Natasha Romanoff (
outstandingbalance) wrote in
undergrounds2016-04-12 07:06 pm
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Entry tags:
[open] somewhere after midnight
I. Drinking, Conversation & Light Blood Sport
It's not strange for Natasha to end up in a bar at some point in the evening. Sometimes earlier, sometimes later, but at least a couple of times a week she ends up in one. Tonight is notable not because she's found herself in a new bar—that could be any night—but because she breaks out of her routine of taking a seat at the counter and nursing a drink or two for hour or so, maybe chatting with a regular, then going on her way.
This time she's found herself in a bar near the institute, and she has a drink sitting on the a table off to one side, sure, but instead of sipping it without appetite, she's standing facing a dart board, throwing set after set of darts and landing them in tight clusters in the cork. First around the bull's eye then the triple twenty, the triple nineteen, eighteen, seventeen... and so forth.
Maybe she's relaxing. Maybe she's getting used to being in London and the new job. She'd like to think that's the case, though mostly she's been keeping her head down and her eyes open.
It might be going a little too far to say she's in a good mood, but she's starting to feel a little more outgoing. Enough to turn to someone near by and ask, "Care to give me some competition?"
II. Light Blood Sports & A Drinking Problem
Another night, another bar. This time Natasha is more to her normal script. Or at least, she was for about the first third of her whiskey sour. That's when a disagreement down the bar turns violent. At first, Natasha isn't too worried about it. It isn't her problem, just a couple of drunks knocking over stools and raising their voices.
Then one of them pulls a switchblade and it goes from not her problem to to very much her problem in a matter of a fraction of a second when the blade slides through the other man's jacket and into his forearm. The smell of blood fills the bar room, stronger and more intoxicating than any of the alcohol on the shelf.
It's been over two months since Natasha had human blood, and all in a rush it seems like every second of it was screaming at her. For a moment she freezes, afraid of what she'd do if she moved, afraid of what someone might see if she drew their attention. Her jaw tightens and her nails drag across the top of the bar in a slow, tense scratch. She stares at nothing, her attention narrowing to pin point.
The fight doesn't last from there. The bartender yells at both of them to get out, the bouncer appears. Both of them are kicked out.
And Natasha covers her mouth, shaking.
III. Streetlights, Shadows & Night Owls
Let's call it work. Natasha thinks of it that way. It's not exactly patrolling—nothing that formal. It's more just being out, keeping her eyes open, paying attention and being around. Most nights, it doesn't lead to much. Not wasted time since she's getting used to the city, but she doesn't accomplish a whole lot.
Sometimes, though, she runs into something interesting. Someone she can help? Who knows.
IV. Wildcard
((Don't see something you like? Hit me up at
sarosaron and we'll figure something out.))
It's not strange for Natasha to end up in a bar at some point in the evening. Sometimes earlier, sometimes later, but at least a couple of times a week she ends up in one. Tonight is notable not because she's found herself in a new bar—that could be any night—but because she breaks out of her routine of taking a seat at the counter and nursing a drink or two for hour or so, maybe chatting with a regular, then going on her way.
This time she's found herself in a bar near the institute, and she has a drink sitting on the a table off to one side, sure, but instead of sipping it without appetite, she's standing facing a dart board, throwing set after set of darts and landing them in tight clusters in the cork. First around the bull's eye then the triple twenty, the triple nineteen, eighteen, seventeen... and so forth.
Maybe she's relaxing. Maybe she's getting used to being in London and the new job. She'd like to think that's the case, though mostly she's been keeping her head down and her eyes open.
It might be going a little too far to say she's in a good mood, but she's starting to feel a little more outgoing. Enough to turn to someone near by and ask, "Care to give me some competition?"
II. Light Blood Sports & A Drinking Problem
Another night, another bar. This time Natasha is more to her normal script. Or at least, she was for about the first third of her whiskey sour. That's when a disagreement down the bar turns violent. At first, Natasha isn't too worried about it. It isn't her problem, just a couple of drunks knocking over stools and raising their voices.
Then one of them pulls a switchblade and it goes from not her problem to to very much her problem in a matter of a fraction of a second when the blade slides through the other man's jacket and into his forearm. The smell of blood fills the bar room, stronger and more intoxicating than any of the alcohol on the shelf.
