Desmond Miles (
trickofthelight) wrote in
undergrounds2017-07-08 05:31 pm
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july catch-all for desmond
1. all of july: job hunting
Desmond might have a place to stay for now, but the little bit of money he was given isn't going to last forever, so that only means one thing: he needs to find a job. Keeping to Circle Daybreak and other witch-friendly territories, Desmond walks along the streets, keeping an eye out for any signs in windows that indicate a place might be looking to take on an extra pair of hands. Unfamiliarity with the city, though, means he has a hard time navigating, and it takes no time at all to get lost.
Meaning it's time to accost a stranger, giving them a sheepish grin. "Do you have a minute? I think I took a wrong turn somewhere."
Otherwise, you might see him come in to a bar or a shop, looking around for the owner or someone who looks like they might be in charge. If they're otherwise occupied, he might turn to you instead. "Sorry, but would you happen to know who I should talk to about getting a job here? I heard they're hiring."
2. all of july: bird's eye view
There's no better way to see the city than from the roofs, so Desmond can frequently be found hauling himself up along fire escapes and -- occasionally -- architecture, though he's careful to try and do it out of sight of main thoroughfares. Still that could mean you see someone scrambling up the side of a building,hear a scuffle of feet outside your window, or a soft thump and some low swearing from an alleyway when he doesn't quite stick his landing the way he's supposed to.
Once he does get to the rooftops, Desmond pulls out a pen and a map of London, turning it around in his hands and flipping through it until he gets to the page that corresponds to whatever he's looking at right now. Narrowing his eyes, he tries to match the skyline and the landmarks to the map.
"Guess who built this place never heard of urban planning, did they?" he says out loud, to no one in particular.
[ ooc; need me to write up a custom starter? want to tag in with something completely unrelated? just shoot me a pm! ]
Desmond might have a place to stay for now, but the little bit of money he was given isn't going to last forever, so that only means one thing: he needs to find a job. Keeping to Circle Daybreak and other witch-friendly territories, Desmond walks along the streets, keeping an eye out for any signs in windows that indicate a place might be looking to take on an extra pair of hands. Unfamiliarity with the city, though, means he has a hard time navigating, and it takes no time at all to get lost.
Meaning it's time to accost a stranger, giving them a sheepish grin. "Do you have a minute? I think I took a wrong turn somewhere."
Otherwise, you might see him come in to a bar or a shop, looking around for the owner or someone who looks like they might be in charge. If they're otherwise occupied, he might turn to you instead. "Sorry, but would you happen to know who I should talk to about getting a job here? I heard they're hiring."
2. all of july: bird's eye view
There's no better way to see the city than from the roofs, so Desmond can frequently be found hauling himself up along fire escapes and -- occasionally -- architecture, though he's careful to try and do it out of sight of main thoroughfares. Still that could mean you see someone scrambling up the side of a building,hear a scuffle of feet outside your window, or a soft thump and some low swearing from an alleyway when he doesn't quite stick his landing the way he's supposed to.
Once he does get to the rooftops, Desmond pulls out a pen and a map of London, turning it around in his hands and flipping through it until he gets to the page that corresponds to whatever he's looking at right now. Narrowing his eyes, he tries to match the skyline and the landmarks to the map.
"Guess who built this place never heard of urban planning, did they?" he says out loud, to no one in particular.
[ ooc; need me to write up a custom starter? want to tag in with something completely unrelated? just shoot me a pm! ]
slamming in here with a wildcard
Thankfully, as Rhys left a few days ago, Cole hasn't completely faded away to nothingness yet (but he's so scared, tense and terrified, worried that it would happen soon). He still had some of his powers. And he could still sort of feel Desmond, he could know where he was. So SURPRISE, DESMOND you've got a frantic ghost teleporting just right in front of you and Cole just honestly doesn't know and/or care what Desmond's doing right now, especially considering he's on the verge of a panic attack.
"Can you keep me whole?"
Might need to take this conversation slowly.
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"Wait -- what?" What's that supposed to mean? Also, they're in the middle of a store aisle, like the worst place to have this conversation ever.
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"Rhys left. I can't feel him anymore. You have to help, make me whole, keep me from hurting!"
He's not going to go back to that. That anchorless state of him haunting the alleyway, confused, worried, not understanding anything, lashing out to try and get people to see him. He refuses to be that Cole again.
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"I don't understand what's happening," he'll admit that readily enough. "I'll help if I can. But I don't think I can do that here." The grocery is not a place for occult doings, generally speaking.
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"Then where? We need to do this quick. I can't...I won't let it happen again."
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"Outside. Follow me." Moving as quickly as he can without breaking into an outright run, he'll sidestep the curious onlookers who've started moving towards the noise and find the nearest secluded alley, turning to glance over his shoulder every so often to make sure Cole's following. He doesn't know a whole lot about the rules of the Night Council, but he does know one thing -- not letting humans know they exist is the most basic rule there is, so Cole making a scene somewhere very public is something nobody wants.
