him, and shove him back against the wall of the school. his arm, folded between them, might as well be a steel bar keeping him from escaping.
he's scowling, naturally, but initially so close that Stiles can probably see little of it. in order to look at him, Derek draws back all of two inches, and then his eyes are searching Stiles' face, demanding acknowledgement, pinning as his hands cannot.
his tongue feels leaden for a moment, heavy with the many things he might say, before one thing fights to the forefront and tumbles forth. ]
Was I not clear?
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Been eating any poor, innocent critters lately, pal? Because boy, does your breath stink.
[ He knows from experience how futile shoving off Derek is, so he doesn’t even try. Instead he sags against the wall, all dead weight, and forces the man to either hold him up or lose his grasp on Stiles. After tonight, he’s going to go and buy a dog whistle. One shrill past of that baby, and maybe he can rupture Derek’s eardrums. ]
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it's also really goddamn annoying, and Derek is far more focused on the latter than he is on anything else. Stiles isn't taking any of this seriously enough, isn't taking him seriously enough, and Derek should care little about one kid's stupidity and maybe that's the most riling thing about it, that he isn't pack --
god he's irritating. Derek's expression, previously all aggression and warning, is now a far more petulant sort of scowl as he's forced to keep Stiles up. it's not difficult, but it's presumptive, and Derek knows it's being done solely to piss him off and Stiles still isn't taking any of this seriously enough.
he shakes him once, roughly, for good measure, but it's more reproach and less violence. ]
So what happened to you then? See one too many glasses full of blood?
[ or is it just that he can't even handle drinking? the scorn is unreasonable, but Derek is scraping together what he can get. ]
Learned enough to stay out? [ if Stiles is so scared, he thinks he should have. fear should keep him alive. ]
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Blood?
[ Wow, it literally had not occurred to him before this moment that those glasses were not filled with wine. Neither he nor his father have ever had much use for alcohol that wasn’t the hard stuff, so he simply took it for granted that’s what red wine must look like. Blanching, he focuses his gaze on the bar in the distance and tries not to feel queasy. Unfortunately, between the werewolf boxing him in and his previous intoxication, his stomach is anything but settled. ]
Okay, blood or not, I’m here.
[ And as he speaks, he regains a measure of confidence; it steels his words, hardens his tone. ]
You need to learn that I’m staying. I already told you—this? This is my world too. I…I have as much a right to be here as you do! So back off.
[ Stiles punctuates the emphasis with a shove. ]
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even if Stiles keeps talking and Derek wants, badly, to shake him again.
a sneer quirks in his scowl, the what is it to me going unsaid. Derek believes in that flippancy, that disregard, even if his own actions are doing everything to say otherwise, even if it speaks of a disconnect that Derek won't acknowledge. he's wholly willing to blame his intent on Stiles' own stupidity, to ignore the memory of his mother speaking of guardianship, of duty.
he lets go of him. while the shove has done nothing, either to make him move or to encourage him to drop Stiles, it does show a certain amount of courage that Derek both admires and dislikes. slowly, pointedly, he looks down to his chest, where Stiles' hands had been, and then back up to his face. his eyebrows raise, questioning, really? - and then lower. ]
Right? This isn't about right, Stiles! None of this is. Do you really think you have a place here? Do you want a place here?
[ riled, he rolls his shoulders, willing his tension away through means that don't involve further physicality. ]
This is going to get you killed. Do you want that?
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