It's been over two months since Natasha had human blood, and all in a rush it seems like every second of it was screaming at her. For a moment she freezes, afraid of what she'd do if she moved, afraid of what someone might see if she drew their attention. Her jaw tightens and her nails drag across the top of the bar in a slow, tense scratch. She stares at nothing, her attention narrowing to pin point.
The fight doesn't last from there. The bartender yells at both of them to get out, the bouncer appears. Both of them are kicked out.
And Natasha covers her mouth, shaking.
III. Streetlights, Shadows & Night Owls
Let's call it work. Natasha thinks of it that way. It's not exactly patrolling—nothing that formal. It's more just being out, keeping her eyes open, paying attention and being around. Most nights, it doesn't lead to much. Not wasted time since she's getting used to the city, but she doesn't accomplish a whole lot.
Sometimes, though, she runs into something interesting. Someone she can help? Who knows.
IV. Wildcard
((Don't see something you like? Hit me up at
II
His contact has left and Eames has relocated to the bar when the fight breaks out. Mostly he looks annoyed by the whole thing, it's annoying and ruining his attempt to wind down after a long day, but his eyes aren't on the obnoxious neanderthals knifing eachother when blood gets spilled.
Eames watches Natasha out of the corner of his eye, and the way she reacts is extremely telling. Hasn't had blood in a while obviously - at least, not human - and she's clearly putting her all into not giving in to the bloodlust. And it'd be better for everyone if she didn't, which is why he orders her a gin and a slice of lemon once the bartender's attention is free. He figures it's probably not quite enough to block it out entirely, but gin has a strong scent, something more pervasive than other liquors. It'll help dull things a little, at the very least.
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Then she blinks, realizing what's happening instead of listening to the sound of his heartbeat.
She shakes her head a little, taking the lemon and squeezing it into the gin. The smell sticks to her fingers, not quite covering the lingering scent of blood, but at least taken with the gin it gives her something else she can pretend to pay attention to.
Hands still shaking slightly, she takes a drink. It's not what she wants. Not even slightly. She refuses to let herself turn her nose up at it though, drinking deeply, her eyes on Eames the entire time as she does.
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A man who loses interest in boring conversations astoundingly fast, but his ability to watch is something else entirely. And that's what he does, eyes on her until she seems stable again. Until she's not an immediate threat.
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Hopefully she won't be stooping to rats or stray cats, but it was too early to rule that out entirely.
By the time she finishes the gin, she's visibly more steady. Her expression is grimmer than it was a few moments before, paler and looking more tired, but she's not about to lash out. She doesn't stand until she's sure she trusts herself to regulate, especially approaching someone as tempting as her benefactor.
That is a rabbit hole she doesn't intend to go down.
"Are thanks in order?" she asks, her voice low; a little raspy, but that's how she usually sounds.
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I
It's not a comforting thought.
Still, he's sufficiently occupied with his thoughts about chromosome abnormalities that Natasha's offer comes completely out of left field and he chokes on his drink.
"Fuck, no," he splutters, laughing. "Not really my area of expertise."
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"Besides," she adds, "it looks like you could use a distraction."
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But, alas, it's not.
"My hand-eye coordination's pretty shit," Simon cautions, but he stands up anyway and takes a dart. It's not completely true--he was reasonable enough at sports--but he's got no innate talent that even approaches the kind of precision he'd just seen from Natasha. (Or even from Illya, the mysteriously well-armed werewolf. Christ, his life.)
The dart hits the board. It's not particularly close to the center, but at least he doesn't miss it entirely.
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Not that there's not inborn talent or advantages that come with inhuman physiology, but Natasha's aim hasn't changed much from when she was human, and any natural talent she might have had was only a springboard for more hours of training than she can estimate.
"Just try to relax and give it another shot."
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II
That is, until someone- something down the bar catches his attention. The woman is a complete stranger, but he recognizes the slight widening of her eyes and the way she seems to react to the fight, not afraid of the conflict but of the result of it. Kyle grabs his drink and walks over, taking his seat beside her instead of where he was.
"You should probably go," he says easily, looking behind the bar instead of at the woman as he takes another sip of his beer. It's as amicable as he'll get with what he's pretty damn sure is a vampire.
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For a few seconds, she wasn't sure she trusted herself to respond, let alone to leave.
Her breathing comes a little faster. On some level, Natasha would love to turn this into a fight, but she tamps down on that instinct. She can't give into that part of herself now. That was a person she was trying very, very hard not to be.
Finally, after too long of a pause, she replies, "That's going to take a minute."