"This should work," he exhales, after glancing around to make sure they're in the all-clear, then straightens, trying to replay the last few bits of their conversation before he booked it. "Okay, let's try this again. You said Rhys left? Your anchor? Why?"
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"Evangeline was--" Evangeline was trying to exorcise him. To force him to pass on. He can't hate her for that, it was just her job, and he was dangerous.
"Evangeline had to leave so Rhys left as well. Their threads tied together, I could feel it." He had been feeling it for a while. Rhys loved Evangeline and Evangeline loved him as well. So when matters soured, when Evangeline got in trouble for not exorcising the alleyway ghost and Rhys got in trouble for helping Evangeline, they had to leave. The pieces of the answer are in Cole's mind but he's so worried right now, so scattered that he's not putting them together.
"I don't blame them. They're happy. It's just..." He trails off, looking over at Desmond with worried eyes. What's going to happen to him?
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"I don't really know what happens when a ghost loses their anchor," Desmond admits, readily enough. Most of the texts he've read are big into the whole 'passing on' and 'laying weary spirits to rest' thing. "Do you feel any different?"
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He's still Cole. And he can still do things that he did with Rhys and Evangeline, when he was full. But right now? He can feel the memories about to slip, he can feel his connections with people slip out of his grasp, and he wants to grab them and pull them tight and hold them and not let go. He won't go back to the scared Cole he used to be. He can't let that happen.
"You're a spirit medium. You have to keep me from hurting."
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"I'm not a spirit medium yet," he admits, quietly. "Not really. But I can try something." He's only ever used the sight to try to identify living things -- a ghost might be different? -- but maybe it can give him some insight on how to help that he lacks right now.
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Of course, that's not going to stop Cole from talking, worrying, confusing Desmond even more though accidentally giving unintentional answers at the same time. "I was changed then. A changed Cole. Can you bind me? Would that stop me?"
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However, before he can open his mouth to offer reassurance, Cole keeps going, and Desmond frowns. Bind him? Why would he need to? It almost sounds like ...
"Cole," he says slowly, unconsciously putting emphasis on the world, like it might keep him from babbling further. "When you said 'stop me from hurting,' you weren't talking about hurting yourself, were you?"
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"I didn't mean to," he pleads, looking over at the witch with frightened eyes. "Sad and scared, alone and lonely. I wanted them to see and the only way for them to see was..."
Was hurting. Was Cole hurting other people. He thought it made sense at the time, he thought it was the only way, but now he knows that it wasn't, he was wrong, people got hurt for nothing. Because he was scared.
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"I can still see you," he says, with more conviction than he feels. First things first, don't make the scared ghost any more scared, right? He wills the panic and confusion down, focuses on trying to hold calmness in his mind and project it outward, before he tentatively holds out a hand, palm up.
"But ... I need you to stop freaking out, all right?" How can he get ghost to calm down? "Do you have, uh ... a happy memory? Something you can think about?"
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"I don't have many memories to begin with. Forgetting and forgotten, the spirit of the alleyway." There's a pause though, as Cole mulls things over. "The happy memories hurt now."
They all involve Rhys. Rhys who left, Rhys his first friend, his only friend. There was a reason, there was a choice, but it still hurts.
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"Okay," Desmond says, trying to tamp down the weirdness of hey, I'm holding hands with a ghost in an alley, this isn't weird or creepy at all! Cole feels strange to the touch, both solid and not, and if he concentrates too hard it kind of screws him up, so he thinks about something Cole could concentrate on instead.
"Do you like cats?"
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"I suppose so?" It's honestly nothing he's really thought about before. He's only really talked with one cat but sitting down, thinking about his likes and dislikes, it's something that Cole hasn't actually done before. So Desmond's question does distract him, but not int he way that the other man likely intended. What does he like?
"I think I like rabbits the best."
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"... Okay. Well." He clears his throat, slightly. "Tell me about rabbits. What do you like about them?"
Desmond's pretty sure this isn't the way you ground a ghost, but hey, he's never been one to shy away from improvising. He won't let his own uncertainty linger, and focuses on continuing to project reassurance and steady calm, slowing his breath and letting go of his worries one by one.
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It's said without thinking, as an idle thought. Indeed, Cole doesn't seem to realize that he remembered an aspect of his life while alive. It's just a fact: he likes rabbits. And, whether he means for it to happen or not, Desmond's grounding technique works. Cole's distracted. And Desmond's calm, Desmond's steady, which makes him feel just as calm and just as steady.
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"Never had any rabbits where I grew up," Desmond offers in return -- one bit of information in return for another. It's not the kind of thing you can force, being an anchor, but if he feels like he knows a little bit about Cole, and Cole knows a little bit about himself, maybe that will help. Share something about how if they'd been raising them, it would probably have been for food and not as pets ... ? No, that's probably not going to help.
"Sounds like you had more than just rabbits, though."
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"There were four of us. There were three of us and one other. Alone and afraid, we couldn't do anything even if we wanted to."
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And hey! It's working! Good job Desmond, you're getting this medium thing somewhat down.
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