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"I heard The Jolly Roger is more for people with your.. tastes. Maybe you should try there and leave this place to the locals," he suggests. His tone is light enough, even as the words are intentionally rude.
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III
No, there is something more casual to her than that. And yet he knows without having to ask that she is vampire. Not new -- she would look hungrier, more desperate if she were. But vampire nonetheless. She is a curiosity. And exactly the sort of thing that Jean-Claude himself is out for a stroll on the intention of bumping into.
"It is a beautiful night, is it not," he comments, as he steps from the shadows towards her. The air is still crisp, and thus he has a velvet frock coat mostly buttoned over his customary laced-front shirt. Though he is still baring a decent amount of chest, not to worry.
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"Is it?" she asks in return, Russian accent subtle but present. It's a split second judgment call how to respond to him. Hopefully it's the right one. The last thing she needs is to stir up trouble with older vampires, and she's banking on the fact she thinks he's Kenzi's maker to mean that he won't stand on status or formality. "I suppose it could be worse. It could be raining. Still damp, though."
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Jean-Claude's French accent is perhaps a bit thicker than Natasha's Russian, but he's still easy to understand. He's been speaking English for a long time after all, he's just stubbornly hung onto his accent despite it all. He shrugs slightly in response to her words, smirking slightly before commenting, "Any night England decides upon fair weather is a good night." Fair weather of course meaning that it's not raining. Not at the moment, anyway.
"So. What is it that brings you out on the streets at such a time, chérie?" he asks. "Clearly it is not the weather."
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i
But she, too, is getting more used to things in London. She's starting to be able to change who she thinks she is. Effy Stonem, a human. Effy Stonem, a faker. Effy Stonem...a fae. It doesn't sound natural --it doesn't feel natural-- but it does seem a little less foreign. She's no longer looking over her shoulder for a doppelganger ready to destroy her and take back their own name. So she allows a faint smile to cross her face as she watches the woman --familiar, she realizes, though she was pissed at the time-- at the dartboard.
An even less faint smile at the invitation.
"You want me to follow that?" She nods at the board. "I'd be more of a joke than competition."
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She holds out a set of darts to Effy, wiggling them in mock temptation. She doesn't really know if the girl will go for it, but judging from her smile, Natasha thinks she might have a chance.
"I won't even make you buy me a beer when I win."
ii;
Natasha does a pretty good job of making herself seem, well, missable. But she saved his life, hers is going to be a hard face to forget. He slides into the chair next to her, reaching over to place a hand on her arm. Maybe that's a bad idea. Maybe he should've announced himself with how wrapped up in herself she is. But he doesn't.
"Hey, uh -- are you alright?"
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Her answer comes a moment late, when she trusts her voice. Even still, there's a catch in her throat from thirst.
"I will be," she says. "I might need to get some air."
She doesn't move though, unsure she trusts herself just yet.
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The best thing that can be said about the bar she enters is its cheap drinks and the fact it hardly seems overcrowded. Gaby saunters up to the barkeep, bats her eyelashes and emerges with two half-price drinks and some comments she'd rather forget were ever said.
Her plan? To empty both the glasses in quick succession and be on her way. But that plan is interrupted when she notices someone throwing darts (showing off, more like)-- and she smiles when she realizes she recognizes the person.
"That is very impressive," she comments as she walks closer, not bothering to speak any louder than her usual, conversational tone.
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"This?" she says lightly. "This is just practice. I have the feeling you'd do pretty good yourself."
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"Long day at work?" It's funny, in a way, that they both had ended up working in the same place, if on very different duties... though had her mission been different, perhaps Gaby would have taken up the same job as Natasha did, instead of pretending to be a teacher.
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1. let's call this a late date
"Sure," says the blind man, but they both know there's more to him than that. "Maybe I'll get lucky."
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"You might be getting a little ahead of yourself if you think you're getting lucky," Natasha teases, not quite able to let his turn of phrase go without making a joke on it. "Maybe we can talk about that if you manage to win."
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Look, sometimes he talks and everything just comes out flirty. It's a curse that manifests itself around beautiful women (and sometimes hot guys.) He steps up to the board and feels his way around for the darts. Of course, touching the board also helps him 'see' it better, too.
"I'm a few years out of practice." He takes a few steps back to join her, weighing the darts in his hands. They don't usually let him throw sharp objects. Bit of a safety hazard and all that. He hands her the darts. "Can't tell the colours apart for one thing. You mind splitting 'em for me?"
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